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5 Famous Songs by Bach for Clarinet Trio
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3 Clarinettes (trio)
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged b...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738853. Published by Woods Only, Arrangements (A0.1138513). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
Gallo: 3 movts. from his Trio Sonatas (Reworked as Pulcinella Suite Mvt.3 Scherzino )- clarinet trio
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3 Clarinettes (trio)
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AVANCÉ
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Domenico Gallo
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Ray Thompson
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Gallo: 3 movts. from his Trio
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RayThompsonMusic
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SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.553769 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. ...
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.553769 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 11 pages. RayThompsonMusic #4283761. Published by RayThompsonMusic (A0.553769). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb.All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. There is few bars joining the 3 mvts...one is Stravinsky's own, one is from a Pergolesi Opera.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.I have used transcriptions of the original pieces, but have transposed them into the keys used by Stravinsky. I have included the original Pergolesi Aria as the first link, and a scale passage of my own for the second.My arrangement is in the same format as Stravinsky's so is a complete work.I have another upload with the 3 separate movts in their original keys.This arrangement is interesting to play and  do not sound too dissimilar to Stravinsky's final work.It is arranged for clarinet trio (2 Bb and bass)https://youtu.be/PMC-84MmuYw
$11.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
5 Famous Songs by Bach for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arrange...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sa...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Delibes: Duo des Fleurs for Clarinet Duo & Piano
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Cl
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jmsgu3
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SheetMusicPlus
Clarinet Duet - Level 3 - SKU: A0.552406 Composed by Leo Delibes. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. 2 scores. 7 p...
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Clarinet Duet - Level 3 - SKU: A0.552406 Composed by Leo Delibes. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. 2 scores. 7 pages. Jmsgu3 #6342561. Published by jmsgu3 (A0.552406). Duo of the Flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
Morland and Torland (1916) by Ernest Markham Lee for Clarinet Trio (2 Bb & Bass)
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3 Clarinettes (trio)
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FACILE
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Ernest Markham Lee
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Colin W Bridge
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Morland and Torland
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Colin W Bridge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1004878 Composed by Ernest Markham Lee. Arranged by Colin W Bridge. 20th Century,Romantic P...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1004878 Composed by Ernest Markham Lee. Arranged by Colin W Bridge. 20th Century,Romantic Period. 29 pages. Colin W Bridge #6444361. Published by Colin W Bridge (A0.1004878). This trio arrangement for two clarinets and bass clarinet consists of six short movements originally for piano. E Markham Lee was an English composer, organist, lecturer and author born in Cambridge in 1874. He wrote for piano, organ, voice and orchestra, in a light romantic style with English folksong associations. These pieces are expressive and tuneful and useful for concerts, incidental music and the development of ensemble.
$3.99
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From
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Stephen Davies
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SheetMusicPlus
Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. St...
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Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. Stephen Davies #5725759. Published by Stephen Davies (A0.1071010). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. The 5 pieces here are representative of his masterly fugal output, tweaked here and there to suit the Clarinet Quartet format! Five Meaty Morsels, suitable for Vegans and Vegetarians alike!! Also available in Saxophone Quartet flavour...... 3 Sopranos and Tenor!
$1.99
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole GÉNIN: Ai
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533254 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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Clarinet,Piano - Level 3 - SKU: A0.533254 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 12 pages. Musik Fabrik Music Publishing #2151123. Published by Musik Fabrik Music Publishing (A0.533254). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Paul-Agricole Génin: Cantilène, Opus 64 for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: Ca
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533251 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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Clarinet,Piano - Level 3 - SKU: A0.533251 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151117. Published by Musik Fabrik Music Publishing (A0.533251). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Paul-Agricole Génin: Mélodie avec variation, opus 63, for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: M&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533247 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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Clarinet,Piano - Level 3 - SKU: A0.533247 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151109. Published by Musik Fabrik Music Publishing (A0.533247). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Fauré: Après un rêve, Pavane, and Sicilienne - Music for Health Duet 2 Clarinets
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Jeremy Crosmer
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Fauré: Après un
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Jeremy Crosmer
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.839078 Composed by Gabriel Faure. Arranged by Jeremy Crosmer. Romantic Period. 27 pages. Jeremy Crosmer #6057695. ...
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Woodwind Ensemble - Level 3 - SKU: A0.839078 Composed by Gabriel Faure. Arranged by Jeremy Crosmer. Romantic Period. 27 pages. Jeremy Crosmer #6057695. Published by Jeremy Crosmer (A0.839078). Three short pieces by the French composer Gabriel Fauré (1845-1924), arranged for duo as part of the Music for Health Project. 1. Après un rêve, Op. 7, No. 1 2. Pavane, Op. 50 3. Sicilienne, Op. 78 Music for Health duets were designed to be performed in hospital lobbies, cancer centers, and in assisting licensed Music Therapists in neuro-rehab centers. They are short and recognizable, and have a lot of character. For a complete list of arrangements, visit jeremycrosmer.com This version is for Clarinet (Bb or A) / Clarinet (Bb, A, or Bass) duet. Versions are also available for: Violin/CelloViola/Viola Oboe/Bassoon Flute/Double Bass Versions are interchangeable: e.g. Flute/Cello duets will work. Jeremy Crosmer is a cellist with the Detroit Symphony Orchestra. He has degrees in Cello, Composition, Music Theory Pedagogy and Mathematics, and received his DMA from the University of Michigan in 2012.
$4.99
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Meditation from "Thais" for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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J
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Diego Marani
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Meditation from "Thais&qu
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Diego Marani
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.527917 Composed by J. Massenet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. ...
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Clarinet,Piano - Level 3 - SKU: A0.527917 Composed by J. Massenet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #3584535. Published by Diego Marani (A0.527917). Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet and is considered to be one of the great encore pieces; world-class violin soloists such as Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Itzhak Perlman, David Garrett and Maxim Vengerov have performed the piece as soloists with major orchestras throughout the world.This arrangement for Bb clarinet and piano faithfully reproduces the original for violin.2018 Instrumental Arranging Contest Entry
$9.90
10 Romantic Pieces - Clarinet Duet
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2 Clarinettes (duo)
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FACILE
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Classique
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Ludwig van Beethoven
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Francesco Leone
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10 Romantic Pieces - Clarinet
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Glissato Music Publishing
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827), Anton Rubinstein (1829-1894), Johannes Brahms (1833-1897), Antonin Dvorak (1841-1904), and Modest Petrov...
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Composed by Ludwig van Beethoven (1770-1827), Anton Rubinstein (1829-1894), Johannes Brahms (1833-1897), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Romantic Period, Recital. Score. 53 pages. Published by Glissato Music Publishing
"Pizzicato Polka" by Johann Strauss Junior and Josef Strauss. Transcription for Flute Quartet by Francesco Leone. Score & parts (5): 1-4 C Flutes, included optional parts for G Alto Flute (instead Flute 4). Key concert F / duration 3.00 (+-).
The Pizzicato Polka is a piece of orchestral music by Johann Baptist & Josef Strauss composed in 1869 for a trip to Imperial Russia. It was published in 1870. The polka was written for string orchestra and glockenspiel. It was hugely popular, especially in Italy, where it was included on every program Strauss played there. The piece consists of four melodies and the work is arranged in ternary form (A-B-A). The original piece is scored for plucked strings.
$12.99
Divertimento
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Quatuor de Clarinettes: 4 clarinettes
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Classique
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Alfred Uhl
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Divertimento
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Schott Music - Digital
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SheetMusicPlus
3 clarinets (Bb) and 1 bassclarinet (Bb) - Digital Download Composed by Alfred Uhl (1909- 1992). This edition: set of parts. Zeitgenossische Musik, Kl...
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3 clarinets (Bb) and 1 bassclarinet (Bb) - Digital Download Composed by Alfred Uhl (1909- 1992). This edition: set of parts. Zeitgenossische Musik, Klarinette, Quartett. Downloadable. Duration 13 minutes. Schott Music - Digital #Q2233. Published by Schott Music - Digital
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.
Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.
Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.
Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$21.99
Adoro Te Devote (Flute, B-flat Clarinet, Violin)
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Flûte, Clarinette, Violon (trio)
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INTERMÉDIAIRE
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Anthony Giamanco
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Adoro Te Devote
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Whole Tone Press
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.773652 Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score and parts. 7 ...
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Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.773652 Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score and parts. 7 pages. Whole Tone Press #3414705. Published by Whole Tone Press (A0.773652). This 16th century plainsong melody is arranged for flute, B-flat clarinet and violin. Appropriate for good middle school/high school players on up. Its brevity is useful for a church service (Prelude, Offering, Communion), and may also be used to showcase specific band or orchestra players as part of a concert performance. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.99
She's Leaving Home
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Phyllis Avidan Louke
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She's Leaving Home
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736300 By The Beatles. By John Lennon and Paul McCartney. Arranged by Phyllis Avidan Louke. Pop,Rock. 23 ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736300 By The Beatles. By John Lennon and Paul McCartney. Arranged by Phyllis Avidan Louke. Pop,Rock. 23 pages. Louke Publishing #5541583. Published by Louke Publishing (A0.736300). Clarinet Choir She’s Leaving HomeProgram Notes This beautiful Lennon & McCartney song made famous by The Beatles, translates wonderfully to the scoring for Clarinet Choir or Quintet, and is faithful to the original arrangement. This arrangement can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 Bb clarinets, Eb alto clarinet (Bb clarinet part included), and Bb bass clarinet (opt. contrabass). She’s Leaving Home was released on The Beatles’ 1967 album Sgt. Pepper's Lonely Hearts Club Band. Paul McCartney wrote and sang the verse and John Lennon wrote the chorus, which they sang together. The song’s instrumental background was performed entirely by a small string orchestra, and was one of only a few Beatles songs in which the members did not play any instruments on the recording. Pop, Rock, Beatles Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$14.50
Telephone Line
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Clarinette et Piano
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INTERMÉDIAIRE
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Pop musique
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Electric Light Orchestra
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Fishel Pustilnik
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Telephone Line
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F & N Enterprise
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.635909 By Electric Light Orchestra. By Jeff Lynne. Arranged by Fishel Pustilnik. Pop. Score and part. 8 pages. F & N ...
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Clarinet,Piano - Level 3 - SKU: A0.635909 By Electric Light Orchestra. By Jeff Lynne. Arranged by Fishel Pustilnik. Pop. Score and part. 8 pages. F & N Enterprise #6027845. Published by F & N Enterprise (A0.635909). An excellent arrangement of the famous Song Telephone Line for Clarinet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/qyzkj_vACqo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Charpentier: Noëls sur les instruments (Christmas Carols on t’ Instruments) H 534 - clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Marc-Antoine Charpentier
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Ray Thompson
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Charpentier: Noëls sur le
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.553942 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Chri...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.553942 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Christmas,Renaissance. 29 pages. RayThompsonMusic #6287543. Published by RayThompsonMusic (A0.553942). Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas.He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders.This is my transcription of the Noëls sur les instruments for standard clarinet quartet. (2 Bb, alto and bass) (Alternative clt 3 in Bb provided for alto part)They are 6 pieces :Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?) Joseph est bien marié (Joseph is well married) Or nous dites Marie (But, tell us Mary) A la venue de Noël (With the coming of Christmas) Une jeune pucelle (A young virgin girl)This is purely the order they are shown in his manuscript.They appear in his Midnight Mass in the following order:(This follows the Christmas Story)Joseph est bien marié (Joseph is well married)Or nous dites Marie (But, tell us Mary)Une jeune pucelle (A young virgin girl)Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?)A la venue de Noël (With the coming of Christmas)
$19.95
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3 Pieces for Orchestra
