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Nocturne No. 8
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Vous avez sélectionné:
Nocturne No. 8
SAXOPHONE
Partitions à imprimer
8 partitions trouvées
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1
Nocturne by Chopin for Sax Quartet and Piano
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Langanho
#
Nocturne by Chopin for Sax Qua
#
Avery Lynn Jordan
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1260808 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Perio...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1260808 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Period,Wedding. 8 pages. Avery Lynn Jordan #853951. Published by Avery Lynn Jordan (A0.1260808). Are you a lover of classical music and would like to play a work by one of the greatest composers in history with your Saxophone Quartet and Piano? Then you will be delighted with this easy arrangement of Chopin’s Nocturne No. 2, one of the most famous and beautiful pieces by the Polish composer. This arrangement was made for you who are looking for a quality and elegant piece for your repertoire, that creates a romantic and exciting atmosphere for various occasions, such as weddings and the like. This arrangement is also great for beginner students, teachers and parents who want to learn and teach a classical work more easily. When you buy this arrangement, you receive the scores in PDF and a demo audio of the piece, for a special price, that you only find here. Take advantage of this unique opportunity and get your easy arrangement of Chopin’s Nocturne No. 2 for your string ensemble now. You will feel like you are playing with Chopin himself!
$12.99
Nocturne by Chopin for Sax Quartet and Piano
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Langanho
#
Nocturne by Chopin for Sax Qua
#
Avery Lynn Jordan
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1260811 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Perio...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1260811 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Period,Wedding. 8 pages. Avery Lynn Jordan #853954. Published by Avery Lynn Jordan (A0.1260811). Are you a lover of classical music and would like to play a work by one of the greatest composers in history with your Saxophone Quartet and Piano with Chords? Then you will be delighted with this easy arrangement of Chopin’s Nocturne No. 2, one of the most famous and beautiful pieces by the Polish composer. This arrangement was made for you who are looking for a quality and elegant piece for your repertoire, that creates a romantic and exciting atmosphere for various occasions, such as weddings and the like. This arrangement is also great for beginner students, teachers and parents who want to learn and teach a classical work more easily. When you buy this arrangement, you receive the scores in PDF and a demo audio of the piece, for a special price, that you only find here. Take advantage of this unique opportunity and get your easy arrangement of Chopin’s Nocturne No. 2 for your string ensemble now. You will feel like you are playing with Chopin himself!
$12.99
Nocturne by Chopin for Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Langanho
#
Nocturne by Chopin for Sax Qui
#
Avery Lynn Jordan
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1260813 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Perio...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1260813 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Period,Wedding. 8 pages. Avery Lynn Jordan #853956. Published by Avery Lynn Jordan (A0.1260813). Are you a lover of classical music and would like to play a work by one of the greatest composers in history with your Saxophone Quintet with Chords? Then you will be delighted with this easy arrangement of Chopin’s Nocturne No. 2, one of the most famous and beautiful pieces by the Polish composer. This arrangement was made for you who are looking for a quality and elegant piece for your repertoire, that creates a romantic and exciting atmosphere for various occasions, such as weddings and the like. This arrangement is also great for beginner students, teachers and parents who want to learn and teach a classical work more easily. When you buy this arrangement, you receive the scores in PDF and a demo audio of the piece, for a special price, that you only find here. Take advantage of this unique opportunity and get your easy arrangement of Chopin’s Nocturne No. 2 for your string ensemble now. You will feel like you are playing with Chopin himself!
$15.99
Nocturne by Chopin for Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Langanho
#
Nocturne by Chopin for Sax Qui
#
Avery Lynn Jordan
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1260812 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Perio...
(+)
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1260812 Composed by Frederic Chopin. Arranged by Langanho. 19th Century,Classical,Romantic Period,Wedding. 8 pages. Avery Lynn Jordan #853955. Published by Avery Lynn Jordan (A0.1260812). Are you a lover of classical music and would like to play a work by one of the greatest composers in history with your Saxophone Quintet? Then you will be delighted with this easy arrangement of Chopin’s Nocturne No. 2, one of the most famous and beautiful pieces by the Polish composer. This arrangement was made for you who are looking for a quality and elegant piece for your repertoire, that creates a romantic and exciting atmosphere for various occasions, such as weddings and the like. This arrangement is also great for beginner students, teachers and parents who want to learn and teach a classical work more easily. When you buy this arrangement, you receive the scores in PDF and a demo audio of the piece, for a special price, that you only find here. Take advantage of this unique opportunity and get your easy arrangement of Chopin’s Nocturne No. 2 for your string ensemble now. You will feel like you are playing with Chopin himself!
$15.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
(+)
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
(+)
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Nocturne No. 8
