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FLUTE A BEC
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I Do
FLUTE A BEC
Partitions à imprimer
22 partitions trouvées
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1
Of All the Birds That I Do Know
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Ensemble De Flûte à bec
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INTERMÉDIAIRE
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John Bartlett
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Cody Sibley
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Of All the Birds That I Do Kno
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Drachen Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276189 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroq...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276189 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Early Music,Medieval,Renaissance. Recorder Ensemble. 9 pages. Drachen Music #867852. Published by Drachen Music (A0.1276189). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional lute and voice melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is:Â Volume 1:1Song 10:18Of All the Birds That I Do KnowThis piece of music is also available as part of a full collection of 18 pieces, each with score and individual parts. The collection is titled A Book of Ayres for Recorder Quartet.
$3.95
Nolo mortem peccatoris (I do not wish a sinner to die) for recorder quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Thomas Morley
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David Warin Solomons
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Nolo mortem peccatoris
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.580915 Composed by Thomas Morley. Arranged by David Warin...
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Small Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.580915 Composed by Thomas Morley. Arranged by David Warin Solomons. Christian,Easter,Renaissance,Spiritual. Score and parts. 9 pages. David Warin Solomons #6340371. Published by David Warin Solomons (A0.580915). Possibly the finest motet by Thomas Morley, originally published in the collection Tristitiae Remedium Cantiones Selectissimae
$7.00
Telemann : Sonate pour flûte à bec en do majeur, TWV 41:C5 - I. Adagio - Allegro - Adagio - Allegro (flûte à bec alto)
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Flûte à Bec
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INTERMÉDIAIRE
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Classique
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Telemann
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Sonate pour flûte à bec en d
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Tomplay
Telechargez la partition Flûte à bec Sonate pour flûte à bec en do majeur, TWV 41:C5 - I. Adagio - Allegro - Adagio - Allegro (fl&ucir...
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Telechargez la partition Flûte à bec Sonate pour flûte à bec en do majeur, TWV 41:C5 - I. Adagio - Allegro - Adagio - Allegro (flûte à bec alto) de Telemann. Partition pour Duo -- Classique
5.99€
Vivaldi : Concerto en do majeur, RV 443 - I. Allegro (flûte à bec soprano)
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Flûte à Bec
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AVANCÉ
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Classique
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Vivaldi
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Concerto en do majeur, RV 443
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Tomplay
Telechargez la partition Flûte à bec Concerto en do majeur, RV 443 - I. Allegro (flûte à bec soprano) de Vivaldi. Partition pour Duo -...
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Telechargez la partition Flûte à bec Concerto en do majeur, RV 443 - I. Allegro (flûte à bec soprano) de Vivaldi. Partition pour Duo -- Classique
5.99€
George Frideric Friedrich Handel Haendel : Sonate pour flûte à bec et basse continue n° 7 en do majeur, HWV 365 - I. Larghetto (flûte à bec alto)
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Flûte à Bec
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Sonate pour flûte à bec et b
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Tomplay
Telechargez la partition Flûte à bec Sonate pour flûte à bec et basse continue n° 7 en do majeur, HWV 365 - I. Larghetto (flû...
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Telechargez la partition Flûte à bec Sonate pour flûte à bec et basse continue n° 7 en do majeur, HWV 365 - I. Larghetto (flûte à bec alto) de Händel. Partition pour Duo -- Classique
4.99€
Jean Baptiste Loeillet : 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte à bec alto) - Diapason baroque 415 Hz
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Flûte à Bec
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FACILE
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Classique
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Jean Baptiste Loeillet
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12 Sonates pour flûte à bec,
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Tomplay
Telechargez la partition Flûte à bec 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte &agrav...
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Telechargez la partition Flûte à bec 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte à bec alto) de Loeillet. Partition pour Duo -- Classique
4.99€
Telemann : Sonate pour flûte à bec en do majeur, TWV 41:C2 - I. Cantabile (flûte à bec alto)
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Flûte à Bec
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INTERMÉDIAIRE
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Classique
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Telemann
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Sonate pour flûte à bec en d
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Tomplay
Telechargez la partition Flûte à bec Sonate pour flûte à bec en do majeur, TWV 41:C2 - I. Cantabile (flûte à bec alto) de...
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Telechargez la partition Flûte à bec Sonate pour flûte à bec en do majeur, TWV 41:C2 - I. Cantabile (flûte à bec alto) de Telemann. Partition pour Duo -- Classique
4.99€
Jean Baptiste Loeillet : 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte à bec alto) - Diapason de concert 440 Hz
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Flûte à Bec
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FACILE
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Classique
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Jean Baptiste Loeillet
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12 Sonates pour flûte à bec,
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Tomplay
Telechargez la partition Flûte à bec 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte &agrav...
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Telechargez la partition Flûte à bec 12 Sonates pour flûte à bec, Opus 1 - N° 6 en do majeur - I. Poco Allegro (flûte à bec alto) - Diapason de concert 440 Hz de Loeillet. Partition pour Duo -- Classique
4.99€
Georges Bizet - Les Toréadors - Prelude to Act I from Opera "Carmen" - for recorder quintet
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5 Flûtes à bec
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Georges Bizet
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Orlan Charles
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Georges Bizet - Les Toré
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Recorder - SKU: A0.814603 Composed by Georges Bizet. Arranged by Orlan Charles. Broadway,Musical/Show,Opera,Romantic Period,Standards. Recorder Ensemble...
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Recorder - SKU: A0.814603 Composed by Georges Bizet. Arranged by Orlan Charles. Broadway,Musical/Show,Opera,Romantic Period,Standards. Recorder Ensemble. 17 pages. ORLAN CHARLES MARCHIORI PRADO #4756739. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814603). Perhaps the most famous opera - CARMEN by Bizet - its opening prelude in an arrangement for recorder quintet (sopranino, soprano, alto, tenor and bass) by Orlan Charles!If you like recorder arrangements , do not forget to watch my youtube channelhttps://www.youtube.com/user/orlancharles
$10.99
John Bartlett's Book of Ayres for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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John Bartlett
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Cody Sibley
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John Bartlett's Book of Ayres
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Drachen Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroq...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Easter,Medieval,Renaissance. Recorder Ensemble. 131 pages. Drachen Music #866628. Published by Drachen Music (A0.1276179). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is: This collection includes the following 18 pieces:01-O-Lord-Thy-Faithfulness02-If-Ever-Hapless-Woman03-When-From-My-Love04-Who-Doth-Behold-My-Mistress-Face05-If-There-Be-Any-One06-I-Heard-of-Late07-All-My-Wits-Hath-Will-Enwrapped08-Go-Wailing-Verse09-A-Pretty-Duck-There-Was10-Of-All-the-Birds-That-I-Do-Know11-The-Queen-of-Paphos-Ericine12-I-Would-Thou-Wert-Not-Fair13-Unto-A-Fly-Transformed14-What-Thing-Is-Love-I-Pray-Thee-Tell15-Fortune-Love-and-Time16-Poets-to-Love-Such-Power-Ascribe17-Whither-Runneth-My-Sweetheart18-Surcharged-With-DiscontentEach piece of music in this collection is also available as separate pieces, each with score and individual parts. Each piece can be found by searching for the song title.
$29.95
O Mio Babbino Caro by Puccini for Recorder
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Flûte à Bec
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DÉBUTANT
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Classique
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Johannes Brahms
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Langanho
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O Mio Babbino Caro by Puccini
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Avery Lynn Jordan
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SheetMusicPlus
Recorder Solo - Level 1 - SKU: A0.1175873 Composed by Johannes Brahms. Arranged by Langanho. Opera,Romantic Period,Wedding. Individual part. 1 pages. Av...
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Recorder Solo - Level 1 - SKU: A0.1175873 Composed by Johannes Brahms. Arranged by Langanho. Opera,Romantic Period,Wedding. Individual part. 1 pages. Avery Lynn Jordan #775996. Published by Avery Lynn Jordan (A0.1175873). This score was adapted for recorder, so that it can be used in its greatest essence, but with all the practicality to the interpreter. The piece is about O Mio Babbino Caro, from the opera Gianni Schichi, and is considered one of the most beautiful works by Giacomo Puccini. Made especially for the female soprano voice, where in the aria, Lauretta, who is immensely in love with Rinuccio, asks her father to do something for the Donati. For those people? he questions. Nothing! I do nothing at all! It is Lauretta's turn, with her famous aria Oh, my dear little father, to strive and soften the heart of her father, Gianni.
$2.99
Do Not I Love Thee? - Recorder
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Flûte à Bec
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Philip Doddridge
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James Barnard
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Sacred
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Do Not I Love Thee? - Recorder
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Philip Doddridge. Arranged by James Barnard. Concert; Sacred. EPak. 2 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music ...
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By Philip Doddridge. Arranged by James Barnard. Concert; Sacred. EPak. 2 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music
$7.00
Do You Hear What I Hear
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Contemporain
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Carrie Underwood
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Cindy Blevins
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Do You Hear What I Hear
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Cindy Blevins
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SheetMusicPlus
Recorder Duet - Level 3 - SKU: A0.545447 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Contemporary. Score. 12 pages...
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Recorder Duet - Level 3 - SKU: A0.545447 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Contemporary. Score. 12 pages. Cindy Blevins #5997981. Published by Cindy Blevins (A0.545447). This is a beautiful, playable arrangement for two recorders. It is suitable for soprano, alto, tenor, in any combination. You receive the score, the Recorder 1 and the Recorder 2 parts. Please check out the music sample for play-ability for your ensemble.
$4.99
Do You Hear What I Hear
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Carrie Underwood
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Dominic Meccia
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Do You Hear What I Hear
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Dominic Meccia
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SheetMusicPlus
Bass Clarinet,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1278059 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Domin...
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Bass Clarinet,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1278059 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dominic Meccia. This edition: Interactive Download. Children,Christmas,Folk,Holiday,Praise & Worship,Standards,World. 4 pages. Duration 111. Dominic Meccia #7MADfTV5c4EvzJSwTmEYVV. Published by Dominic Meccia (A0.1278059). Key: C major.
$4.99
Deja Vu
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Flûte à bec Soprano
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DÉBUTANT
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Pop musique
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.643951 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swi...
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Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.643951 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253028. Published by M das Melodias (A0.643951). Music sheet music Deja Vu for Soprano Recorder. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
(Everything I Do) I Do It For You from the Motion Picture ROBIN HOOD: PRINCE OF THIEVES for Recorder Quartet
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Quatuor de Flûtes à bec
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Film/TV
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Bryan Adams
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Doug Clyde
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(Everything I Do) I Do It For
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ALBEDO MUSIC
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SheetMusicPlus
By Bryan Adams. Arranged by Doug Clyde. Movies, Valentine's Day, Pop, Anniversary, Wedding. Score, Set of Parts. 17 pages. Published by ALBEDO MUSIC (H0.103731-...
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By Bryan Adams. Arranged by Doug Clyde. Movies, Valentine's Day, Pop, Anniversary, Wedding. Score, Set of Parts. 17 pages. Published by ALBEDO MUSIC (H0.103731-232860). - Score,Set of Parts - Movies,Valentine's Day,Pop,Anniversary,Wedding - ALBEDO MUSIC
$12.99
Syncopation Study - Recorder
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Flûte à bec Soprano
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DÉBUTANT
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Classique
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Charles K
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Syncopation Study - Recorder
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Charles K. Neimog
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.1023064 Composed by Charles K. Neimog. Classical. Individual part. 1 pages. Charles K. Neimog #632690...
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Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.1023064 Composed by Charles K. Neimog. Classical. Individual part. 1 pages. Charles K. Neimog #6326903. Published by Charles K. Neimog (A0.1023064). The composition is one study to syncopation. It is easy for the student, and it is interesting to the professor. I think it is important to do good and interesting music, not just play exercises.
$1.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. ...
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Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall...
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Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q2433. Published by Schott Music - Digital (S9.Q2433). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$11.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-S...
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Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
Gnossienne No.1 (Erik Satie) - recorder quintet
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5 Flûtes à bec
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Erik Satie
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Austin Ralphson
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Gnossienne No.1
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SheetMusicPlus
Composed by Erik Satie (1866- 1925). Arranged by Austin Ralphson. 20th Century, Minimalism, Spiritual, Wedding, Recital. Score, Set of Parts. 17 pages....
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Composed by Erik Satie (1866- 1925). Arranged by Austin Ralphson. 20th Century, Minimalism, Spiritual, Wedding, Recital. Score, Set of Parts. 17 pages. Published by Austin Ralphson
Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.
The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
$7.99
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