Page d'accueil
TROMBONE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
Beginnings
Non classifié
374
Piano & claviers
Guitares
Voix
Vents
Cuivres
Trombone
33
Trombone (partie séparée)
24
Trombone et Piano
23
Tuba
20
2 Trombones (duo)
6
Trombone, Violon (duo)
1
Trombone basse et Piano
1
+ 2 instrumentations
Retracter
Cordes
Orchestre & Percussions
Autres
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
14
Partitions Numériques
1
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Beginnings
TROMBONE
Trombone basse et Piano
Partitions à imprimer
1 partition trouvée
Sonata for Bass Trombone and Piano
#
Trombone basse et Piano
#
AVANCÉ
#
John Frith
#
Sonata for Bass Trombone and P
#
Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano - Level 5 - SKU: A0.792231 Composed by John Frith. 20th Century,Contemporary. Score and individual part. 55 pages....
(+)
Bass Trombone,Instrumental Solo,Piano - Level 5 - SKU: A0.792231 Composed by John Frith. 20th Century,Contemporary. Score and individual part. 55 pages. Gordon Cherry #4729067. Published by Gordon Cherry (A0.792231). John Frith began composing the `Sonata for Bass Trombone and Piano` for Stephen Fissel of the Seattle Symphony Orchestra in 2008. Originally it was intended to write only a single movement. When Mr. Fissel requested more did the idea of a three movement Sonata begin to take shape. In order to create a cohesive piece, Mr. Frith decided to use the opening Trombone figure of F-E-F as the thread to create a thematic unity within the three movement structure. The Piano introduction to the slow second movement bears this `motto` in reverse (EFE) and this is duly adopted by the Trombone and continues to be evident throughout the movement. The third movement, likewise, uses (EFE) but this time beginning with the Trombone. The composer remembers describing this movement to Stephen Fissel as a manic Waltz and it does,indeed, reach fever-pitch by the Coda. The relationship between the two instruments in this Sonata is never that of soloist and accompanist, rather as a conversation between two equal players, each in partnership with the composer’s ideas, committed to creating something of beauty.The work is written for very advanced performers and is about 14 minutes in length. John Frith 2009
$22.50