 | Bach, Johann Sebastian - "Gott durch deine Güte" for Clarinet Quartet BWV 600 Clarinette en Sib et Clarinette basse |
VoirPDF : "Gott durch deine Güte" (BWV 600) for Clarinet Quartet (2 pages - 84.09 Ko)424x⬇ VoirPDF : Clarinette 1 (Partie séparée) (55.46 Ko) VoirPDF : Clarinette 2 (Partie séparée) (66.38 Ko) VoirPDF : Clarinette 3 (Partie séparée) (54.22 Ko) VoirPDF : Bass Clarinette (Partie séparée) (58.57 Ko) MP3 (58.57 Ko)62x⬇ 747x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Clarinette en Sib et Clarinette basse | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Avr 2013 Johann Sebastian Bach (1685 - 1750) was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time. This chorale prelude, Gott, durch deine Güte (God, Through Your Goodness), is the second of 45 that comprise Bach's collection entitled Orgelbüchlein (Little Organ Book). Written during the exact span of his service as Court organist for the Duke of Sachsen-Weimar (1708 - 1717), they were designed for church service as well as for study and performance by organ students. The ingenious Bach fills both purposes with remarkable skill, but in the end, also produces a masterful gem on purely musical terms. (Incidentally, this work is also known as Gottes Sohn Ist Kommen [God's Son Is Coming] and is not to be confused with the later Fughette [BWV 703] of the same title.) This gentle chorale prelude opens with a bright theme in the soprano, underneath which there is finely imagined canonic activity in the tenor. In the lower ranges, a roaming ostinato figure can be heard further enhancing the joyous mood of the piece. In the end, the subtle detail and craftsmanship Bach invests this work with is a marvel: the listener often notices something entirely new on each audition. Lasting just over a minute -- a not uncommonly brief duration in this set of mostly miniature works -- this chorale prelude will appeal to most Baroque and serious organ music aficionados. Although originally written for Organ, I created this arrangement for Clarinet Quartet (Bb Clarinets (3) & Bass Clarinet). Partition centrale : | Das Orgel-Büchlein (167 partitions) | | |||
