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Op. 363
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Op. 363
SAXOPHONE
Partitions à imprimer
18 partitions trouvées
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1
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Witho
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 10 pages. Ian Fitze #947839. Published by Ian Fitze (A0.1363384). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
Schumann: Träumerei Op. 15 No. 7 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550189 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Stand...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550189 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598363. Published by jmsgu3 (A0.550189). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Quantz: Six Duos Op. 2 Complete for Soprano Sax Duo
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2 Saxophones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Johann Joachim Quantz
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James M
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Quantz: Six Duos Op. 2 Complet
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jmsgu3
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 4 - SKU: A0.552618 Composed by Johann Joachim Quantz (1697-1773). Arranged by James M. Guthrie. Baroque...
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Soprano Saxophone Duet Soprano Saxophone - Level 4 - SKU: A0.552618 Composed by Johann Joachim Quantz (1697-1773). Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 161 pages. Jmsgu3 #6409363. Published by jmsgu3 (A0.552618). Quantz Six Duos, Op. 2 Complete Contents
$59.95
Serenade for Winds, Op. No. 7
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Ensemble de saxophones
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AVANCÉ
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Classique
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Richard Strauss
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Gary Bricault
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Serenade for Winds, Op. No. 7
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Gary Bricault
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.824969 Compo...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.824969 Composed by Richard Strauss. Arranged by Gary Bricault. Contemporary. 63 pages. Gary Bricault #4289363. Published by Gary Bricault (A0.824969). Arrangement for Saxophone Ensemble (Sprn2S4A3T2BBs). Performance time 9'35.
$14.99
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Bagatelle in A minor (op.119 no.9)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Kaiserin Rebecca
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Bagatelle in A minor
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Kaiserin Rebecca
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1116811 Composed by Ludwig van Beethoven. Arranged by Kaiserin Rebecca. Classical,Contest,Festival,Instructiona...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1116811 Composed by Ludwig van Beethoven. Arranged by Kaiserin Rebecca. Classical,Contest,Festival,Instructional. Score and part. 2 pages. Kaiserin Rebecca #718467. Published by Kaiserin Rebecca (A0.1116811). For alto saxophone solo and piano accompaniment with chords. Key: C minor Duration: 1'12.
$4.99
Sammartini: Sonata Op.1 No.1 for Soprano Sax Duo
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Giuseppi Sammartini
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James M
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Sammartini: Sonata Op.1 No.1 f
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jmsgu3
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SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 3 - SKU: A0.552634 Composed by Giuseppi Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,C...
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - SKU: A0.552634 Composed by Giuseppi Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Concert,Holiday,Love,Standards,Wedding. Score. 18 pages. Jmsgu3 #6411857. Published by jmsgu3 (A0.552634). Sonata No. 1 I. AndanteII. AllegroIII. AllegroDuration: 8:45 Score: 10 pages.
$24.95
Dubinushka, Op. 62: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Classique
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Nikolai Rimsky Korsakov
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Victor López
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Dubinushka, Op. 62: E-flat Bar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Dubinushka, Op. 62: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Classique
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Nikolai Rimsky Korsakov
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Victor López
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Dubinushka, Op. 62: B-flat Ten
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Dubinushka, Op. 62: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Classique
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Nikolai Rimsky Korsakov
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Victor López
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Dubinushka, Op. 62: 2nd E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Dubinushka, Op. 62: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Classique
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Nikolai Rimsky Korsakov
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Victor López
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Dubinushka, Op. 62: E-flat Alt
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Nikolai Rimsky Korsakov. Arranged by Victor López. For Concert Band. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Scriabin: Prelude in G Minor for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550363 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550363 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614315. Published by jmsgu3 (A0.550363). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$21.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Tango by Albeniz - Arranged for Saxophone Quartet or Ensemble
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Tango
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Isaac Albeniz
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Alexandre CARLIN
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Tango by Albeniz - Arranged fo
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Alexandre CARLIN
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.779861 Composed by Isaac Alb...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.779861 Composed by Isaac Albeniz. Arranged by Alexandre CARLIN. Multicultural,Romantic Period,World. 14 pages. Alexandre CARLIN #6363989. Published by Alexandre CARLIN (A0.779861). Tango is a piece written by spanish composer Isaac Albeniz. It was originally written for piano, as part of the suite untitled España, Op.165, composed in 1890. Since it has been transcribed for guitar, it has become one of the most important works of the classical guitar repertoire. This arrangement for saxophone quartet or ensemble could be added to your repertoire for your next concert !8 pages score, 6 pages parts. All parts provided (Eb Alto Sax substitute for Soprano Sax, Eb Alto Sax substitute for Tenor Sax). Dur. 2.20.Check out my other arrangements for saxophone ensemble :H0.296665-782780 - Stayin' alive by the Bee GeesH0.300145-953350 - YMCA by Village PeopleH0.303985-85500 - Blowin' in the wind by Bob DylanH0.295319-558700 - Moon river by Henry ManciniH0.295381-494880 - Louie Louie by Richard Berry
$9.99
Dvorak's Humoresque - Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Richard E Brown
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Dvorak's Humoresque - Saxophon
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Dacker Music
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.814833 Composed by Antonin Dvorak. Arranged by Richard E Brown. C...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.814833 Composed by Antonin Dvorak. Arranged by Richard E Brown. Concert,Romantic Period,Standards. Score and parts. 11 pages. Dacker Music #6113363. Published by Dacker Music (A0.814833). Dvorak's Humoresque (op.101, no.7), is one of his most famous compositions and has been arranged many times for many combinations of instruments. This arrangement for alto and tenor saxophone duet was originally written for clarinets in 2000, as a contest piece for my middle school students in Albuquerque. Separate parts are included to do away with awkward page turns. Grade 3 - Duration
$4.95
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
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