PARTITIONS GRATUITES :
- Kenneth Plain

By Based On An English Melody. Arranged by Kenneth Plain. Text: William W. Phelps. For SSAATTBB Choir and Organ. Level: Medium. Duration 4:30. Published by Jackman Music Corporation.

By Jean Sibelius. Arranged by Kenneth Plain. Text: Katharina von Schlegel, trans: Jane Borthwick. For SSAATTBB Choir. Level: Medium Difficult. Published by Jackman Music Corporation.

Violin - difficult

SKU: HL.49017065

For solo violin. Composed by Kenneth Hesketh. This edition: Saddle stitching. Sheet music. String Solo. Book only. Composed 2005. 16 pages. Duration 12'. Schott Music #ED 12878. Published by Schott Music (HL.49017065).

ISBN 9790220130571. 9.0x12.0x0.052 inches.

Taking his starting point from 17th century philosopher-poet Cyrano de Bergerac's 'Grandes Plaines du Jour', Hesketh powerfully fuses a huge range of performing and compositional techniques into this 12 minute work for solo violin. Inspired by Bergerac's imaginations of other worlds and utopian societies, the work explores extreme ranges and timbres whilst using techniques such as left hand pizzicato and natural harmonics. Open-fifth material, which is natural to the instrument, is prominent and short duets alternating between arco and pizzicato figures add yet another dimension.

Written by Kenneth Baker. For piano. Format: instructional book. With standard notation, chord names, instructional text, chord chart and introductory text. Chords and jazz. 128 pages. 9x12 inches. Published by Music Sales.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Jazz Piano

SKU: SP.TS236

Composed by Michael Tarro. Instructional; Jazz Method. Book and CD. Santorella Publications #TS236. Published by Santorella Publications (SP.TS236).

ISBN 9781585609871. UPC: 649571002367.

Creat ive Jazz Piano Arranging for Real Fake Book Tunes is a method and songbook written by Michael Tarro. This new title for Jazz Piano is a culmination of more than thirty years of experience in teaching piano. It contains musical concepts and explains many techniques for any jazz pianist to develop their own interpretive style. This instructional collection teaches how to create variations of simple melodies of many well-known standards as written in every Fake-Book which includes: A phenomenal collection of the most popular jazz standards ever written. Complete original jazz piano arrangements clearly notated with precision. Improvised solos are transcribed in their entirety with strict adherence to detail offering incredibly valuable jazz piano techniques for developing interpretive skills. A recording of every arrangement performed by the author, Michael Tarro with A bonus track of Tarro's award winning Big Band single, Traveling Theme. Creative Jazz Piano Arranging provides a logical approach towards creating arrangements of simple well-known melodies. This powerful tool in developing performance excellence is one of the first steps toward becoming an incredible jazz pianist. Gentle Rain by Louis Bonfa, Don t Blame Me by Jimmy McHugh, Sharp Nine Blues and Traveling Theme by Mike Tarro, My Romance and Hello Young Lovers by Rodgers and Hammerstein, When Sunny Gets Blue by Marvin Fischer, Days Of Wine and Roses by Mancini and Johnny Mercer, Nearness Of You and Georgia On My Mind by Hoagy Carmichael, Sweet Georgia Brown written by Ben Bernie, Maceo Pinkard and Kenneth Casey, When I Fall In Love by Victor Young, and Don't Get Around Much Anymore and I Got It Bad and That Ain't Good by Sir Duke Ellington.

Drumset

SKU: AP.1-ADV13220

English/French/German Language Edition. Composed by Kenneth Nash. Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV13220. Published by Advance Music (AP.1-ADV13220).

ISBN 9783892210320. UPC: 805095132205. English.

Rhythm's Talk reflects the author's basic musical philosophies plus some of the concepts he has created or required over the past 15 years as a percussionist with some of the great creative musical forces of our time. Included are Calypso, Merengue, and Rumba rhythms, jazz grooves for drumset and conga, based on Afro-Cuban rhythms, and two complete Rumba percussion ensembles. On the recording the author performs and explains all rhythms and exercises contained in the book.