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The King\\\'s Singers
Piano & claviers
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Flûte traversière et Piano
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Ensemble de Flûtes
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Vous avez sélectionné:
The King\\\'s Singers
FLUTE TRAVERSIERE
Ensemble de Flûtes
Partitions à imprimer
5 partitions trouvées
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1
Danny Boy
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559999 Composed by Peter Knight, Philip Lawson, and Traditional Irish Folk Melody. Arranged by Lisa Ochoco. Multicultural,Traditional,World. 15 pages. Lisa L Ochoco #6108911. Published by Lisa L Ochoco (A0.559999). Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.
$14.00
12.84 €
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Ensemble de Flûtes
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Peter Knight, Philip Lawson, and Traditional Irish Folk Melody
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Lisa Ochoco
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Danny Boy
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Lisa L Ochoco
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Danny Boy for Low Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download…
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Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutesOf all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutes
$14.00
12.84 €
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Ensemble de Flûtes
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Lisa Ochoco
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Danny Boy for Low Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Sing Joyfully (Eb) (Flute Sextet)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
27.52 €
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Ensemble de Flûtes
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
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