FLUTEAllegri, Gregorio
Allegri, Gregorio - "Miserere Mei, Deus" for Woodwind Quintet
Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson


VoirPDF : "Miserere Mei, Deus" for Woodwind Quintet (2 pages - 73.57 Ko)1 265x
MP3 (73.57 Ko)219x 2133x
MP3
Vidéo :
Compositeur :
Gregorio Allegri
Allegri, Gregorio (1582 - 1652)
Instrumentation :

Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson

Genre :

Baroque

Arrangeur :
Editeur :
Gregorio Allegri
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 22 Jun 2013

Gregorio Allegri (1582 – 17 February 1652) was an Italian composer of the Roman School and brother of Domenico Allegri; he was also a priest and a singer. He lived mainly in Rome, where he would later die.

By far the most well known and regarded piece of music composed by Allegri is the Miserere mei, Deus, a setting of Vulgate Psalm 50 (= Psalm 51). It is written for two choirs, the one of five and the other of four voices, and has obtained considerable celebrity. One of the choirs sings a simple fauxbordon based on the original plainsong chant for the Tonus peregrinus; the other choir sings a similar fauxbordon with pre-existing elaborations and the use of cadenzas. The Miserere has for many years been sung annually during Holy Week in the Sistine Chapel. Many have cited this work as an example of the stile antico (old style) or prima pratica (first practice). However, its constant use of the dominant seventh chord and its emphasis on polychoral techniques certainly put it out of the range of prima pratica. A more accurate comparison would be to the works of Giovanni Gabrieli.

Miserere mei, Deus is a setting of Psalm 51 composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins as part of the exclusive Tenebrae service on Wednesday and Friday of Holy Week. It was the last of twelve misereres composed and chanted at the service since 1514 and the most popular: at some point, it became forbidden to transcribe the music and it was only allowed to be performed at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication.

Although originally written for Chorus (SSAATTB), I created this arrangement for Woodwind Quintet (Flute, Oboe, Bb Clarinet, French Horn & Bassoon).
Partition centrale :Miserere (9 partitions)
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