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It Romantic
HAUTBOIS
Partitions à imprimer
428 partitions trouvées
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10 Easy Romantic Pieces - for Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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Francesco Leone
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10 Easy Romantic Pieces - for
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Glissato Edizioni Musicali
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SheetMusicPlus
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tch...
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By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820359. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for Oboe and Piano. It is a highly valuable resource for students in their first courses, as it provides excellent material for essays and performances. Whether you are looking to improve your skills in playing the oboe or studying the music of the Romantic period, this collection is a great starting point. The included piano accompaniments are designed to complement the oboe parts, creating a beautiful and harmonious sound.
Titles:
1. Largo from ?New World Symphony? ? A. Dvorák
2. Theme from "Le Streghe" - N. Paganini
3. Melody in F ? A. Rubinstein
4. Soldier March ? R. Schumann
5. The Great Gate of Kiev - M. Mussorgsky
6. Theme from "New World Symphony" (IV mov.) - A. Dvorák
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms
8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
10.Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
Romantic Pieces, Op.75 (1st mov.) - Oboe and Piano (Full Score and Parts)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Antonin Dvorak
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César Madeira
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Romantic Pieces, Op.75
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1370857 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding...
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Oboe,Piano - Level 2 - SKU: A0.1370857 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 16 pages. Sheet Music To Play Editions #955199. Published by Sheet Music To Play Editions (A0.1370857). Romantic Pieces, Op. 75 (1st movement). Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!AntonÃÂn Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor BedÃ…â„¢ich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
5 Romantic Songs for Oboe and Piano - Book 1
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens, Edward El
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César Madeira
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5 Romantic Songs for Oboe and
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1203794 Composed by Camille Saint-Saens, Edward Elgar, Jules Massenet, Ludwig van Beethoven, and Robert Schumann. Arrange...
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Oboe,Piano - Level 3 - SKU: A0.1203794 Composed by Camille Saint-Saens, Edward Elgar, Jules Massenet, Ludwig van Beethoven, and Robert Schumann. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 51 pages. Sheet Music To Play Editions #802356. Published by Sheet Music To Play Editions (A0.1203794). The Romantic Era Song Album (Book 1). The Most Famous Romantic Songs. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schumann - TräumereiSaint-Saens - Le CygneMassenet - MeditationElgar - Pomp and CircumstanceFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
‘Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 in D Major for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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‘Wie Melodien zieht es m
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ACORDO Sheet Music
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.778004 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACO...
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Oboe,Piano - Level 3 - SKU: A0.778004 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4790587. Published by ACORDO Sheet Music (A0.778004). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments. The original key is A Major, however, D major was selected for Oboe performance in this music note.
$6.20
It's When I See You Smile - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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It's When I See You Smile - Ob
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.573172 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Wedding. Score and...
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Oboe,Piano - Level 3 - SKU: A0.573172 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4968059. Published by James M Stevens Music ASCAP (A0.573172). This is an original composition for Oboe and Piano in a relaxing and romantic style in the key of G major. There is a separate oboe part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under It's When I See Your Smile Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Let It Be Me (je T'appartiens)
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Hautbois, Piano (duo)
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FACILE
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Contemporain
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Elvis Presley
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Kaiserin Rebecca
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Let It Be Me
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.640864 By Elvis Presley. By Gilbert Becaud. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin...
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Oboe,Piano - Level 2 - SKU: A0.640864 By Elvis Presley. By Gilbert Becaud. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #4794691. Published by Kaiserin Rebecca (A0.640864). For oboe solo and piano accompaniment with chords.Suitable for wedding, Valentine's Day and any romantic occasions. 
$6.99
Salut d'Amour (Love's Greeting) for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Salut d'Amour
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.528471 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Sco...
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Oboe,Piano - Level 3 - SKU: A0.528471 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6030043. Published by Diego Marani (A0.528471). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Oboe reflects faithfully the original for violin and can be also used as music for wedding events.
$6.99
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Song of the Heather -Mendelssohn- Oboe/Bassoon duet
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Hautbois, Basson (duo)
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FACILE
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Felix Mendlessohn
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Phil Beaman
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Song of the Heather -Mendelsso
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Stan...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384007. Published by Phil Beaman (A0.844464). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Ode to Joy by Beethoven for Oboe
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ob
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Woods Only, Arrangements
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1160364 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score a...
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Oboe,Piano - Level 1 - SKU: A0.1160364 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760663. Published by Woods Only, Arrangements (A0.1160364). This arrangement adapted for oboe and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Pleasant Landscape-Schumann-Oboe-Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-Ob
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Phil Beaman
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 ...
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Oboe,Piano - Level 3 - SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509359. Published by Phil Beaman (A0.844536). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. ÂÂ
$24.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Moonlight Sonata by Beethoven for Oboe
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1156930 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Sco...
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Oboe,Piano - Level 1 - SKU: A0.1156930 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757274. Published by Woods Only, Arrangements (A0.1156930). This arrangement adapted for oboe and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standar...
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Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Kiss The Girl
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Hautbois et alto (duo)
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DÉBUTANT
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Film Walt Disney
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Little Texas
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André Nusa
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Kiss The Girl
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Andre_Nusa
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SheetMusicPlus
Instrumental Duet,Oboe,Viola - Level 1 - SKU: A0.1226337 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,...
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Instrumental Duet,Oboe,Viola - Level 1 - SKU: A0.1226337 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. 8 pages. Andre_Nusa #822345. Published by Andre_Nusa (A0.1226337). This oboe and viola duo arrangement of Kiss the Girl from the movie The Little Mermaid is a romantic and dreamy interpretation of the classic Disney song. The viola sets the rhythmic pulse of the piece, creating a relaxing and gentle atmosphere that is perfect for the song's tender melody. The oboe carries the melody, playing it with a sweet and delicate tone that captures the song's romantic essence. The arrangement emphasizes the lush harmonies and dreamy quality of the piece, providing ample room for both instruments to showcase their expressive capabilities. This arrangement is perfect for beginner oboe and viola players who want to add a touch of Disney magic to their repertoire and create a romantic and enchanting atmosphere. It's a great way to showcase the unique capabilities of both instruments and create a memorable and emotional performance that will linger in the hearts of listeners.
$5.99
Kiss The Girl
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Hautbois, violon (duo)
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DÉBUTANT
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Film Walt Disney
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Little Texas
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André Nusa
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Kiss The Girl
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Andre_Nusa
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SheetMusicPlus
Instrumental Duet,Oboe,Violin - Level 1 - SKU: A0.1226338 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV...
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Instrumental Duet,Oboe,Violin - Level 1 - SKU: A0.1226338 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. 8 pages. Andre_Nusa #822346. Published by Andre_Nusa (A0.1226338). This oboe and violin duo arrangement of Kiss the Girl from the movie The Little Mermaid is a romantic and dreamy interpretation of the classic Disney song. The violin sets the rhythmic pulse of the piece, creating a relaxing and gentle atmosphere that is perfect for the song's tender melody. The oboe carries the melody, playing it with a sweet and delicate tone that captures the song's romantic essence. The arrangement emphasizes the lush harmonies and dreamy quality of the piece, providing ample room for both instruments to showcase their expressive capabilities. This arrangement is perfect for beginner oboe and violin players who want to add a touch of Disney magic to their repertoire and create a romantic and enchanting atmosphere. It's a great way to showcase the unique capabilities of both instruments and create a memorable and emotional performance that will linger in the hearts of listeners.
$5.99
Kiss The Girl
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Hautbois, Clarinette (duo)
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DÉBUTANT
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Film Walt Disney
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Little Texas
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André Nusa
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Kiss The Girl
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Andre_Nusa
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SheetMusicPlus
B-Flat Clarinet,Instrumental Duet,Oboe - Level 1 - SKU: A0.1226334 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadwa...
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B-Flat Clarinet,Instrumental Duet,Oboe - Level 1 - SKU: A0.1226334 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. 8 pages. Andre_Nusa #822342. Published by Andre_Nusa (A0.1226334). This oboe and clarinet duo arrangement of Kiss the Girl from the movie The Little Mermaid is a romantic and dreamy interpretation of the classic Disney song. The clarinet sets the rhythmic pulse of the piece, creating a relaxing and gentle atmosphere that is perfect for the song's tender melody. The oboe carries the melody, playing it with a sweet and delicate tone that captures the song's romantic essence. The arrangement emphasizes the lush harmonies and dreamy quality of the piece, providing ample room for both instruments to showcase their expressive capabilities. This arrangement is perfect for beginner oboe and clarinet players who want to add a touch of Disney magic to their repertoire and create a romantic and enchanting atmosphere. It's a great way to showcase the unique capabilities of both instruments and create a memorable and emotional performance that will linger in the hearts of listeners.
$5.99
Kiss The Girl
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Hautbois, Piano (duo)
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DÉBUTANT
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Film Walt Disney
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Little Texas
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André Nusa
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Kiss The Girl
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Andre_Nusa
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1226271 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. Scor...
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Oboe,Piano - Level 1 - SKU: A0.1226271 By Little Texas. By Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. Score and part. 7 pages. Andre_Nusa #822286. Published by Andre_Nusa (A0.1226271). This piano and oboe duo arrangement of Kiss the Girl from the movie The Little Mermaid is a romantic and dreamy interpretation of the classic Disney song. The piano sets the rhythmic pulse of the piece, creating a relaxing and gentle atmosphere that is perfect for the song's tender melody. The oboe carries the melody, playing it with a sweet and delicate tone that captures the song's romantic essence. The arrangement emphasizes the lush harmonies and dreamy quality of the piece, providing ample room for both instruments to showcase their expressive capabilities. This arrangement is perfect for beginner piano and oboe players who want to add a touch of Disney magic to their repertoire and create a romantic and enchanting atmosphere. It's a great way to showcase the unique capabilities of both instruments and create a memorable and emotional performance that will linger in the hearts of listeners.
$6.99
I Love You Truly-oboe/piano
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Hautbois, Piano (duo)
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FACILE
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Phil Beaman
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I Love You Truly-oboe/piano
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Phil Beaman
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.844636 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414725. ...
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Oboe,Piano - Level 2 - SKU: A0.844636 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414725. Published by Phil Beaman (A0.844636). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
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