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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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CLARINETTE
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FLUTE TRAVERSI…
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The King\'s Singers
Piano & claviers
Guitares
Voix
Vents
Flûte traversière et Piano
5
Ensemble de Flûtes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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OUD
PARTITIONS …
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Vous avez sélectionné:
The King\'s Singers
FLUTE TRAVERSIERE
Partitions à imprimer
13 partitions trouvées
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1
Erlkönig (The Erl-King) - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1130495 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1130495 Composed by Franz Schubert. Arranged by Hugh Levey. Chamber,Classical,Halloween,Holiday,Romantic Period. 53 pages. Woodwindly.com #730809. Published by woodwindly.com (A0.1130495). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) This wind quintet version of Schubert's Erl-King is equally at home as a standard recital piece or used as a piece of ghostly music at Halloween. Erlkönig (The Erl-King) is a dramatic poem by the famous German writer and poet, Goethe, written in 1782. Although it has been set to music by many composers, the most well-known is the 1815 setting by Franz Schubert for voice and piano. The Erl-King is a challenging work for the singer because they must portray four distinct characters; narrator, father, son and the Erlkönig himself. Schubert's writing is different for each character in terms of pitch, harmony, rhythm, key (major and/or minor), and melodic shape. Singers usually alter the timbre of their voice to emphasise the different roles. In this arrangement for wind quintet, the arranger takes the timbre differences a step further by assigning the characters to different instruments in the quintet. The flute plays the role of narrator, the clarinet is the anxious son, the horn plays the reassuring ( but then worried) father, and the oboe plays the Erlkönig with his beautiful enticing melodies that try to lead the boy astray. The bassoon plays the rumbling and troubling bass line that helps set the mood.
$13.50
12.38 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Hugh Levey
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Erlkönig
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woodwindly.com
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SheetMusicPlus
Danny Boy
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559999 Composed by Peter Knight, Philip Lawson, and Traditional Irish Folk Melody. Arranged by Lisa Ochoco. Multicultural,Traditional,World. 15 pages. Lisa L Ochoco #6108911. Published by Lisa L Ochoco (A0.559999). Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.
$14.00
12.84 €
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Ensemble de Flûtes
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Peter Knight, Philip Lawson, and Traditional Irish Folk Melody
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Lisa Ochoco
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Danny Boy
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Lisa L Ochoco
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
We Praise and Thank You, Lord - A Beautiful Worship Song of Praise and Thanksgiving
Flûte traversière et Piano
Composed by Ginny Saltzman. Christian,Holiday,Praise & Worship. Score and parts. 5…
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Composed by Ginny Saltzman. Christian,Holiday,Praise & Worship. Score and parts. 5 pages. Ginny's House of Music #4361883. Published by Ginny's House of Music
*We Praise and Thank You, Lord This is a very beautiful worship song of praise and thanksgiving. It is written for flute, guitar, voice, and piano accompaniment with lyrics. It would be a great piece for an Intermediate Piano student.<br> <br> It is based on 11 Chronicles 5:13-14 It came even to pass, as the trumpeters and singers were as one, to make one sound to be heard in praising and thanking the LORD; and when they lifted up their voice with the trumpets and cymbals and instruments of musick, and praised the LORD, saying, For he is good; for his mercy endureth for ever: that then the house was filled with a cloud, even the house of the LORD; So that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.*We Praise and Thank You, Lord This is a very beautiful worship song of praise and thanksgiving. It is written for flute, guitar, voice, and piano accompaniment with lyrics. It would be a great piece for an Intermediate Piano student.<br> <br> It is based on 11 Chronicles 5:13-14 It came even to pass, as the trumpeters and singers were as one, to make one sound to be heard in praising and thanking the LORD; and when they lifted up their voice with the trumpets and cymbals and instruments of musick, and praised the LORD, saying, For he is good; for his mercy endureth for ever: that then the house was filled with a cloud, even the house of the LORD; So that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.
$4.99
4.58 €
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Flûte traversière et Piano
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Ginny Saltzman
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Worship
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We Praise and Thank You, Lord - A Beautiful Worship Song of Praise and Thanksgiving
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Ginny's House of Music
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SheetMusicPlus
Danny Boy for Low Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download…
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Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutesOf all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutes
$14.00
12.84 €
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Ensemble de Flûtes
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Lisa Ochoco
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Danny Boy for Low Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
3.62 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Sing Joyfully (Eb) (Flute Sextet)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
27.52 €
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Ensemble de Flûtes
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Poor, Wayfaring Stranger (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.727500 Composed by North American …
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Flute,Piano - Level 3 - Digital Download SKU: A0.727500 Composed by North American Folk Spiritual. Arranged by Carol Troutman Wiggins. Christian,Folk,Sacred,Spiritual,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4598449. Published by Carol Troutman Wiggins (A0.727500). POOR, WAYFARING STRANGERFlute & PianoAlso known as The Wayfaring Stranger or I Am A Poor Wayfaring Stranger, this traditional folk song is most likely an Appalachian Folk Spiritual. This song has been covered many times by notable singers such as Burl Ives Pete Seeger. There have been many liberties taken in the title, melody, harmony and lyrics. The story in this song tells of a wayfaring stranger’s struggles and hardships on earth and looking forward tojoing their loved ones in Heaven.Excellent for intermediate level instrumentalistsPerfect for church preludes, offertories, and special music for recitals and special events.Minor keyPiano Rehearsal Track available on this site.
$9.99
9.16 €
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Flûte traversière et Piano
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North American Folk Spiritual
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Carol Troutman Wiggins
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Poor, Wayfaring Stranger
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Carol Troutman Wiggins
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SheetMusicPlus
Poor, Wayfaring Stranger (Flute & Piano) Piano Rehearsal Track
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1065691 Composed by North American Folk Spir…
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Flute,Piano - Digital Download SKU: A0.1065691 Composed by North American Folk Spiritual. Arranged by Carol Troutman Wiggins. Christian,Folk,Sacred,Spiritual. Accompaniment. Duration 128. Carol Troutman Wiggins #4598455. Published by Carol Troutman Wiggins (A0.1065691). POOR, WAYFARING STRANGER Piano TrackFlute & PianoAlso known as The Wayfaring Stranger or I Am A Poor Wayfaring Stranger, this traditional folk song is most likely an Appalachian Folk Spiritual. This song has been covered many times by notable singers such as Burl Ives Pete Seeger. There have been many liberties taken in the title, melody, harmony and lyrics. The story in this song tells of a wayfaring stranger’s struggles and hardships on earth and looking forward tojoing their loved ones in Heaven.Excellent for intermediate level instrumentalistsPerfect for church preludes, offertories, and special music for recitals and special events.Minor keyPiano Rehearsal Track available on this site.
$3.99
3.66 €
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Flûte traversière et Piano
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North American Folk Spiritual
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Carol Troutman Wiggins
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Poor, Wayfaring Stranger
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Carol Troutman Wiggins
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SheetMusicPlus
Ave Maria (Schubert) - Pdf + Mp3 Playback + Mp3 Demo
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1265243 By Fabio Eduardo d…
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1265243 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 7 pages. Fabio Eduardo #858090. Published by Fabio Eduardo (A0.1265243). Backing Track and Demo Free Download Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99
1.83 €
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Flûte traversière et Piano
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
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