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Carson Cooman - Shadowbook
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Vous avez sélectionné:
Carson Cooman - Shadowbook
FLUTE TRAVERSIERE
Partitions à imprimer
10 partitions trouvées
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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, flute part
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Flûte traversière
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533678 Composed by Carson Cooman. Contemporary,Sacred. Individual part. 5 pages. Musik Fabrik Music Publishing #3037317. ...
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Flute Solo - Level 5 - SKU: A0.533678 Composed by Carson Cooman. Contemporary,Sacred. Individual part. 5 pages. Musik Fabrik Music Publishing #3037317. Published by Musik Fabrik Music Publishing (A0.533678). This is the flute part for this work by Carson Cooman
$4.99
Carson Cooman: Waiting for October (2004) for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Two copies should be printed
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Carson Cooman: Waiting for Oct
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - SKU: A0.533626 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - SKU: A0.533626 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3033825. Published by Musik Fabrik Music Publishing (A0.533626). Waiting for October (2004) for flute and guitar was commissioned for and is dedicated to theHeim Duo (Annette Heim, flute and Bret Heim, guitar).The work was inspired by the season of autumn and harvest in western New York State --particularly the colors of the foliage and landscape.The opening section of the work is rhapsodic, as each instrument explores a series of soloisticgestures. This leads directly into a lyrical aria sung first by the flute over a guitaraccompaniment -- then briefly by the guitar. Suddenly, a joyous harvest-dance erupts. Thisends rather abruptly and a rhapsodic coda emerges, but a bit of the harvest-dance returns for aenergetic finish.This is a score for two performers. Two copies should be printed.
$12.95
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Sonata in memor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishin...
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Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95
Carson Cooman: Ancient Airs (2004) for solo flute
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publi...
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Flute Solo - Level 5 - SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030249. Published by Musik Fabrik Music Publishing (A0.533595). Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa.It is in two movements, each with a spirit of ancient airs re-imagined in a modern context.The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept.They should always be played with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of a modalmelody in D minor. Gradually tones are added borrowed from other modalities. The openingsection is slow and lyrical. The middle section is more active -- contrasting the D minorchord tones with the added diminished tones of the first section. The final section recalls thematerial of the opening with a wider transformation.Forgotten Incantation uses a wider modal language than the first movement. Although stillgenerally slow and song-like, it is more energetic. Energetic gestures interrupt and drive thesong narrative forwards.
$11.95
Carson Cooman: Quicksilver: A Birthday Card for Berio (2000) for solo flute
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quicksilver: A
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533659 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing...
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Flute Solo - Level 5 - SKU: A0.533659 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3035637. Published by Musik Fabrik Music Publishing (A0.533659). Quicksilver: A Birthday Card for Berio (2000) is a difficult and dramatic piece,written for the composer Luciano Berio on the occasion of his 75th birthday.
$9.10
Carson Cooman: Distant Glittering Orbs (2003) for solo alto flute
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Trio de Flûtes: 3 flûtes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Distant Glitter
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.533636 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music ...
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.533636 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3034041. Published by Musik Fabrik Music Publishing (A0.533636). Distant Glittering Orbs (2003) for solo alto flute was commissioned by Frederick Butler andwas written for and dedicated to flutist Laurel Ann Maurer whose brilliant playing was fullyin mind during the composition.The title of the work provides the poetic image behind its conception -- imagining interstellarobjects (suns, stars, planets) existing just outside of our field of clear vision. It is an intimatepiece, yet exploring a conception of the far reaching beyond -- making use of the alto flute'sdistinct timbre.The opening section of the work is slow and flexible -- with a series of expanding and freerangingchromatic gestures, exploring and augmenting sets of notes. A faster section occursnext -- marked glittering spirals -- consisting of sweeping gestures. A return to the originalmood follows, and a simpler lyric melody emerges in a straightforward fashion (coming outof all the earlier chromatic excursions.) Finally, a few spirals from the faster music interjectbefore an intimate and reposed coda concludes the piece.
$9.10
Carson Cooman: Solar Visions (2004) for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fab...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, flute 2 part
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Flûte traversière
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik
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SheetMusicPlus
Composed by Carson Cooman (1982-). 21st Century, Contemporary Classical. Individual Part. 4 pages. Published by Musik Fabrik (S0.207347). - Individual Part - 21...
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Composed by Carson Cooman (1982-). 21st Century, Contemporary Classical. Individual Part. 4 pages. Published by Musik Fabrik (S0.207347). - Individual Part - 21st Century,Contemporary Classical - Musik Fabrik
$3.99
Carson Cooman : Beach Grass Elegy (2009) for solo flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman : Beach Grass El
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Musik Fabrik
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SheetMusicPlus
For Flute. 21st Century, Repertoire. Advanced Intermediate. Solo Part. Musik Fabrik #mfcc172. Published by Musik Fabrik ...
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For Flute. 21st Century, Repertoire. Advanced Intermediate. Solo Part. Musik Fabrik #mfcc172. Published by Musik Fabrik
$7.75
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Carson Cooman - Shadowbook
