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Vous avez sélectionné:
MARCHING BAND
HAUTBOIS
Partitions à imprimer
5 partitions trouvées
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Happy Birthday March, for Oboe Duet
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2 Hautbois (duo)
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INTERMÉDIAIRE
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Patty and Mildred Hill
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David McKeown
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Happy Birthday March, for Oboe
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David McKeown
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.1282025 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. Score. 2 pages. David McKeown #873376. ...
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Oboe Duet Oboe - Level 3 - SKU: A0.1282025 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. Score. 2 pages. David McKeown #873376. Published by David McKeown (A0.1282025). Happy Birthday March is a duet arrangement of Happy Birthday in a Marching Band style by David McKeown, written for two Oboes.This duet is ideal for players at an early intermediate to intermediate level, with an easily accessible range and some triplet rhythms. Click the YouTube link to hear and see a full performance of the Clarinet version of this duet.This duet also appears in the collection, 10 Happy Birthday Duets, (in 10 Different Styles) for Oboe. Copy and paste the title to the Sheet Music Plus search box to find it.Happy Birthday March is Perfect for concert performances large and small; Perfect to perform on anyone’s Special Day; A special birthday gift for musicians of all ages. Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Ideal material for teachers to help celebrate students’ birthdays. Designed to be fun for both players, with the melody in both parts. There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$2.49
Happy Birthday March, for Oboe and Violin Duet
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Hautbois, violon (duo)
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INTERMÉDIAIRE
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Patty and Mildred Hill
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David McKeown
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Happy Birthday March, for Oboe
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David McKeown
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SheetMusicPlus
Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.1281976 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. 2 pages. David McKeown #...
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Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.1281976 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. 2 pages. David McKeown #873330. Published by David McKeown (A0.1281976). Happy Birthday March is a duet arrangement of Happy Birthday in a Marching Band style by David McKeown, written for one Oboe and one Violin.This duet is ideal for players at an early intermediate to intermediate level, with an easily accessible range and some triplet rhythms. Click the YouTube link to hear and see a full performance of the Clarinet version of this duet.This duet also appears in the collection, 10 Happy Birthday Duets, (in 10 Different Styles) for Oboe and Violin. Copy and paste the title to the Sheet Music Plus search box to find it.Happy Birthday March is Perfect for concert performances large and small; Perfect to perform on anyone’s Special Day; A special birthday gift for musicians of all ages. Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Ideal material for teachers to help celebrate students’ birthdays. Designed to be fun for both players, with the melody in both parts. There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$2.49
Happy Birthday March, for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Patty and Mildred Hill
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David McKeown
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Happy Birthday March, for Oboe
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David McKeown
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1281982 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. 2 pages. David McKeown ...
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Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1281982 Composed by Patty and Mildred Hill. Arranged by David McKeown. March. 2 pages. David McKeown #873333. Published by David McKeown (A0.1281982). Happy Birthday March is a duet arrangement of Happy Birthday in a Marching Band style by David McKeown, written for one Oboe and one Bassoon.This duet is ideal for players at an early intermediate to intermediate level, with an easily accessible range and some triplet rhythms. Click the YouTube link to hear and see a full performance of the Clarinet version of this duet.This duet also appears in the collection, 10 Happy Birthday Duets, (in 10 Different Styles) for Oboe and Bassoon. Copy and paste the title to the Sheet Music Plus search box to find it.Happy Birthday March is Perfect for concert performances large and small; Perfect to perform on anyone’s Special Day; A special birthday gift for musicians of all ages. Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Ideal material for teachers to help celebrate students’ birthdays. Designed to be fun for both players, with the melody in both parts. There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$2.49
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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