Les 'Old Dance Tunes viennois 'composée initialement pour violon et piano, sont publiés dans un arrangement pour piano à quatre mains pour la première fois. C'est grâce au charme de cette musique viennoise que les morceaux sont devenus bien connus dans le monde entier. Le temps de trois à quatre typique de Vienne exige une certaine liberté encore à peine perceptible de l'interprétation tempo sans contraintes métronomiques. / 4, 6 Ou 8 Mains / 28 pages / niveau : Avancé / Partition

Sicilienne et Rigaudon sont deux pièces fougueux et animés par Fritz Kreisler, qui ont été pris pour alto avec accompagnement de Piano par Alan Arnold. La partie d'alto solo est également incluse sur un encart séparé. / Alto / 12 pages / Partition

Nouveau et éprouvées piano éditions de Bach à Satie - disponible à des prix abordables avec des introductions en anglais, français et allemand. / Piano

Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Par KREISLER FRITZ. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The Old Refrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The OldRefrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains./ Répertoire / Saxophone Alto et Piano