ALTOFaure, Jean-Baptiste
Faure, Jean-Baptiste - "O Salutaris" for Viola & Piano
Alto et Piano (ou orgue)


VoirPDF : "O Salutaris" for Viola & Piano (2 pages - 72.35 Ko)408x
VoirPDF : Alto Part (57.12 Ko)
VoirPDF : Alto Part (57.12 Ko)
VoirPDF : Piano Part (62.63 Ko)
MP3 : Audio principal (62.63 Ko)96x 550x
O Salutaris for Viola & Piano
MP3 (2.85 Mo) : (par Magatagan, Michael)161x 82x
O Salutaris for Viola & Piano
MP3 (2.91 Mo) : (par Magatagan, Michael)66x 65x
MP3
Vidéo :
Compositeur :
Jean-Baptiste Faure
Faure, Jean-Baptiste (1830 - 1914)
Instrumentation :

Alto et Piano (ou orgue)

Genre :

Romantique

Arrangeur :
Editeur :
Jean-Baptiste Faure
MAGATAGAN, MICHAEL (1960 - )
Date :1869
Droit d'auteur :Public Domain
Ajoutée par magataganm, 31 Aoû 2014

Jean-Baptiste Faure (1830 -- 1914) was a celebrated French operatic baritone and an art collector of great significance. He also composed a number of classical songs. Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.

O salutaris Hostia (Latin, "O Saving Host"), is a section of one of the Eucharistic hymns written by St Thomas Aquinas for the Feast of Corpus Christi. He wrote it for the Hour of Lauds in the Divine Office. It is actually the last two stanzas of the hymn Verbum supernum prodiens, and is used for the Adoration of the Blessed Sacrament. The other two hymns written by Aquinas for the Feast contain the famous sections Panis angelicus and Tantum ergo.

Although originally written for Voice (S) and Organ, I created this arrangement for Viola & Acoustic Piano.
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