 | Lemmens, Jacques-Nicolas - "Ave Maria" for Flute & Strings No. 1 Flûte et Cordes |
VoirPDF : "Ave Maria" (No. 1) for Flute & Strings (7 pages - 175.34 Ko)494x⬇ MP3 : "Ave Maria" for Flute & Strings 135x⬇ 709x
| Compositeur : | Lemmens, Jacques-Nicolas (1823 - 1881) | ||||
| Instrumentation : | Flûte et Cordes | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 21 Oct 2013 Jacques-Nicolas (Jaak-Nicolaas) Lemmens (1823 – 1881), was an organist and composer for his instrument. He was born at Zoerle-Parwijs, near Westerlo, Belgium, Lemmens took lessons from François-Joseph Fétis, who wanted to make him into a musician capable of renewing the organ-player's art in Belgium. Fétis sent him to Adolf Friedrich Hesse in Germany to learn Johann Sebastian Bach's tradition. In 1847, Lemmens won the Paris Conservatoire's prestigious Prix de Rome with his Le roi Lear ("King Lear"). One year later he published his first work for organ: Dix improvisations dans le style sévère et chantant ("Ten improvisations in a strict and singing style"). In March 1849 he was appointed organ teacher at the Royal Brussels Conservatoire, aged only 26; and he trained numerous young musicians, including two eminent Frenchmen, Alexandre Guilmant and Charles-Marie Widor. During 1852 he gave organ recitals in Saint Vincent de Paul, La Madeleine and Saint Eustache churches in Paris, where he stunned audiences with his technique. Particularly notable was his brilliant pedal-playing, which owed a good deal to his studies of Bach's music (at the time Bach's organ works were not at all well known in France). In 1857 he married the English soprano Helen Sherrington (1834–1906), who in the following decade emerged as a leading English concert and operatic singer. He died at Zemst, near Mechelen, Belgium. Ave Maria is Latin for Hail Mary, a traditional Roman Catholic and Eastern Orthodox prayer calling for the intercession of Mary, the mother of Jesus. Although originally written for Voice (S) and Organ, I created this arrangement for Flute & Strings (Violin, Viola & Cello). Partition centrale : | Messes et Motets (6 partitions) | | |||
