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1276
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Deck the Halls
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Hautbois, trombone (duo)
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FACILE
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Noël
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Traditional
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André Nusa
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Deck the Halls
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Andre_Nusa
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SheetMusicPlus
Instrumental Duet,Oboe,Trombone - Level 2 - SKU: A0.1306493 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. 3 pages. Andre_Nu...
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Instrumental Duet,Oboe,Trombone - Level 2 - SKU: A0.1306493 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. 3 pages. Andre_Nusa #895862. Published by Andre_Nusa (A0.1306493). Explore the holiday spirit with this arrangement of 'Deck the Halls' for oboe and trombone. Delight in the harmonic interplay as you and your partner bring this classic festive tune to life. Designed for intermediate players, this arrangement offers a delightful challenge while maintaining the joyful essence of the season. Elevate your performance and celebrate the holidays with this enchanting duet, expertly crafted to showcase the rich tones and expressiveness of both instruments.
$5.99
Zoe the Zen Zombie, Spooky Halloween Duet for Oboe and Bassoon
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592464 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Stand...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592464 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359867. Published by David McKeown (A0.592464). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Oboe and one Bassoon. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Bassoon.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Oboe and Clarinet
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Hautbois, Clarinette (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.592465 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Stan...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.592465 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359869. Published by David McKeown (A0.592465). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Oboe and one Clarinet. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Clarinet.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Bassoon
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Scott the Scatterbrained Skele
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592304 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592304 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357551. Published by David McKeown (A0.592304). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Oboe and one Bassoon. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Bassoon.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Clarinet
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Hautbois, Clarinette (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Scott the Scatterbrained Skele
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.592305 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standard...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.592305 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357553. Published by David McKeown (A0.592305). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Oboe and one Clarinet. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Clarinet.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe
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2 Hautbois (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Scott the Scatterbrained Skele
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David McKeown
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.592308 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6...
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Oboe Duet Oboe - Level 3 - SKU: A0.592308 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6357559. Published by David McKeown (A0.592308). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for two Oboes. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
For Elise
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Arwyn Bailey
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For Elise
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Galactic Publishers Limited
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publisher...
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Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99
Swing Low, Swing Chariot, Gospel Song for Oboe and Clarinet Duet
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Hautbois, Clarinette (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.589997 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Prai...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.589997 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137523. Published by David McKeown (A0.589997). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Oboe and one Clarinet. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Swing Low, Swing Chariot, Gospel Song for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589996 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Prais...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589996 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137521. Published by David McKeown (A0.589996). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Oboe and one Bassoon. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Five Ragtime Duets by Scott Joplin for Oboe and Bassoon
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Duets by Scott Jo
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1117430 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragt...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.1117430 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 17 pages. David McKeown #718976. Published by David McKeown (A0.1117430). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The duets included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as duets for one Oboe and one Bassoon, and include all sections of the original compositions. The YouTube link showcases the clarinet version of these duets. The duets are suitable for players at an intermediate and and advanced intermediate level. Musicians will find these Ragtime duets ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$9.99
Five Ragtime Duets by Scott Joplin for Oboe and Clarinet
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Hautbois, Clarinette (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Duets by Scott Jo
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.1117433 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Rag...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - SKU: A0.1117433 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 17 pages. David McKeown #718979. Published by David McKeown (A0.1117433). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The duets included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as duets for one Oboe and one Clarinet, and include all sections of the original compositions. The YouTube link showcases the clarinet version of these duets. The duets are suitable for players at an intermediate and and advanced intermediate level. Musicians will find these Ragtime duets ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$9.99
Five Ragtime Solos by Scott Joplin for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1118307 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David M...
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Oboe,Piano - Level 3 - SKU: A0.1118307 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719825. Published by David McKeown (A0.1118307). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Oboe with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Swing Low, Swing Chariot, Gospel Song for Oboe Duet
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2 Hautbois (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.590000 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Scor...
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Oboe Duet Oboe - Level 3 - SKU: A0.590000 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6137529. Published by David McKeown (A0.590000). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for two Oboes. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Bist du bei mir BWV 508 for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score an...
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Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Bassoon
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Hautbois, Basson (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Phyllis the Photobombing Phant
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.592224 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score a...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.592224 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355681. Published by David McKeown (A0.592224). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Oboe and one Bassoon. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Bassoon.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Clarinet
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Hautbois, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Phyllis the Photobombing Phant
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 4 - SKU: A0.592225 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score ...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 4 - SKU: A0.592225 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355683. Published by David McKeown (A0.592225). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Oboe and one Clarinet. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Clarinet.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standar...
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Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
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