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--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
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SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
Stand Tall
Piano & claviers
Guitares
Voix
Vents
Quatuor de Saxophones: 4 saxophones
5
Saxophone Soprano et Piano
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
3
2 Saxophones (duo)
3
Saxophone Alto
2
Saxophone Tenor
1
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1
Saxophone Baryton, Piano
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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MANDOLINE
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ORGUE
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COUNTRY
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Vous avez sélectionné:
Stand Tall
SAXOPHONE
Partitions à imprimer
22 partitions trouvées
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1
I'm Still Standing
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Elton John
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Luiza Lale
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I'm Still Standing
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Luiza Lale
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1277916 By Elton John. By Be...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1277916 By Elton John. By Bernie Taupin and Elton John. Arranged by Luiza Lale. 20th Century,Chamber,Pop. 27 pages. Luiza Lale #869617. Published by Luiza Lale (A0.1277916). I love playing this one! Arranged for SATB and AAAT for maximum flexibility. This arrangement demands a lot from all players and is totally worth the effort!
$19.99
Debussy: Claire de Lune for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Claire de Lune for Al
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550116 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550116 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595973. Published by jmsgu3 (A0.550116). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Debussy: Claire de Lune for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
#
Classique
#
Claude Debussy
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James M
#
Debussy: Claire de Lune for Te
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.550115 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.550115 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595969. Published by jmsgu3 (A0.550115). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Debussy: Claire de Lune for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Classique
#
Claude Debussy
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James M
#
Debussy: Claire de Lune for So
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550114 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standard...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550114 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595967. Published by jmsgu3 (A0.550114). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Draumkvedet
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2 Saxophones (duo)
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INTERMÉDIAIRE
#
Trad
#
Alexander Bosrup Karlsen
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Draumkvedet
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Alexander Bosrup Karlsen
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - SKU: A0.974055 Composed by Trad. Øvre Telemark. Arranged by Alexand...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - SKU: A0.974055 Composed by Trad. Øvre Telemark. Arranged by Alexander Bosrup Karlsen. Christian,Classical,Spiritual,Standards,World. Score and parts. 2 pages. Alexander Bosrup Karlsen #6245099. Published by Alexander Bosrup Karlsen (A0.974055). Draumkvedet is a visionary medieval ballad from Telemark in Norway. The exact date is unknown, but it's for sure before the reformation. The story has some similarities with Tundalls Vision, that served as an inspiration for Dante's inferno.From wikipedia: The protagonist, Olav Åsteson, falls asleep on Christmas Eve and sleeps until the twelfth day of Christmas. Then he wakes, and rides to church to recount his dreams to the congregation, about his journey through the afterlife. The events are in part similar to other medieval ballads like the Lyke Wake Dirge: a moor of thorns, a tall bridge, and a black fire. After these, the protagonist is also allowed to see Hell and some of Heaven. The poem concludes with specific advice of charity and compassion, to avoid the various trials of the afterlife.
$6.00
Debussy: Claire de Lune for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
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Claude Debussy
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James M
#
Debussy: Claire de Lune for Ba
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550117 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standar...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550117 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595977. Published by jmsgu3 (A0.550117). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Renaissance Quartets of Progressive Difficulty, Volume 1
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Giovanni Pierluigi de Palestri
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Josh Trentadue
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Renaissance Quartets of Progre
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T.U.X. People's Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1404895 Composed by Giovanni...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1404895 Composed by Giovanni Pierluigi de Palestrina, John Redford, Josquin des Prez, Maddalena Casulana, Thomas Tallis, and Vittoria Aleotti. Arranged by Josh Trentadue. Contest,Festival,Instructional,Renaissance. 68 pages. T.U.X. People's Music #987926. Published by T.U.X. People's Music (A0.1404895). Carefully selected, arranged, and engraved for any standard quartet, this selection of Renaissance-era music provides popular and new favorites together in a beautifully lyrical collection of fanfares, hymns, and chorales!Table of Contents:Vive le roy, des Prez (M)In Epiphania Domini, Palestrina (M)In Communi Plurimorum Martyrum, Palestrina (M)In Festo Sanctarum Mulicrum, Palestrina (M)Il vostro dipartir, Casulana (M)Baciai per aver vita, Aleotti (MA)Agnus Dei, Redford (MA)Glorificamus, Redford (MA)O quam glorifica, Redford (MA)Variations on “Why fumeth in sightâ€, Tallis (A).
$25.00
I Love You, I'm Sorry
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Saxophone Alto
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INTERMÉDIAIRE
#
Gracie Abrams
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Antônio S
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I Love You, I'm Sorry
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Antônio S. Fernandes
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1509462 By Gracie Abrams. By Aaron Brooking Dessner, Audrey Hobert, and Gracie Abrams. Arranged by Antônio S. F...
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Alto Saxophone Solo - Level 3 - SKU: A0.1509462 By Gracie Abrams. By Aaron Brooking Dessner, Audrey Hobert, and Gracie Abrams. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084701. Published by Antônio S. Fernandes (A0.1509462). Sheet Music PDF: I Love You, I'm Sorry – Gracie AbramsPlay the Emotional Depth of Gracie Abrams' Hit Song!Transform your musical journey with the official sheet music for I Love You, I'm Sorry, one of Gracie Abrams' most heartfelt and emotional tracks. This beautiful ballad, known for its raw vulnerability and captivating melody, can now be yours to play, with a perfectly transcribed arrangement in PDF format. Whether on piano, guitar, or vocals, this sheet music will help you capture the soul of the song.Why This Sheet Music Stands OutThe arrangement is meticulously crafted to reflect the deep emotional layers of Gracie Abrams’ delicate voice and poignant lyrics. Every chord, note, and rhythm is accurately captured to allow you to fully immerse yourself in the song’s intimate storytelling. This sheet music is designed for musicians of all skill levels, offering a clear and readable layout for a seamless learning experience.Unique Features: Includes vocal line, piano chords, and guitar tabs, allowing you to explore the full instrumental arrangement and accompany your own voice or a fellow singer.Instant PDF Download: Get started right away with a high-quality PDF that is easily printable or can be viewed digitally.Ideal for Musicians of All LevelsWhether you're a beginner looking for a challenge or an experienced musician eager to add a new song to your repertoire, this sheet music is the perfect tool. The easy-to-read format ensures smooth practice sessions, and the precise arrangement will help you deliver the same emotion and nuance that Gracie Abrams brings to the original track.Keywords: Sheet music PDF, Gracie Abrams, I Love You I'm Sorry, piano sheet music, guitar tabs, vocal score, music arrangement.Play Your Heart Out Today!Don’t miss the chance to perform one of Gracie Abrams’ most beloved songs. Purchase the sheet music now and start playing this moving and heartfelt ballad on your favorite instrument!
$5.00
I Love You, I'm Sorry
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Saxophone Tenor
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INTERMÉDIAIRE
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Gracie Abrams
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Antônio S
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I Love You, I'm Sorry
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Antônio S. Fernandes
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.1509463 By Gracie Abrams. By Aaron Brooking Dessner, Audrey Hobert, and Gracie Abrams. Arranged by Antônio S. ...
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Tenor Saxophone Solo - Level 3 - SKU: A0.1509463 By Gracie Abrams. By Aaron Brooking Dessner, Audrey Hobert, and Gracie Abrams. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084702. Published by Antônio S. Fernandes (A0.1509463). Sheet Music PDF: I Love You, I'm Sorry – Gracie AbramsPlay the Emotional Depth of Gracie Abrams' Hit Song!Transform your musical journey with the official sheet music for I Love You, I'm Sorry, one of Gracie Abrams' most heartfelt and emotional tracks. This beautiful ballad, known for its raw vulnerability and captivating melody, can now be yours to play, with a perfectly transcribed arrangement in PDF format. Whether on piano, guitar, or vocals, this sheet music will help you capture the soul of the song.Why This Sheet Music Stands OutThe arrangement is meticulously crafted to reflect the deep emotional layers of Gracie Abrams’ delicate voice and poignant lyrics. Every chord, note, and rhythm is accurately captured to allow you to fully immerse yourself in the song’s intimate storytelling. This sheet music is designed for musicians of all skill levels, offering a clear and readable layout for a seamless learning experience.Unique Features: Includes vocal line, piano chords, and guitar tabs, allowing you to explore the full instrumental arrangement and accompany your own voice or a fellow singer.Instant PDF Download: Get started right away with a high-quality PDF that is easily printable or can be viewed digitally.Ideal for Musicians of All LevelsWhether you're a beginner looking for a challenge or an experienced musician eager to add a new song to your repertoire, this sheet music is the perfect tool. The easy-to-read format ensures smooth practice sessions, and the precise arrangement will help you deliver the same emotion and nuance that Gracie Abrams brings to the original track.Keywords: Sheet music PDF, Gracie Abrams, I Love You I'm Sorry, piano sheet music, guitar tabs, vocal score, music arrangement.Play Your Heart Out Today!Don’t miss the chance to perform one of Gracie Abrams’ most beloved songs. Purchase the sheet music now and start playing this moving and heartfelt ballad on your favorite instrument!
$5.00
Taxi Driver (theme)
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2 Saxophones, Piano
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INTERMÉDIAIRE
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Contemporain
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Bernard Herrmann
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Andrei Tudor
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Piano
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Taxi Driver
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Andrei Tudor
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.879692 Composed by Bernard Herrmann. Arranged by Andrei Tudor. Contemporary...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.879692 Composed by Bernard Herrmann. Arranged by Andrei Tudor. Contemporary. Score and parts. 4 pages. Andrei Tudor #6062293. Published by Andrei Tudor (A0.879692). Soundtrack from Taxi Driver, composed by Bernard Hermann, directed by Martin Scorsese, starring Robert De Niro, Jodie Foster, Cybill ShepherdA mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostituteThis score is arranged for Alto Saxophone & Piano. It is used the jazz chords standard notation.www.andreitudor.com.
$10.99
Taxi Driver (theme)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Contemporain
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Bernard Herrmann
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Andrei Tudor
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Taxi Driver
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Andrei Tudor
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SheetMusicPlus
Small Ensemble Bass Guitar,Double Bass,Drums,Piano,Soprano Saxophone - Level 3 - SKU: A0.879690 Composed by Bernard Herrmann. Arranged by Andrei Tudor. ...
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Small Ensemble Bass Guitar,Double Bass,Drums,Piano,Soprano Saxophone - Level 3 - SKU: A0.879690 Composed by Bernard Herrmann. Arranged by Andrei Tudor. Contemporary. Score and parts. 19 pages. Andrei Tudor #6062283. Published by Andrei Tudor (A0.879690). Soundtrack from Taxi Driver, composed by Bernard Hermann, directed by Martin Scorsese, starring Robert De Niro, Jodie Foster, Cybill ShepherdA mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostituteThis score is arranged for Jazz Combo (Alto Saxophone, Piano, Bass/Drums/Guitar). It is used the jazz chords standard notation.www.andreitudor.com
$15.99
In My Life
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2 Saxophones (duo)
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FACILE
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Rock
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The Beatles
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Dico
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In My Life
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Dico Ferreira
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.513292 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dico. Pop,Rock,Wedding. 2 s...
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Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.513292 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dico. Pop,Rock,Wedding. 2 scores. 10 pages. Dico Ferreira #124057. Published by Dico Ferreira (A0.513292). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.IN MY LIFEÂ - for 2 saxophones alto and piano.
$16.00
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
In My Life
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2 Saxophones (duo)
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FACILE
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Rock
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The Beatles
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Dico
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In My Life
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Dico
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.842970 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dico. Pop,Rock,Wedding. 2 s...
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Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.842970 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dico. Pop,Rock,Wedding. 2 scores. 10 pages. Dico #6429657. Published by Dico (A0.842970). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.IN MY LIFEÂ - for 2 saxophones alto and piano.
$16.00
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
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Saxophone Alto
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AVANCÉ
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Andersen Viana
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Andersen Viana: Monologue for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music ...
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Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentà to, Scherzando, Lento, Lentissimo, reexposition (Tormentà to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$10.35
Nothing Else Matters
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Metal/Hard Rock
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Metallica
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Natalie Goossens
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Nothing Else Matters
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Natalie Goossens
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SheetMusicPlus
By Metallica. By James Hetfield and Lars Ulrich. Arranged by Natalie Goossens. 20th Century, Contemporary, Rock, Standards. 22 pages. Natalie Goossens...
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By Metallica. By James Hetfield and Lars Ulrich. Arranged by Natalie Goossens. 20th Century, Contemporary, Rock, Standards. 22 pages. Natalie Goossens #645721. Published by Natalie Goossens
$12.99
The Ecstasy Of Gold for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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The Ecstasy Of Gold for Saxoph
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SheetMusicPlus
By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani...
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By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani
"The Ecstasy of Gold" (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used "The Ecstasy of Gold" as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991.
This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
It is suitable for classroom, repertoire and recital.
$19.99
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