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What We Used To Know
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Vous avez sélectionné:
What We Used To Know
FLUTE TRAVERSIERE
Partitions à imprimer
4 partitions trouvées
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The Village
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Wrabel
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The Village
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as do Ray meflute studio production
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals ) which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet , we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being. We all can and must be the change you wish to see in the world. ( Ganhdi)Thank you for checking my special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website @ doRaymeflute.comÂ
$17.99
Redeemer Medley
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Flûte, Alto et Piano
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Traditional
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Alan Jermiason
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Redeemer Medley
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Alan Jermiason
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1032980 Composed by Traditional. Arranged by Alan Jermiason. Christian,C...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1032980 Composed by Traditional. Arranged by Alan Jermiason. Christian,Contemporary,Easter,Sacred. Score and parts. 12 pages. Alan Jermiason #5954713. Published by Alan Jermiason (A0.1032980). I got the inspiration to write this arrangement from my father. He commissioned me to write a medley of traditional hymns in which he and his wife (my mom) could play together for church services. I was sort of taken aback by this request since I am mostly known as a freelance trumpet player around the Minneapolis area and not necessarily an arranger. Nevertheless, I thought I would give it a go. I am happy to say that this project was extremely fun and satisfying to work on. Not only did it give me a chance to stretch muscles I haven't used for a couple of years, but it has given me the opportunity to praise and worship God in a new way. I hope that through this arrangement, others may also be able to worship God through the gift of music. This arrangement is a medley between three different traditional hymns: ​What a Friend We Have In Jesus, Jesus Loves Me, a​nd ​I Know That My Redeemer Lives. ​These were chosen by my dad since these are some of his favorite hymns. This piece works great for any two treble instruments Alan Jermiason July 2020
$14.99
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
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Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
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