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Burgmüller "La chasse " clarinet & piano
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Clarinette
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FACILE
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Classique
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Johann Friedrich Burgmuller
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pfkaori
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Burgmüller "La chass
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pfkaorimusic
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1389657 By Johann Friedrich Burgmuller. By Johann Friedrich Burgmuller. Arranged by pfkaori. Classical. Score ...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1389657 By Johann Friedrich Burgmuller. By Johann Friedrich Burgmuller. Arranged by pfkaori. Classical. Score and part. 4 pages. Pfkaorimusic #973250. Published by pfkaorimusic (A0.1389657). Composer:BurgmüllerSong:25 Leichte Etuden La chasse op.100-9Orchestration: clarinet & pianoKey: Cdur(clarinet inBâ™)Level: Beginner to intermediate (level varies by individual)Part music includedI arranged a piano practice song so that it can be played on clarinet and piano. It is also a nostalgic song for piano lovers. Please take this opportunity to try it.
$6.00
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Gary Lanier: BECAUSE YOU LOVE ME (Worship - For Voice, Bb Clarinet and Piano)
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Clarinette
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INTERMÉDIAIRE
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Musique Sacrée
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Gary Lanier
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Gary Lanier
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Gary Lanier: BECAUSE YOU LOVE
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The Lanier Company
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SheetMusicPlus
Instrumental Solo,Piano - Level 3 - SKU: A0.614389 Composed by Gary Lanier. Arranged by Gary Lanier. Contemporary,Praise & Worship,Sacred. Score and ind...
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Instrumental Solo,Piano - Level 3 - SKU: A0.614389 Composed by Gary Lanier. Arranged by Gary Lanier. Contemporary,Praise & Worship,Sacred. Score and individual part. 10 pages. The Lanier Company #550937. Published by The Lanier Company (A0.614389). BECAUSE YOU LOVE ME is a worship song composed and arranged by Gary Lanier for Voice, Bb Clarinet and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (10 pages with cover). Included is the Score (Voice, Flute, Piano), Lead Sheet (Melody, Chords, & lyrics) and Bb Clarinet Part. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: BECAUSE YOU LOVE ME (Piano Accompaniment for Voice & Bb Clarinet).
$8.99
Schubert : Trio pour piano et cordes n° 2 en mi bémol majeur, D. 929 Opus 100 (arrangement pour clarinette et piano)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Schubert
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Trio pour piano et cordes n°
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Tomplay
Telechargez la partition Clarinette Trio pour piano et cordes n° 2 en mi bemol majeur, D. 929 Opus 100 (arrangement pour clarinette et piano) de Schubert. P...
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Telechargez la partition Clarinette Trio pour piano et cordes n° 2 en mi bemol majeur, D. 929 Opus 100 (arrangement pour clarinette et piano) de Schubert. Partition pour Duo (Clarinette-Piano) -- Classique
6.99€
Away in a Manger for Clarinet and Piano
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Clarinette
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DÉBUTANT
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Noël
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William J
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JPS Edições Musicais
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Away in a Manger for Clarinet
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Jps Arrangements
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1128808 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Traditi...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1128808 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Traditional. Individual part. 3 pages. Jps Arrangements #729336. Published by Jps Arrangements (A0.1128808). Away in a Manger for Clarinet and Piano Music has brought us a beautiful and sincere interpretation. We hope you like this beautiful Christmas arrangement. as much as we enjoyed organizing it. 🎼 parts I Clarinet II Piano An easy arrangement where the main solo is divided between the clarinet and the piano. the arrangement is without the figures. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #clarinet #piano.
$3.99
Mozart 1791 KV 622 Clarinet in A With Piano Acc.
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Mozart 1791 KV 622 Clarinet in
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo - Level 4 - SKU: A0.1277618 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,20th Century,C...
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A Clarinet Solo - Level 4 - SKU: A0.1277618 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,20th Century,Classical,Instructional,Romantic Period. Individual part. 108 pages. Rainer's Rainbow #869296. Published by Rainer's Rainbow (A0.1277618). This version of the Clarinet Concerto by Mozart closely follows the dynamics and articulations once played by Robert Marcellus. A piano score for the solo clarinet and piano are included. Separate clarinet solo and piano parts are also included. This is my own piano reduction from the large orchestra urtext.
$9.99
The Rose of Alcala - Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Rose of Alcala - Clarinet
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572848 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Hol...
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Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572848 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Score and part. 6 pages. James M Stevens Music ASCAP #4360673. Published by James M Stevens Music ASCAP (A0.572848). This is an original composition for Clarinet and Piano in a lyrical and romantic style. There is a separate clarinet part in the score and the track as heard is available under The Rose of Alcala Piano Track. Alcala is the hometown of Dr. Stevens' wife. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=IycAwB_n6bM
$6.99
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
The Favorite for solo Alto Clarinet and Piano
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Clarinette
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Alto Cla
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime....
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and individual part. 7 pages. David McKeown #696756. Published by David McKeown (A0.1092655). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Alto Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Amazing Grace - Solo Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Traditional American Melody
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James Michael Stevens
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Amazing Grace - Solo Clarinet
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572823 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contempora...
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Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572823 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contemporary,Holiday,Multicultural,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #4333409. Published by James M Stevens Music ASCAP (A0.572823). This is an original arrangement for Clarinet and Piano of the classic devotional hymn, Amazing Grace. There is a separate clarinet part in the score and track as heard is available under Amazing Grace Piano Track - E Flat Major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=qC4NUzEGHDU
$6.99
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Arpeggi-oh no! (piano accompaniment for solo clarinet or saxophone)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Guillaume Turco
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Arpeggi-oh no!
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Guillaume Turco
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet and Piano - Level 4 - SKU: A0.1203243 By Guillaume Turco. By Guillaume Turco. Classica...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet and Piano - Level 4 - SKU: A0.1203243 By Guillaume Turco. By Guillaume Turco. Classical,Instructional,Romantic Period. 4 pages. Guillaume Turco #801916. Published by Guillaume Turco (A0.1203243). Arpeggioh-no! Is a challenging but fun étude that focuses on arpeggios and dexterity without compromising musicality. A beautiful way to build skills while creating delightful music. Fill your space with a mix of chords and modulations sometimes classical, sometimes exotic. This is the piano accompaniment for solo clarinet or saxophone. Arpeggioh-no! Est une étude stimulante qui met l'emphase sur les arpèges et la dextérité sans compromettre la musicalité. Une façon agréable de bâtir vos aptitudes tout en faisant de la musique. Remplissez votre espace avec un mélange d'accord et de modulations à caractère parfois classique, parfois exotique. Ceci est l'accompagnement pour piano pour la version pour clarinette ou saxophone solo.
$4.00
"Valse op.64-1" (Cdur) clarinet & piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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F
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pfkaori
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"Valse op.64-1"
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pfkaorimusic
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1404958 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusi...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1404958 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987994. Published by pfkaorimusic (A0.1404958). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Cdur (clarinet inBâ™) Orchestration: clarinet& piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition.*The first edition of clarinet is not available for sale.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Desdur.
$6.50
DIVERTIMENTO Nbr. 3 for Clarinet and Piano, K. 439
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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John Grady
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DIVERTIMENTO Nbr. 3 for Clarin
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John Grady
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.881455 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Instructional,Standards. Individ...
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Clarinet Solo - Level 4 - SKU: A0.881455 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Instructional,Standards. Individual part. 45 pages. John Grady #442789. Published by John Grady (A0.881455). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 25 minutes.
$25.00
Debussy: Arabesque 2 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.551644 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructiona...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.551644 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327887. Published by jmsgu3 (A0.551644). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Morning Song No 2 from A Little Music for the Morning for Bb Clarinet and Piano
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Clarinette
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FACILE
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Christian contemporain
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Musique Sacrée
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James Nathaniel Holland
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Morning Song No 2 from A Littl
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James Nathaniel Holland
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SheetMusicPlus
Instrumental Solo,Piano - Level 2 - SKU: A0.730268 Composed by James Nathaniel Holland. Contemporary,Sacred. Score and individual part. 6 pages. James N...
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Instrumental Solo,Piano - Level 2 - SKU: A0.730268 Composed by James Nathaniel Holland. Contemporary,Sacred. Score and individual part. 6 pages. James Nathaniel Holland #1910937. Published by James Nathaniel Holland (A0.730268). Morning Song No 2 from A Little Music for the Morning, arranged for Bb Clarinet and Piano Music by James Nathaniel Holland (Duration: 3'08) A sentimental beautiful duet between solo Flute and Piano. Perfect for prelude or featured music for religious service or ceremony.
$3.95
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
DIVERTIMENTO Nbr. 5 for Clarinet and Piano, K. 439
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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John Grady
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DIVERTIMENTO Nbr. 5 for Clarin
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John Grady
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.881457 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Standards. Individual part. 24 p...
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Clarinet Solo - Level 4 - SKU: A0.881457 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Standards. Individual part. 24 pages. John Grady #482395. Published by John Grady (A0.881457). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 14 minutes.
$25.00
Dance of the Washerwomen (with Hupfauf) for alto clarinet and piano
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Clarinette
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INTERMÉDIAIRE
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Hans Neusiedler
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David Warin Solomons
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Dance of the Washerwomen
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David Warin Solomons
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.577232 Composed by Hans Neusiedler. Arranged by David Warin Solomons. Baroque,Classical,Rena...
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.577232 Composed by Hans Neusiedler. Arranged by David Warin Solomons. Baroque,Classical,Renaissance. Score and individual part. 8 pages. David Warin Solomons #3037669. Published by David Warin Solomons (A0.577232). The piano part comes from Hans Neusiedler’s dance for vihuela, transposed for piano
$10.00
Valse Frontenac (E-flat Clarinet and Piano)
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Clarinette
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FACILE
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Folklorique/Traditionel
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Traditional
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Emily Gray
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Valse Frontenac
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Emily Gray
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 2 - SKU: A0.727842 Composed by Traditional. Arranged by Emily Gray. Folk. Score and individual part. 5 p...
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E-Flat Clarinet,Instrumental Solo,Piano - Level 2 - SKU: A0.727842 Composed by Traditional. Arranged by Emily Gray. Folk. Score and individual part. 5 pages. Emily Gray #2988921. Published by Emily Gray (A0.727842). This lyrical, beautiful waltz is arranged here for E-flat clarinet and piano. This edition includes the score and the solo E-flat clarinet part.A piano backing track for this arrangement can be found here: https://www.sheetmusicplus.com/title/21795801
$5.99
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