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Vous avez sélectionné:
I See the Light
TROMBONE
Partitions à imprimer
45 partitions trouvées
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I See The Light
Quatuor de cuivres: 4 trombones
Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1403229 Compose…
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Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1403229 Composed by Alan Menken and Glenn Slater. Arranged by Shinya Ishida. Broadway,Film/TV,Musical/Show,Standards. 12 pages. BitNotes.jp #986419. Published by BitNotes.jp (A0.1403229). Introducing a truly special arrangement - Disney's beloved song I See the Light from the 50th animated classic Tangled, now transcribed for a trombone quartet with proper licensing and authorization. This soaring, emotional piece captures the powerful connection between Rapunzel and the charming Flynn Rider as they realize the profound beauty in one another under a breathtaking night sky.My skilled arrangement highlights the radiant hopefulness and stirring strength of the original melody. Experience the magic of this iconic Disney love song in a rich, resonant trombone quartet setting perfect for concerts, recitals or just making magical memories. Don't miss out on performing this stunning transcription that will leave audiences spellbound.Check out the reference performance done with virtual instruments on YouTube to hear what this gorgeous arrangement sounds like. You won't want to miss it!https://youtube.com/shorts/9tVf8Br9ZcQ.
$19.99
18.28 €
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Quatuor de cuivres: 4 trombones
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Alan Menken and Glenn Slater
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Shinya Ishida
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I See The Light
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BitNotes.jp
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SheetMusicPlus
I See The Light
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1512439 Composed by Alan Menken…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1512439 Composed by Alan Menken and Glenn Slater. Arranged by Glauco Fernandes. Children,Film/TV,Wedding. Score and part. 4 pages. Glauco Fernandes #1087458. Published by Glauco Fernandes (A0.1512439). Get your hands on the easy/intermediate arrangement of I See The Light from Disney's Tangled. Perfect for musicians, students, and teachers seeking sheet music for this beautiful and memorable song. Ideal for performances, recitals, weddings, and other special events. This arrangement is a perfect choice for adding a magical touch to wedding ceremonies. Purchase your sheet music today and bring this enchanting Disney classic to life. Available for immediate sale and download.
$7.99
7.3 €
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Trombone et Piano
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Alan Menken and Glenn Slater
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Glauco Fernandes
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I See The Light
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Glauco Fernandes
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SheetMusicPlus
I See The Light
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1512438 Composed by Alan Menken…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1512438 Composed by Alan Menken and Glenn Slater. Arranged by Glauco Fernandes. Children,Film/TV,Wedding. Score and part. 4 pages. Glauco Fernandes #1087457. Published by Glauco Fernandes (A0.1512438). Get your hands on the easy/intermediate arrangement of I See The Light from Disney's Tangled. Perfect for musicians, students, and teachers seeking sheet music for this beautiful and memorable song. Ideal for performances, recitals, weddings, and other special events. This arrangement is a perfect choice for adding a magical touch to wedding ceremonies. Purchase your sheet music today and bring this enchanting Disney classic to life. Available for immediate sale and download.
$7.99
7.3 €
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Trombone et Piano
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Alan Menken and Glenn Slater
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Glauco Fernandes
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I See The Light
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Glauco Fernandes
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SheetMusicPlus
I See The Light
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.839608 Composed by Alan Menken. …
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Trombone Solo - Level 4 - Digital Download SKU: A0.839608 Composed by Alan Menken. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6494083. Published by Bobby Hesch (A0.839608). I SEE THE LIGHT!!! GREAT SONG FROM THE MOVIE TANGLED BY GLENN SLATER & ALAN MENKEN!!! AND THE WORLD HAS SOMEHOW SHIFTED, ALL AT ONCE EVERYTHING HAS SHIFTED NOW THAT I SEE YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF C/Eb!!! LOW G - HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch EMAIL ME WITH QUESTIONS, I CAN HELP!!! PARENTS APPRECIATE A PERFORMER WHO CATERS TO KIDS. THIS SONG IS POPULAR WITH ALL AUDIENCES!!! HAVE FUN!!!
$4.99
4.56 €
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Trombone
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Alan Menken
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Bobby Hesch
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I See The Light
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Bobby Hesch
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SheetMusicPlus
I'm Beginning to See the Light: 4th Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN4 4th Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN4 4th Trombone. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Paul Baker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017249_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017249_TN4). UPC: 038081451657.This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in SmartMusic.
$3.00
2.74 €
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Trombone (partie séparée)
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Paul Baker
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I'm Beginning to See the Light: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I'm Beginning to See the Light: 3rd Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN3 3rd Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN3 3rd Trombone. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Paul Baker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017249_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017249_TN3). UPC: 038081451657.This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in SmartMusic.
$3.00
2.74 €
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Trombone (partie séparée)
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Paul Baker
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I'm Beginning to See the Light: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I'm Beginning to See the Light: 1st Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN1 1st Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TN1 1st Trombone. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Paul Baker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017249_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017249_TN1). UPC: 038081451657.This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in SmartMusic.
$3.00
2.74 €
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Trombone (partie séparée)
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Paul Baker
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I'm Beginning to See the Light: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Alan Menken : Raiponce - Je veux y croire (niveau intermédiaire)
Trombone
Téléchargez la partition Trombone Raiponce - Je veux y croire (niveau interm…
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Téléchargez la partition Trombone Raiponce - Je veux y croire (niveau intermédiaire) de Alan Menken. Partition pour Trombone avec accomp. orchestre -- Musique de film
5.99 €
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Trombone
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Alan Menken
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Raiponce
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Tomplay
Alan Menken : Raiponce - Je veux y croire (niveau facile)
Trombone
Téléchargez la partition Trombone Raiponce - Je veux y croire (niveau facile…
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Téléchargez la partition Trombone Raiponce - Je veux y croire (niveau facile) de Alan Menken. Partition pour Trombone avec accomp. orchestre -- Musique de film
5.99 €
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Trombone
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Alan Menken
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Raiponce
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Tomplay
I See The Light
Trombone
Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1335681 Composed …
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Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1335681 Composed by Alan Menken and Glenn Slater. Arranged by Alex Souza. 21st Century,Broadway,Contemporary,Musical/Show,Wedding. Individual part. 1 pages. Alexander de Souza #921503. Published by Alexander de Souza (A0.1335681).
$5.99
5.48 €
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Trombone
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Alan Menken and Glenn Slater
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Alex Souza
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I See The Light
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Alexander de Souza
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.13 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Hosanna to the Son of David
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1472362
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1472362 Composed by Orlando Gibbons. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Chamber,Religious,Renaissance,Sacred. 15 pages. Mark A. Craig #1050064. Published by Mark A. Craig (A0.1472362). This brass quintet arrangement of English composer Orlando Gibbons' joyous acapella anthem Hosanna to the Son of David is a lovely adaptation of a choral Renaissance classic with a sacred text by Saint Matthew. It is a perfect opener for recitals, weddings, graduations, special events, background dinner music gigs, and educational outreach performances. The arrangement can be played by groups ranging from advanced high school ensembles to college groups to professional ensembles. I hope you enjoy this delightful setting of a Gibbons choral standard.If you like this arrangement, you might also like my brass quintet arrangement of Gustav Mahler's Urlicht from his Symphony No. 2 Resurrection. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1574811/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/urlicht-from-symphony-no-2-resurrection-22801518.htmlFor more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Orlando Gibbons
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Mark A
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Hosanna to the Son of David
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Mark A. Craig
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SheetMusicPlus
High Flight
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.1236631 Composed by Christian M…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published by Hoopla Sheet Music (A0.1236631). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.13 €
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Trombone et Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
22.86 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
I'm Beginning To See The Light
Trombone
Interactive Download SKU: HX.344916 By Don George. This edition: Interactive Downlo…
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Interactive Download SKU: HX.344916 By Don George. This edition: Interactive Download. Jazz,Standards. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.344916).
$2.99
2.73 €
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Trombone
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Don George
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I'm Beginning To See The Light
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Hal Leonard - Digital
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SheetMusicPlus
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Trombone et Piano
B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keik…
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B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
45.7 €
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Trombone et Piano
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Keiko Takashima
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Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Al Circo (To the Circus) for Trombone and Harp
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Se…
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
22.86 €
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
I See the Light from Tangled - Trombone Solo
Trombone
Alan Menken - False Digital Sheetmusic plus an interactive, downloadable digital sheet mus…
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Alan Menken - False Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Trombone; 2 pages -- Movie/TV~~Children's~~Soundtrack
$2.95
2.7 €
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Trombone
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Trombone Solo
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Musicnotes
Alan Menken: I See The Light (from Disney's Tangled) - trombone solo
Trombone
Instantly printable sheet music by Alan Menken for trombone solo of MEDIUM skill level. / …
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Instantly printable sheet music by Alan Menken for trombone solo of MEDIUM skill level. / children,disney,film/tv,movies
$3.97
3.63 €
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Trombone
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Alan Menken
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Virtualsheetmusic
I See The Light
Trombone
By Alan Menken. This edition: Interactive Download. Children, Disney, Film/TV. TBNSOL. 2 p…
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By Alan Menken. This edition: Interactive Download. Children, Disney, Film/TV. TBNSOL. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.406536). - TBNSOL - Children,Disney,Film/TV - Hal Leonard - Digital Sheet Music
$2.99
2.73 €
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Trombone
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Alan Menken
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I See The Light
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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