CLARINETTEBach, Johann Sebastian
Bach, Johann Sebastian - "Gebt mir Meinen Jesum Wieder!" for Clarinet Sextet
BWV 244 No.42
Clarinette en Sib et Clarinette basse


VoirPDF : "Gebt mir Meinen Jesum Wieder!" (BWV 244 No.42) for Clarinet Sextet (4 pages - 168.04 Ko)1 790x
MP3 : Audio principal (168.04 Ko)208x 1051x
Ecoute uniquement (par Mouchiquel, Nirmel)430x
MP3
Vidéo :
Compositeur :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Clarinette en Sib et Clarinette basse

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian Bach
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 20 Fév 2013

The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew." It is also rendered in English as St. Matthew Passion and in German as Matthäuspassion.

Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743–1746, when the score as we know it originated, but no performance.

In this Aria "Gebt mir Meinen Jesum Wieder!" ("Give me back my Jesus!"), it is acclaimed, "Give me back my Lord, I pray ye! See, the price for murder done, Cast by the tormented son, At their feet, who paid it. Give me back my Lord, I pray ye!"

Although it was written for Chorus and period Instruments, I created this arrangement for Clarinet Sextet (4 Bb Clarinets & 2 Bass Clarinets).
Partition centrale :Passion selon Saint-Matthieu (1re version) (177 partitions)
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