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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...4. Ahi, sciocco mondo - Alas, foolish blind worldEach song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.Here also is evidence of Monteverdi's progress in telling a story through music.These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
I'm Not Who I Was
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Brandon Heath
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Jeff Tincher
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I'm Not Who I Was
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584380 By Brandon Heath. By Brandon Heath. Arranged by Jeff Tincher. Contemporary. Score and pa...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584380 By Brandon Heath. By Brandon Heath. Arranged by Jeff Tincher. Contemporary. Score and parts. 18 pages. Jeff Tincher #5724863. Published by Jeff Tincher (A0.584380). Here is the first single by Brandon Heath. In the original key from his Don't Get Comfortable project, Brandon wrote this song for his stepmother, whom he lost contact with when his fathr and stepmother divorced. It is a beautiful song that hit #1 on the charts. Duration = 3:38. Visit my website: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Turkish March from the Ruins of Athens-Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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L V Beethoven
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Grant Horsley
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Turkish March from the Ruins o
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.785668 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Multicultural,Standards,...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.785668 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Multicultural,Standards,World. Score and parts. 13 pages. Grant Horsley #5042491. Published by Grant Horsley (A0.785668). Turkish March from The Ruins of Athens by Beethoven. Originally for Orchestra, arranged here for brass quartet. Listed as Intermediate.The youtube link has the whole score for you to assess suitabilityIdeal for weddings, events, student concerts, encore piece etc.Price is for score and parts.
$8.50
Rigoletto - Excerpts from the Opera - G Verdi (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Giuseppe Verdi
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Peet du Toit
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Rigoletto - Excerpts from the
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802623 Composed by Giuseppe Verdi. Arranged by Peet du Toit. Contemporary. Score and parts...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802623 Composed by Giuseppe Verdi. Arranged by Peet du Toit. Contemporary. Score and parts. 44 pages. Peet du Toit #6038777. Published by Peet du Toit (A0.802623). Rigoletto is an opera in three acts[a] by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.Many famous arias, and the quartet are among the many lovely moments captured in this arrangement. Enjoy!
$32.00
The Immovable Do
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Percy Aldridge Grainger
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Drew Smith
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The Immovable Do
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Andrew Smith
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1016796 Composed by Percy Aldridge Grainger. Arranged by Drew Smith. Contemporary. Score a...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1016796 Composed by Percy Aldridge Grainger. Arranged by Drew Smith. Contemporary. Score and parts. 33 pages. Andrew Smith #5955187. Published by Andrew Smith (A0.1016796). Grainger writes the following: The Immovable Do (composed 1933-1939) draws its title from one of the two kinds of Tonic Sol-fa notation, one with a movable Do (Do corresponding to the key-note of whatever key the music is couched in, from moment to moment; so that the note designated by Do varies with modulation) and the other with an immovable Do (in which Do always stands for C). In my composition-which is not based on any folksong or popular tune-the immovable Do is a high drone on C which is sounded throughout the whole piece. From the very start (in 1933) I conceived the number for any or all of the following mediums, singly or combined: for organ (or reed organ), for mixed chorus, for wind band or wind groups, for full or small orchestra, for string orchestra or 8 single strings. It seemed natural for me to plan it simultaneously for the different mediums, seeing that such music hinges upon intervallic appeal rather than upon effects of tone color..
$15.00
(ghost) Riders In The Sky (a Cowboy Legend)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
Song Of The Jet (samba Do Avião)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Antonio Carlos Jobim
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Peet du Toit
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Song Of The Jet
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5801391. Published by Peet du Toit (A0.802574). Samba do Avião (a.k.a. Song of the Jet, translated literally as Airplane Samba) is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees.In the biography Antonio Carlos Jobim: An Illuminated Man, Helena Jobim describes how her brother came up with the idea for the song: Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics-man's conquest over machine.In the song, Jobim writes about landing at Galeão in Rio de Janeiro. The airport was renamed in his honor in 1999 and is now called Rio de Janeiro–Antonio Carlos Jobim International Airport.Jobim wrote Samba do Avião for an Italian film, Copacabana Palace (1962), where it was performed by Jula De Palma and I 4 + 4 di Nora Orlandi. The movie was filmed in Rio and features cameo appearances by Jobim, João Gilberto and Os Cariocas.The first performance of the song was by Jobim and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio, at what music historian Ruy Castro calls the bossa nova show to end all bossa nova shows, as it featured Jobim, João Gilberto, VinÃcius de Moraes and Os Cariocas on stage together for the only time.The first recording of the song was released in October 1962 by Elza Laranjeira. Os Cariocas had a hit with their rendition in 1963.The first English-language version was by Tony Bennett for his 1965 album If I Ruled the World: Songs for the Jet Set.Here is my brass quintet version of the song for your enjoyment.
$13.00
This Boy (ringo's Theme)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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This Boy
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584400 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584400 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 15 pages. Jeff Tincher #5731821. Published by Jeff Tincher (A0.584400). Here is another love song from The Beatles. In the original key from Past Masters cd, this song is about a boy who longs for a girl that he once broke up from and now wants her back. This song never appeared on a U.K. release until they released the Past Masters cd. However this song appeared on the U.S. release Meet The Beatles. The subtitle Ringo's Theme did not appear on the title until after George Martin composed an instrumental version used in their first movie A Hard Day's Night. It was also the B-side of the U.S. single All My Loving. This arrangement includes the live ending The Beatles performed on The Ed Sullivan Show February 16, 1964. Duration = 2:24. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
"March of the Musketeers" For Brass Sextet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Grant Horsley
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"March of the Musketeers&
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242178 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. Score and Par...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242178 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. Score and Parts. 32 pages. Grant Horsley #837536. Published by Grant Horsley (A0.1242178). Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba, March of the Musketeers is a bright heroic march based upon the characters in the story of The Three Musketeers Quite a simple piece, it is in ternary form starting in the concert key of C major with the middle section in F major, before returning to C major and on to a flourishing ending. The outer sections have strong melodic lines underpinned crisp staccato support providing a solid striding beat. The middle section (which should be played in exactly the same pulse) is more lyrical and legato featuring triplets, but still retains the underpinning crotchet beat, but with a more delicate approach for variation. After a short link passage which features a couple of time signature changes, the main theme returns with a short coda- like few bars to take the piece to a conclusion. The full score is 15 pages and the parts are 3 each. It is 4 mins 15 in length. The whole score is on the youtube link for you to assess suitability.Price is for the full score and all parts.Versions for a Six C Flute Ensemble, Flute Choir (4 C Flutes, Alto and Bass Flute) and Clarinet Choir are also available.
$13.50
Brass Quintet No.3 (The Tour!) Movement 1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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David Burndrett
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Brass Quintet No.3
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David Burndrett
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558544 Composed by David Burndrett. Contemporary. Score and parts. 14 pages. David Burndre...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558544 Composed by David Burndrett. Contemporary. Score and parts. 14 pages. David Burndrett #3508607. Published by David Burndrett (A0.558544). I have composed this Brass Quintet No.3 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet. The Brass Quintet has four movements and this is movement 1.I composed this on a flight from the United Kingdom to Budapest!Download includes the score and all of the parts.
$4.95
Brass Quintet No.3 (The Tour!) Movement 4
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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David Burndrett
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Brass Quintet No.3
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David Burndrett
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558547 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndret...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558547 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndrett #3508619. Published by David Burndrett (A0.558547). I have composed this Brass Quintet No.3 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet. The Brass Quintet has four movements and this is movement 4.Download includes the score and all of the parts.
$4.95
Brass Quintet No.3 (The Tour!) Movement 2
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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David Burndrett
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Brass Quintet No.3
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David Burndrett
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558545 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndret...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558545 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndrett #3508611. Published by David Burndrett (A0.558545). I have composed this Brass Quintet No.3 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet. The Brass Quintet has four movements and this is movement 2.Download includes the score and all of the parts.
$4.95
Brass Quintet No.2 Op.3 (The Party!) Movement 1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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David Burndrett
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Brass Quintet No.2 Op.3
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David Burndrett
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558521 Composed by David Burndrett. Contemporary. Score and parts. 15 pages. David Burndre...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558521 Composed by David Burndrett. Contemporary. Score and parts. 15 pages. David Burndrett #3457351. Published by David Burndrett (A0.558521). I have composed this Brass Quintet No.2 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet.The Brass Quintet has three movements and this is movement 1.Download includes the score and all of the parts.
$4.95
Brass Quintet No.3 (The Tour!) Movement 3
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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David Burndrett
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Brass Quintet No.3
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David Burndrett
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558546 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndret...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.558546 Composed by David Burndrett. Contemporary. Score and parts. 8 pages. David Burndrett #3508617. Published by David Burndrett (A0.558546). I have composed this Brass Quintet No.3 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet. The Brass Quintet has four movements and this is movement 3.
$4.95
There Is A Fountain Filled With Blood (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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American Folk Melody
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Joseph Pugh
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There Is A Fountain Filled Wit
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855176 Composed by American Folk Melody. Arranged by Joseph Pugh. Christian,Sacred,Standar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855176 Composed by American Folk Melody. Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 10 pages. Joseph Pugh #6410323. Published by Joseph Pugh (A0.855176). This hymn was probably written in 1771, as it is in Conyers's Collection of Psalms and Hymns, 1772, in 7 stanzas of 4 lines. It was republished in the Olney Hymns, 1779, Bk. i., No. 79, with the heading Praise for the Fountain opened. It is based on Zech. xiii. 1, In that day there shall be a Fountain opened to the house of David and to the inhabitants of Jerusalem for sin and for uncleanness. This hymn in full or abbreviated is in extensive use in all English-speaking countries.A well known form of this hymn is From Calvary's Cross a Fountain flows. This appeared in Cotterill's Selection, 8th ed., 1819, No. 43, in 5 stanzas of 4 lines, and consists of stanzas i.-v. very much altered. In Bickersteth's Christian Psalmody, 1833, No. 49, that same opening stanza is given, with a return, in most of the remaining six stanzas, to the original text. The question as to by whom these alterations were made, first in Cotterill's Selection off 1819, and then in Bickersteth's Christian Psalmody, 1833, is answered by R. W. Dibdin, in the Christian Annotator, vol. iii., No. 76, for July 5, 1856, p. 278
$9.99
The Pilgrim's Chorus for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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Diego Marani
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The Pilgrim's Chorus for Brass
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528152 Composed by Richard Wagner. Arranged by Diego Marani. Classical,Concert,Instruction...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528152 Composed by Richard Wagner. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Diego Marani #4969811. Published by Diego Marani (A0.528152). Tannhäuser is an 1845 opera in three acts, music and text by Richard Wagner, based on two German legends; Tannhäuser, the legendary medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.The Pilgrim's Chorus represents the penitential journey of pilgrims as they travel to and from Rome to receive absolution. The noble aspirations of the penitents are embodied in this song, which sings the praises of God's mercy and the peace obtained by those who remit the debt of their sins.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$12.99
Some Of These Days
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Shelton Brooks
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Some Of These Days
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802658 Composed by Shelton Brooks. Arranged by Dudley E Bayford & Peet du Toit. Contempora...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802658 Composed by Shelton Brooks. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6246543. Published by Peet du Toit (A0.802658). Some of These Days is a popular song, written and composed by Shelton Brooks, published in 1910, and associated with the performer Sophie Tucker. Shelton Brooks and Some of These Days was brought to Sophie Tucker's attention in 1910 by her maid, who insisted she meet Brooks and hear the song. Tucker instantly recognized its hit potential, performed and recorded many versions throughout the years, and eventually it became her signature song - including landing movie appearances to perform it.Tucker first recorded the song along with others on wax cylinder format in 1910-11. In 1926, on 78 RPM record format and backed by Ted Lewis and his band, Tucker recorded her classic, million-selling 1926 version, which stayed in the #1 position on the charts for five weeks beginning November 23, 1926, and re-affirmed her lasting association with the song.The song also appeared in a number of filmsThis fast number is sure to bring you excitement and joy.
$14.00
SAY, BROTHERS,WILL YOU MEET US
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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DÉBUTANT
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Spiritual
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Alex Nunes Rodrigues
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SAY, BROTHERS,WILL YOU MEET US
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Alex Rodrigues
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SheetMusicPlus
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1201778 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Tradit...
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1201778 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Score and parts. 6 pages. Alex Rodrigues #800395. Published by Alex Rodrigues (A0.1201778). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
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The Who
