ISBN 9781610657716.

The world of melodic jazz banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included are over 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string banjoist can benefit from the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the banjo. Includes access to online audio.Starting with basic intervals, Straight-Ahead Jazz for Banjo shows the structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string banjo's potential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examples of original jazz phrases in a variety of keys. Topics include functional major and minor key harmony, diminished and augmented scales and how they are used, and the integration of altered scale substitutes in the art of jazz improvisation. It stresses listening and learning in a logical structured manner with an example of a daily practice plan. The unique emphasis of the book is on the fingerings which make the instrument work for you technically and thus open up added possibilities for the development of a student's personal style. This long-awaited volume will surely bring new focus and perspective to any banjo style and will be a classic reference for many new generations of banjoists. Includes access to online audio.

ISBN 9781609749149. The finest tenor banjo method available, this text represents Mel Bay's own approach to fundamental musicianship on this versatile instrument. This book is the standard by which others are judged. Easy-to-understand and thorough in its approach, this method addresses both melody playing and chord strumming. Through numerous studies, folk songs and several duets, students are systematically introduced to the various notes and positions on the tenor banjo fretboard. Photos aid in learning proper hand and sitting positions. Once in two volumes, this method is now presented it its entirety in this single comprehensive edition, written in standard notation only.As the tuning of the mandola is identical to that of the tenor banjo (CGDA), this method can serve as a note-reading approach for learning the mandola as well. Tenor banjo chord references can also serve for the mandola. As with the guitar, however, these instruments actually sound an octave lower than written in treble clef.

ISBN 9781513459622. 8.75x11.75 inches.

The primal pluck of the banjo fits right into the rustic character of Early Music. By combining these elements in artful arrangements in the 3-finger style, Lluis Gomez has brought new life to these Early Music Gems. These pieces seem to have been calling out for the banjo all along. Once you hear them played on the 5-string banjo, it will be hard to imagine them being played any other way. -John Bullard Arranged in tablature only for the 5-string banjo in gDGBD tuning. Includes access to online audio of all 34 selections as performed by the author.

ISBN 9781610658645. 8.5 X 11 inches. This book is designed to aid the novice attempting to learn the 5-string banjo using 3-Finger Style, where the strings are picked by three fingers (thumb,index and middle) of the right hand. Upon completing this volume, you will have learned how to combine left-hand notes with right-hand patterns so as to perform bluegrass style solos and back-up. You will also have the foundation needed to explore other styles of music, such as blues and jazz. No prior knowledge of music or any musical instrument is needed to learn from this method. Enough detail is given to allow the beginner to fully grasp each concept. In addition, exercises are designed to facilitate a gradual increase in the student's understanding and dexterity. When a new concept is presented for the right hand, the left hand performs previously learned tasks. Likewise, a new left-hand technique is demonstrated with familiar right-hand patterns. This instructional technique is used throughout the text. Includes access to online audio.

ISBN 9781610656085. This book covers all of the major scales in depth as applied to the 5-string banjo, answering potential questions concerning the use of major scales for any level of player, beginning through advanced. It features finger-strengthening exercises, chords, licks, practical applications of the scales and corresponding exercises which will increase the player's speed, accuracy and ability. While this is not a dictionary of all scales for the banjo, it will teach you how scales work in songs and will help you play in any key. With this knowledge and these skills, you should have a solid foundation and the necessary background for understanding and using all scale types. Written in tablature only. Includes access to online audio.

ISBN 9781610652445.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-time music, clawhammer, bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional and tablature notation.

ISBN 9781610658720. Leads the banjo player step-by-step through working out songs for the five-string banjo from basic melodies in both Scruggs/bluegrass style and melodic/chromatic style. Each section contains exercises and examples for improvising. Furthermore, this book teaches how to arrange music based on concepts of combining rolls and licks. Janet Davis' books are praised because they teach so well! This is one of her finest. In tablature. Includes access to extended play audio and video downloads online.

ISBN 9781619118478.

Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckleyas Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 a 1872), sometimes referred to as the aFather of the Classical Banjo,a was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayaall in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.

ISBN 9781513455082. 8.75 x 11.75 inches.

This comprehensive collection features over 100 note-for-note skillfully-crafted clawhammer banjo arrangements of old-time Southern fiddle tunes, in clear tablature - with suggested guitar chords at a wide variety of skill levels. It contains most of the tunes played in concert or recorded by author Ken Perlman and renowned Appalachian-style fiddler Alan Jabbour, plus over 50 more classic tunes from Ed Haley, Edden Hammons, John Salyer and many other iconic roots fiddlers. Also included: Instruction on basic and advanced techniques Tips on improving your musicianship How to play syncopated rhythms and melodies in clawhammer style Frameworks for dealing with crooked tunes and modal tunes Historical notes and picturesque backstories Ken Perlman demonstrates all tunes and most musical illustrations on 124 online audio tracks *Online Audio Includes: 24 tracks featuring excerpts from recordings of the author performing with the virtuosic fiddler Alan Jabbour, to whom the book is dedicated.

ISBN 9781513455723. 8.75 x 11.75 inches.

This book contains the 50 late 19th century tunes in Albert Baurs 1883 anthology, The Banjoists Budget. The collection has roots in four main sources: minstrel songs, Irish popular and folk traditions, clog dancing tunes, and Gilbert and Sullivan favorites- all expertly played by Rob MacKillop on the accompanying online audio recording. The music is clearly typeset in standard notation and tablature for the 5-string banjo in Baurs original eAEG#B tuning; observing the tablature, however, this music can be played in modern-day concert C tuning, gCGBD. While Baur provided no technique instructions, the music can be played in the old minstrel stroke technique, the modern melodic clawhammer style, or fingerstyle. By contrast, MacKillop provides ample performance notes and a few tips within the notation. These melodies constitute an authentic audio window to a past century, when the five-string banjo was a classical instrument studied and played by serious students and expert musicians who read standard notation rather than tablature. In any case, here they are in notation and modern banjo tablature, together with a delightful online recording. Includes access to online audio.