 | Bach, Johann Sebastian - Aria: "Es halt es mit der blinden Welt" for Flute, Oboe & Cello BWV 94 No 7 Flûte, Hautbois, Violoncelle (trio) |
VoirPDF : Aria: "Es halt es mit der blinden Welt" (BWV 94 No 7) for Flute, Oboe & Cello (3 pages - 119.16 Ko)324x⬇ MP3 : Aria: "Es halt es mit der blinden Welt" (BWV 94 No 7) for Flute, Oboe & Cello 42x⬇ 452x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Flûte, Hautbois, Violoncelle (trio) | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 07 Sep 2015 Was frag ich nach der Welt (What should I ask of the world), BWV 94, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the ninth Sunday after Trinity and first performed it on 6 August 1724. It is based on the hymn by Balthasar Kindermann (1664) on a melody by Ahasverus Fritsch. The opening chorus is dominated by the concertante flauto traverso in figurations reminiscent of a flute concerto. Bach wrote virtuoso music for flute here for the first time in a cantata for Leipzig. Probably an excellent flute player was available. Bach seems to have written again for him in Herr Christ, der einge Gottessohn, BWV 96. Two themes of the opening ritornello of twelve measures, one for flute, the other for the strings and oboes, are derived from the melody of the hymn "O Gott, du frommer Gott" (1648). The chorale is sung by the soprano. The lively music in D major seems to represent the "world" rather than its negation. In the bass aria with continuo, comparing the world to "haze and shadow", tumbling motives illustrate vanishing, falling and breaking, whereas long held notes speak of stability ("besteht"). In the third movement the tenor sings the chorale in rich ornamentation, the accompaniment of two oboes and continuo is similar to the (later) Er ist auf Erden kommen arm in the Christmas Oratorio, #7 of Part I. The following alto aria, calling the world a "snare and false pretense", is dominated again by the flute. The arias for tenor and soprano are set in dance rhythms, Pastorale and Bourrée, describing the "world" rather than disgust of it. The cantata is concluded by the last two stanzas of the chorale in a four-part setting. The cantata in eight movements is scored for four vocal soloists—soprano, alto, tenor and bass–and a four-part choir, flauto traverso, two oboes, two violins, viola, organ and continuo. Source: Wikipedia (https://en.wikipedia.org/wiki/Was_frag_ich_nach_der_We lt,_BWV_94). I created this arrangement of the final Aria: "Es halt es mit der blinden Welt" (He can cling to the blind world) for Flute, Oboe & Cello. Partition centrale : | Was frag ich nach der Welt (6 partitions) | | |||
