 | Debussy, Claude - "La Cathédrale Engloutie" for Harp Duet L. 117 Book I No. 10 2 Harpes (Duo) |
VoirPDF : "La Cathédrale Engloutie" (L. 117 Book I No. 10) for Harp Duet (7 pages - 291.56 Ko)1 602x⬇ VoirPDF : Harpe 1 (Partie séparée) (244.39 Ko) VoirPDF : Harpe 2 (Partie séparée) (249.67 Ko) MP3 : Audio principal (249.67 Ko)194x⬇ 1776x
La Cathédrale Engloutie for Harp Duet
MP3 (5.78 Mo) : 
(par Magatagan, Michael)148x⬇ 239x
La Cathédrale Engloutie for Harp Duet
MP3 (5.77 Mo) : (par Magatagan, Michael)153x⬇ 126xVidéo :
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| Compositeur : | Debussy, Claude (1862 - 1918) | ||||
| Instrumentation : | 2 Harpes (Duo) | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1907-1910 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 05 Avr 2013 Achille-Claude Debussy (1862 – 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself intensely disliked the term when applied to his compositions. In France, he was made Chevalier of the Legion of Honour in 1903. A crucial figure in the transition to the modern era in Western music, he remains one of the most famous and influential of all composers. His music is noted for its sensory component and frequent eschewing of tonality. Debussy's work usually reflected the activities or turbulence in his own life. In French literary circles, the style of this period was known as symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant. Claude Debussy's Préludes are two sets of pieces for solo piano. They are divided into two separate livres, or books, of twelve preludes each. Unlike previous collections of preludes, such as those of J.S. Bach and Chopin, Debussy's do not follow a strict pattern of key signatures. Each book was written in a matter of months, at an unusually fast pace for Debussy. Book one was written between December 1909 and February 1910, and book two between the last months of 1912 and early April 1913. Each of Debussy's Préludes, Book I (1907-1910) is a short but substantial work that conveys a particular mood or impression suggested by its title. Still, as musicologist Rollo Myers notes, "the pictorial element [is not] unduly stressed if stressed at all; these Préludes are pure music." In accordance with the composer's practice of assigning a title only after the completion of a work, the titles of the Préludes are placed at the foot of each, rather than at the head. The Préludes represent the pinnacle of Debussy's keyboard art; each may be rightly regarded as a miniature masterpiece. La cathédral engloutie (The Sunken Cathedral): Debussy effects a striking musical depiction of the mythical submerged cathedral of Ys with "archaicisms" like modality and parallel harmonies. The work's rhythmic stasis, combined with its massive sonorities, creates an overwhelming sense of awe and grandeur. Although originally written for Piano, I created this arrangement for Concert (Pedal) Harp Duet. Partition centrale : | Préludes, Livre 1 (13 partitions) | | |||
