 | X of Castile, Alfonso - "Santa Maria Strella Do Dia" for Wind Quintet No. 100 Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson |
VoirPDF : "Santa Maria Strella Do Dia" (No. 100) for Wind Quintet (2 pages - 80.14 Ko)1 400x⬇ MP3 (80.14 Ko)396x⬇ 3415x
| Compositeur : | X of Castile, Alfonso (1211 - 1284) | ||
| Instrumentation : | Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson | ||
| Genre : | Renaissance | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 11 Nov 2013 Alfonso X (1221 – 1284), called the Wise (Spanish: el Sabio), was the King of Castile, León and Galicia from 30 May 1252 until his death. During the Imperial election of 1257, a dissident faction chose him to be King of the Romans (Latin: Rex Romanorum; German: Römisch-deutscher König) on 1 April. He renounced his imperial claim in 1275, and in creating an alliance with England in 1254 his claim on Gascony also. Alfonso established Castilian as a language of higher learning, and was a prolific author of Galician poetry, such as the Cantigas de Santa Maria, which are equally notable for their musical notation as for their literary merit. Alfonso's scientific interests—he is sometimes nicknamed "the Astrologer" (el Astrólogo)—led him to sponsor the creation of the Alfonsine tables, and the Alphonsus crater on the moon is named after him. As a legislator he introduced the first vernacular law code in Spain, the Siete Partidas. He created the Mesta, an association of sheep farmers in the central plain, but debased the coinage to finance his claim to the German crown. He fought a successful war with Portugal, but a less successful one with Granada. The end of his reign was marred by a civil war with his eldest surviving son, the future Sancho IV, which would continue after his death. Alfonso X commissioned or co-authored numerous works of music during his reign. These works included Cantigas d'escarnio e maldicer and the vast compilation Cantigas de Santa Maria ("Songs to the Virgin Mary"), which was written in Galician-Portuguese and figures among the most important of his works. The Cantigas form one of the largest collections of vernacular monophonic songs to survive from the Middle Ages. They consist of 420 poems with musical notation. The poems are for the most part on miracles attributed to the Virgin Mary. One of the miracles Alfonso relates is his own healing in Puerto de Santa María. Although originally written for 5 Viols (Tr, Tr, T, T, B) and percussion, I created this arrangement for wind quintet (Flute, Oboe, Bb Clarinet, English Horn & French Horn). | |||
