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Two at the Piano
TROMBONE
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Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone et Piano
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Two Pieces for Tuba or Bass Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Edouard Lalo
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Ralph Sauer
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Two Pieces for Tuba or Bass Tr
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - SKU: A0.792415 Composed by Edouard Lalo. Arranged by Ralph Sauer. 20th Century,Romantic Period,World...
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Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - SKU: A0.792415 Composed by Edouard Lalo. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 12 pages. Gordon Cherry #4821591. Published by Gordon Cherry (A0.792415). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$17.50
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
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Trombone et Piano
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INTERMÉDIAIRE
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American folk hymn tune
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Todd Marchand
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Saw Ye My Savior? — trom
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Con Spirito Music
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional....
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Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
$6.00
Pomp and Circumstance March No. 1 for Trombone (Euphonium) and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1043239 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standar...
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Piano,Trombone - Level 3 - SKU: A0.1043239 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 18 pages. Diego Marani #647927. Published by Diego Marani (A0.1043239). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for trombone or euphonium (C and Bb) with piano is suitable for classroom, repertoire and recital.
$9.99
Six Hungarian Dances for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Six Hungarian Dances for Two T
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period. Score and parts. 80 pages. Pete Strohm Music #6758789. Published by Pete Strohm Music (A0.928182). The first six of Johannes Brahms' Hungarian Dances, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. The individual dances are three to five minutes long. Performance time for the complete set of Six Hungarian Dances for Two Trombones and Piano would be about 21:00. You can watch and hear the score video for each of the Six Hungarian Dances on this site or on my YouTube channel, as well as by visiting https://petestrohm.com. Difficulty is Medium-Advanced. Member, ASCAP
$27.95
Hungarian Dance No. 1 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 1 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928593 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928593 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Pete Strohm Music #6672669. Published by Pete Strohm Music (A0.928593). Johannes Brahms' Hungarian Dance No. 1, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 1 for Two Trombones and Piano is 3:27. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Hungarian Dance No. 5 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 5 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928596 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928596 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 12 pages. Pete Strohm Music #6672697. Published by Pete Strohm Music (A0.928596). Johannes Brahms' Hungarian Dance No. 5, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 5 for Two Trombones and Piano is 3:00. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Hungarian Dance No. 2 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 2 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928594 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928594 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Pete Strohm Music #6672679. Published by Pete Strohm Music (A0.928594). Johannes Brahms' Hungarian Dance No. 2, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 2 for Two Trombones and Piano is 2:57. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Hungarian Dance No. 3 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 3 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928174 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928174 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Pete Strohm Music #6672683. Published by Pete Strohm Music (A0.928174). Johannes Brahms' Hungarian Dance No. 3, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 3 for Two Trombones and Piano is 2:24. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Hungarian Dance No. 4 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 4 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928173 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928173 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Pete Strohm Music #6672693. Published by Pete Strohm Music (A0.928173). Johannes Brahms' Hungarian Dance No. 4, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 4 for Two Trombones and Piano is 4:52. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Hungarian Dance No. 6 for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Hungarian Dance No. 6 for Two
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928175 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928175 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Pete Strohm Music #6672699. Published by Pete Strohm Music (A0.928175). Johannes Brahms' Hungarian Dance No. 6, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 6 for Two Trombones and Piano is 3:18. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Shall We Gather at the River (Trio for Trumpet, Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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John A
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Shall We Gather at the River
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John A. Dempsey
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SheetMusicPlus
Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - SKU: A0.524084 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worshi...
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Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - SKU: A0.524084 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 20 pages. John A. Dempsey #4737111. Published by John A. Dempsey (A0.524084). Arranged as a trio for Bb trumpet, trombone and piano, Shall We Gather at the River - the ageless hymn of love, comfort and assurance - is recommended for recitals and concerts as well as traditional church services and other worship events, including baptisms and funerals. Â Effective as a prelude, postlude, an offertory, interlude silent prayer accompaniment and special music. Â 16 pages of music (that includes separate two-page parts for trumpet and trombone). Â Concert Key (Piano/Trombone): Bb major. Â Trumpet Key: C major.
$11.99
Silent Night for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548492 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387069. ...
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Piano,Trombone - Level 1 - SKU: A0.548492 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387069. Published by jmsgu3 (A0.548492). Silent Night with new harmony for the final verse! Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Chants du Rhin for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44...
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Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008317. Published by Gordon Cherry (A0.792526). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
Copacabana (At The Copa)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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Fishel Pustilnik
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Copacabana
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F & N Enterprise
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.633853 By Barry Manilow. By Barry Manilow. Arranged by Fishel Pustilnik. Contemporary,Rock. Score and part. 8 pages. ...
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Piano,Trombone - Level 4 - SKU: A0.633853 By Barry Manilow. By Barry Manilow. Arranged by Fishel Pustilnik. Contemporary,Rock. Score and part. 8 pages. F & N Enterprise #3468284. Published by F & N Enterprise (A0.633853). An excellent arrangement of famous Song Copacabana for Trombone and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
Shall We Gather at the River (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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John A
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Shall We Gather at the River
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John A. Dempsey
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.523914 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional...
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Piano,Trombone - Level 3 - SKU: A0.523914 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #4321781. Published by John A. Dempsey (A0.523914). Arranged as a duet for trombone and piano, this ageless hymn of love, comfort and assurance is recommended for recitals and concerts as well as traditional church services and other worship events, including baptisms and funerals. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music. 10 pages of music (that includes a separate two-page trombone part). Key: Eb major.
$6.99
Fanfare and Processional for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Bochard, Christel
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Fanfare and Processional for T
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792190 Composed by Bochard, Christel. 20th Century,Classical,Contemporary. Score and part. 16 pages. Gordon Cherry #4...
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Piano,Trombone - Level 5 - SKU: A0.792190 Composed by Bochard, Christel. 20th Century,Classical,Contemporary. Score and part. 16 pages. Gordon Cherry #4580321. Published by Gordon Cherry (A0.792190). Fanfare and Processional for Trombone and Piano was written in 1978 for Trombonist Daniel Bochard. The work was first premiered that year in recital at the University of British Columbia's School of Music. The work has two very distinct themes: the 1st theme, Fanfare which consists of dramatic leaps of 4th's and octaves somewhat reminiscent of Hindemith. The 2nd theme: the stately Processional, is based on the first three notes of a major diatonic scale. The scale presents itself in many different guises throughout the 5 1/2 minute work. For advanced performers.
$20.00
Away In A Manger: for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386541. Published by jmsgu3 (A0.548479). Traditional Christmas song arranged for Trombone & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Sonatina for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Krejci, Miroslav
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Sonatina for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cher...
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Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cherry #4728857. Published by Gordon Cherry (A0.792223). The Sonatina for Trombone & Piano was originally published after its composition, but soon became lost. It has recently been brought back into the repertoire. Cherry Classics Music is proud to be bringing this very fine work back to life. The style of this 3 movement work is similar to the well known Sonatina for Trombone and Piano by Serocki. Miroslav Krejci was born on the 4th of November, 1891 in Rychnov nad Kn??nou (a small town situated in the eastern part of Bohemia of the Czech Republic). There, he also attended high school. After graduation he travelled to Prague, studying natural science, geography and musicology at Charles University. At the Conservatory he studied composition under Vitezslav Novak. Krejci also became a teacher at a few grammar schools in the Czech republic. He died on the 29th of December 1964 in Prague. Miroslav Krejci created music for many various ensembles and his compositions are among the most prolific of Czech composers. For example, he composed the following: two Operas: The Summer and The Last Hetman, two Symphonies, string quartets, sonatas for violins, trios for wind instruments, sonatinas for brasswind instruments and piano and five piano cycles. He wrote many vocal compositions, especially for chorus. Krejci also created many arrangements of folk songs for chorus and for solo voice with piano accompaniment. The Sonatina for Trombone and Piano was composed in 1948. It was first performed on the occasion of the composer's birthday.
$27.50
Four Pieces for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Frank Bridge
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Sauer, Ralph
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Four Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792255 Composed by Frank Bridge. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pages. Go...
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Piano,Trombone - Level 4 - SKU: A0.792255 Composed by Frank Bridge. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #4764759. Published by Gordon Cherry (A0.792255). British composer Frank Bridge is mainly remembered for his beautiful chamber music. The Four Pieces from 1912 are originally for Violin and Piano and are titled: 1. Meditation 2. Spring Song 3. Lullaby 4. Country Dance Mr. Sauer has done a beautiful job scoring these works for Trombone. There is a wonderful simplicity to Bridge's music, a simplicity that was lost forever just two years later at the beginning of the Great War, WW I. Bridge's most famous composition student was Benjamin Britten, who wrote one of his greatest works as an homage to Bridge.
$20.00
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Two at the Piano
