FLUTEJanequin, Clement
Janequin, Clement - "Le Chant des Oiseaux" for Woodwind Quartet
Quatuor à vent: Flûte, Hautbois, Clarinette, Basson


VoirPDF : "Le Chant des Oiseaux" for Woodwind Quartet (10 pages - 187.53 Ko)781x
MP3 : "Le Chant des Oiseaux" for Woodwind Quartet 217x 1934x
MP3
Vidéo :
Compositeur :
Clement Janequin
Janequin, Clement (1485 - 1558)
Instrumentation :

Quatuor à vent: Flûte, Hautbois, Clarinette, Basson

Genre :

Renaissance

Arrangeur :
Editeur :
Clement Janequin
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 30 Mai 2013

Clément Janequin (c. 1485 -- 1558) was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development of the Parisian chanson, especially the programmatic type. The wide spread of his fame was made possible by the concurrent development of music printing.

Few composers of the Renaissance were more popular in their lifetimes than Janequin. His chansons were well-loved and widely sung. The Paris printer Pierre Attaingnant printed five volumes with his chansons. La bataille, which vividly depicts the sounds and activity of a battle, is a perennial favorite of a cappella singing groups even in the present day.

The programmatic chansons for which Janequin is famous were long, sectional pieces, and usually cleverly imitated natural or man-made sounds. Le chant des oiseaux imitates bird-calls; La chasse the sounds of a hunt; and La bataille (Escoutez tous gentilz), probably the most famous, and almost certainly written to celebrate the French victory over the Swiss Confederates at the Battle of Marignano in 1515, imitates battle noises, including trumpet calls, cannon fire and the cries of the wounded Onomatopoeic effects such as these became a commonplace in later 16th century music, and carried over into the Baroque era; indeed "battle music" was to become a cliché, but it first came into prominence with Janequin.

Although originally written for Voice (SATB) and Continuo, I created this arrangement for Woodwind Quartet (Flute, Oboe, Bb Clarinet & Bassoon).
Partition centrale :Le chant des oiseaux (6 partitions)
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