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This old Man
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60
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47
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Crtitères actifs :
This old Man
SAXOPHONE
Partitions à imprimer
925 partitions trouvées
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The Old Men, for saxophone ensemble (SAAATTB)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Michael Compton
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The Old Men, for saxophone ens
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Kreechur Kumfort Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.833860 Composed by Michael Compton. Contemporary....
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.833860 Composed by Michael Compton. Contemporary. Score and parts. 11 pages. Kreechur Kumfort Publishing #6353595. Published by Kreechur Kumfort Publishing (A0.833860). The Old Men is a saxophone ensemble composition based on the children's songs This Old Man and Do You Know the Muffin Man? in a sweetly soft setting. Arranged for soprano saxophone, three altos, two tenors, and a baritone saxophone this has lush harmonies and accessible parts for any playing level. A work that will please any audience. 3:00 performance time.
$15.00
Away In A Manger: for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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piano
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Away In A Manger: for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
The Old Boatman - Alto Sax 1
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Florence Beatrice Price
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Dana Perna
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The Old Boatman - Alto Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 3 - SKU: HX.1468730 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonar...
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Concert Band - Level 3 - SKU: HX.1468730 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonard - Digital #820155_14_ALTO_SAX_1. Published by Hal Leonard - Digital (HX.1468730).
$2.50
The Old Boatman - Alto Sax 2
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Saxophone (partie séparée)
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INTERMÉDIAIRE
#
Florence Beatrice Price
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Dana Perna
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The Old Boatman - Alto Sax 2
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 3 - SKU: HX.1468731 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonar...
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Concert Band - Level 3 - SKU: HX.1468731 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonard - Digital #820155_15_ALTO_SAX_2. Published by Hal Leonard - Digital (HX.1468731).
$2.50
The Old Boatman - Tenor Sax
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Florence Beatrice Price
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Dana Perna
#
The Old Boatman - Tenor Sax
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 3 - SKU: HX.1468732 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonar...
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Concert Band - Level 3 - SKU: HX.1468732 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonard - Digital #820155_16_TENOR_SAX. Published by Hal Leonard - Digital (HX.1468732).
$2.50
The Old Boatman - Bari Sax
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Saxophone (partie séparée)
#
INTERMÉDIAIRE
#
Florence Beatrice Price
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Dana Perna
#
The Old Boatman - Bari Sax
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 3 - SKU: HX.1468733 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonar...
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Concert Band - Level 3 - SKU: HX.1468733 Composed by Florence Beatrice Price. Arranged by Dana Perna. This edition: scorch. Concert. 1 pages. Hal Leonard - Digital #820155_17_BARI_SAX. Published by Hal Leonard - Digital (HX.1468733).
$2.50
Old Man Blues: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Jazz
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Duke Ellington
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Old Man Blues: E-flat Baritone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017287_BTX E-flat Baritone Saxophone. Arranged by Duke Ellington. Jazz. Part. 2 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0017287_BTX E-flat Baritone Saxophone. Arranged by Duke Ellington. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017287_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017287_BTX). UPC: 038081288796.This title is available in SmartMusic.
$3.00
Old Man Blues: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Jazz
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Duke Ellington
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Old Man Blues: B-flat Tenor Sa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017287_TX1 B-flat Tenor Saxophone. Arranged by Duke Ellington. Jazz. Part. 4 pages. Alfred Music - Digital Sheet M...
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Jazz Ensemble - SKU: AX.00-PC-0017287_TX1 B-flat Tenor Saxophone. Arranged by Duke Ellington. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017287_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017287_TX1). UPC: 038081288796.This title is available in SmartMusic.
$3.00
Soldier's March by Schumann for Saxophone Quartet in Schools
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Robert Schumann
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Joseph Judge
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Soldier's March by Schumann fo
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School Ensemble Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1158928 Composed by Robert S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1158928 Composed by Robert Schumann. Arranged by Joseph Judge. Chamber,Romantic Period. 19 pages. School Ensemble Music #759166. Published by School Ensemble Music (A0.1158928). Soldiers March, by Schumann, 3:30, for saxophone quartet. Also includes Humming Song, First Loss, and Wild Horseman from Album for the Young. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
Red Vest Man for Eb Alto/Baritone Sax
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Jazz
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Steve Waterman
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Red Vest Man for Eb Alto/Barit
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Steve Waterman
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.984997 Composed by Steve Waterman. Blues,Jazz. Sco...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.984997 Composed by Steve Waterman. Blues,Jazz. Score and parts. 13 pages. Steve Waterman #5347631. Published by Steve Waterman (A0.984997). This piece is composed for legendary cornet player Buddy Bolden, one of the first jazz musicians. He always played wearing a red vest, hence the title.
$4.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
10 Easy Romantic Pieces for Bb Saxophone and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Various
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10 Easy Romantic Pieces for Bb
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Glissato Edizioni Musicali
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SheetMusicPlus
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Pete...
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By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.
Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.
Easy keys and range for Saxophone
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
10 Easy Romantic Pieces - for Eb Alto Saxophone and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Francesco Leone
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10 Easy Romantic Pieces - for
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827), Nicolo Paganini (1782-1840), Robert Schumann, Anton Rubinstein (1829-1894), Johannes Brahms (1833-1897),...
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Composed by Ludwig van Beethoven (1770-1827), Nicolo Paganini (1782-1840), Robert Schumann, Anton Rubinstein (1829-1894), Johannes Brahms (1833-1897), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Chamber, Classical, Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820299. Published by Glissato Edizioni Musicali
10 romantic pieces collection for Eb Alto Saxophone and Piano, a great resource for students of the first courses. This collection features 10 easy pieces from the romantic period, arranged for Eb Alto Saxophone and Piano. Perfect for essays, concerts, and other performances, these pieces are sure to bring out the best in any student. With 10 romantic pieces, you have the perfect selection for any performance. Get ready to show off your talent with 10 romantic pieces! Complete parts for Sax and Piano.
Easy keys and range for SaxEasy Piano accompanimentMusical themes taken from the original compositions
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
Schumann : Marche militaire (Saxophone ténor)
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Saxophone Tenor
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FACILE
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Classique
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Schumann
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Marche militaire
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Tomplay
Telechargez la partition Saxophone Marche militaire (Saxophone tenor) de Schumann. Partition pour Saxophone avec piano d‘accompagnement -- Classique...
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Telechargez la partition Saxophone Marche militaire (Saxophone tenor) de Schumann. Partition pour Saxophone avec piano d‘accompagnement -- Classique
1.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, intermédiaire)
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Saxophone Alto
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INTERMÉDIAIRE
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, intermediaire) de Goldfaden. Partition pour Saxophone avec pia...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, intermediaire) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax ténor, intermédiaire)
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Saxophone Tenor
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INTERMÉDIAIRE
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, intermediaire) de Goldfaden. Partition pour Saxophone avec pi...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, intermediaire) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, débutant)
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Saxophone Alto
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DÉBUTANT
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, debutant) de Goldfaden. Partition pour Saxophone avec piano d&...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, debutant) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, facile)
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Saxophone Alto
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FACILE
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, facile) de Goldfaden. Partition pour Saxophone avec piano d&am...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax alto, facile) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax ténor, facile)
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Saxophone Tenor
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FACILE
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, facile) de Goldfaden. Partition pour Saxophone avec piano d&a...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, facile) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Goldfaden : Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax ténor, débutant)
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Saxophone Tenor
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DÉBUTANT
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Klezmer
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Goldfaden
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Rozhinkes mit Mandlen
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Tomplay
Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, debutant) de Goldfaden. Partition pour Saxophone avec piano d...
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Telechargez la partition Saxophone Rozhinkes mit Mandlen (Raisins et amandes) (Klezmer, sax tenor, debutant) de Goldfaden. Partition pour Saxophone avec piano d‘accompagnement -- Musique du monde
2.99€
Arnold Mendelssohn : 12 chants, Opus 8 - n° 10 Romance (Saxophone ténor)
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Arnold Mendelssohn
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12 chants, Opus 8
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Tomplay
Telechargez la partition Saxophone 12 chants, Opus 8 - n° 10 Romance (Saxophone tenor) de Mendelssohn. Partition pour Saxophone avec piano d‘accom...
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Telechargez la partition Saxophone 12 chants, Opus 8 - n° 10 Romance (Saxophone tenor) de Mendelssohn. Partition pour Saxophone avec piano d‘accompagnement -- Classique
2.99€
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This old Man
