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Pour me Another One
FLUTE TRAVERSIERE
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BOISMORTIER SONATA No.1 in D MAJOR OPUS 7 No. 1 for flute, oboe & clarinet in A
#
Flûte, Hautbois, Clarinette (trio)
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INTERMÉDIAIRE
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA No.1 in D M
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811700 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811700 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 24 pages. Piper Publications #4310185. Published by Piper Publications (A0.811700). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’ The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music. There are 5 movements, Gravement, Allemande Gayment, lentement, Gavotte en rondeau & Gayment. Players of Intermediate standard will enjoy playing this music. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. No dynamics were included in the original and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments. The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
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Pour me Another One
