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SAXOPHONE
Saxophone
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3 partitions trouvées
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Comprehensive Saxophone Warm-Ups
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Saxophone
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INTERMÉDIAIRE
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Methodes
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Nick Mainella
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Comprehensive Saxophone Warm-U
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Proven Method to Increase Technique and Become a Complete Saxophonist. Composed by Nick Mainella. Method. E-book. 68 pages. Mel Bay Publications - D...
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A Proven Method to Increase Technique and Become a Complete Saxophonist. Composed by Nick Mainella. Method. E-book. 68 pages. Mel Bay Publications - Digital Sheet Music #30687EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118294.
Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into.The main areas of study in this method are:1. Sound Concepts2. Scales & Arpeggios3. Working with a Metronome4. How to Structure Your TimeA good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day.Contained Inside: Sound Concepts aC/ Articulation Patterns aC/ Full Range Major and Harmonic Minor Scales aC/ Full Range Major and Harmonic Minor Thirds aC/ Full Range Major and Minor Arpeggios aC/ Staggered Major and Minor Arpeggios aC/ Major and Minor Seconds aC/ Full Range Chromatic Scale Exercises aC/ Combining Keys with Both Scales and Arpeggios aC/ Full Range Major and Harmonic Minor Fourths and Wider Intervals.
$14.99
Wonderland By Night
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Saxophone
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INTERMÉDIAIRE
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Bert Kaempfert
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P
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Wonderland By Night
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P. R. Frederick
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 3 - SKU: A0.1393278 By Bert Kaempfert. By Klauss Gunter-Neuman and Lincoln Chase. Arranged by P. R. Frederick. Pop,S...
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Instrumental Solo,Saxophone - Level 3 - SKU: A0.1393278 By Bert Kaempfert. By Klauss Gunter-Neuman and Lincoln Chase. Arranged by P. R. Frederick. Pop,Standards. Individual part. 2 pages. P. R. Frederick #976760. Published by P. R. Frederick (A0.1393278). Here's the great Bert Kaempfert tune transcribed from the original recording. Â It can be played on any saxophone be it Alto, Tenor or Baritone. Â It ends in a key that might be difficult for the young saxophone player. Â Requires the ability to hit high F on the horn. Â It is a great tune to add to your repetoire.See my other saxophone solos here
$6.00
Nevermore
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. ...
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Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
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