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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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351
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludvig van Beethoven
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Keith Terrett
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it consists of music only
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European Anthem
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett...
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Level 3 - SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Teobaldo Power y Lugo-Vina
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Keith Terrett
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Percussion
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Canary Islands Official Region
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #336...
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Level 3 - SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #3367007. Published by Keith Terrett (A0.746751). The official anthem of the Canary Islands, arranged for Brass Quintet & Percussion.A region of Spain, the anthem used in the Canaries for official local occasions was introduced on May 30 (Canary Islands Day), 2003. It is an adaptation of a local folk song called Arrorró (Lullaby).Before the official announcement of the anthem unofficial local songs were in place, and tended to differ depending on the person’s political beliefs. Those who prefered independence for the Canary Islands used the Canto de Tierra as their anthem, while others used another work by Teobaldo Power y Lugo-Vina, Pasodoble Islas Canarias.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.99
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
Kids in the Corner
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Matthew Nunes
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Kids in the Corner
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Mat...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847). Listen to this piece hereKids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.I. HipThis summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.II. One for the lovebirds…It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.III. SwungFor quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.IV. Posh, Prim, and ProperThis axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.V. JigA trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.- Matthew NunesWindsor, December 2014.
$24.99
The Flight of the Bumble Bee - Rimsky Korsakov - for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1041154 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film...
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1041154 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and parts. 22 pages. Raymond Fenech #645884. Published by Raymond Fenech (A0.1041154). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$9.95
LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #66...
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Brass Ensemble - Level 3 - SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #6638585. Published by Whole Tone Press (A0.774063). Expertly arranged for brass quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the 1st trumpet above the drone of the trombone and tuba. Then the tuba takes the melody, transposing it to G Dorian, then, briefly to A Mixolydian. At the key change, the melody returns to its original form, now taken up by the French horn. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelParticularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.
$8.50
Always There
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Celtique/Irlandais
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Brendan Graham and Rolf Lovlan
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Ted Samuels
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Always There
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Theodore A. Samuels
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.828659 Composed by Brendan Graham and Rolf Lovland. Arranged by Ted Samuels. Celtic,Contemporary,Irish,Pop. 21 pages. ...
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Brass Quintet - Level 2 - SKU: A0.828659 Composed by Brendan Graham and Rolf Lovland. Arranged by Ted Samuels. Celtic,Contemporary,Irish,Pop. 21 pages. Theodore A. Samuels #5852319. Published by Theodore A. Samuels (A0.828659). This song was written by the team of Brendan Graham and Rolf Lovland, who also wrote You Raise Me Up. It was originally performed by their group Secret Garden, and The Canadian Tenors (aka The Tenors) have also recorded a fine version of it.This arrangement is for brass quintet with an optional medium voice. It begins in the key of Eb and then changes to F for the last verse and finale. (A similar arrangement for saxophone ensemble and low voice is also available.) It commemorates the 200th anniversary of the birth of Florence Nightingale, and is dedicated to the many frontline workers and first responders who have served faithfully at great personal risk during the Coronavirus COVID-19 pandemic of the early 2020s.
$14.99
God of Our Fathers Whose Almighty Hand - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Musique Sacrée
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Christian contemporain
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G
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M
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God of Our Fathers Whose Almig
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M Joseph Willette
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.973083 Composed by G.W. Warren. Arranged by M. Joseph Willette. Christian,Concert,Sacred. Score and parts. 11 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.973083 Composed by G.W. Warren. Arranged by M. Joseph Willette. Christian,Concert,Sacred. Score and parts. 11 pages. M Joseph Willette #4291399. Published by M Joseph Willette (A0.973083). This is fun and interesting arrangement of a popular hymn is for brass quintet. God of our Fathers is perfect for events ranging from church services to recitals, and everything in between. Score and parts included. If you would like this arranged for any other group of instruments, feel free to contact me at mjosephwillette@gmail.com.
$5.99
From the Shadow's Edge (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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From the Shadow's Edge
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadow’s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.
$29.95
National Anthem of Ukraine - Brass Quintet - Intermediate Level
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Lyrics by Pavlo Chubynsky, Mus
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Dennis Ruello
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National Anthem of Ukraine - B
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Chicory Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19t...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784152. Published by Chicory Music (A0.1184424). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamationThis arrangement for Brass Quintet, in the brass friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
The Carioca
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Film/TV
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Caetano Velosa
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Peet du Toit
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The Carioca
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00
Fanfare on the 'Old Hundredth'" — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Louis Bourgeois
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Todd Marchand
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Fanfare on the 'Old Hundredth'
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.800275 Composed by Louis Bourgeois (c. 1510-1560). Arranged by Todd Marchand. Chamber,Chris...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.800275 Composed by Louis Bourgeois (c. 1510-1560). Arranged by Todd Marchand. Chamber,Christian,Sacred. 8 pages. Con Spirito Music #407381. Published by Con Spirito Music (A0.800275). The “Old Hundredth†psalm/hymn tune earned its name from its association with a metrical setting of Psalm 100 by William Kethe (d. 1594), published in the Anglo-Genevan Psalter (1591). Kethe’s first stanza, based on Psalm 100, verses 1-2, reads: All people that on earth do dwell,Sing to the Lord with cheerful voice.Him serve with fear, His praise forth tell;Come ye before Him and rejoice.Thus, the “Old Hundredth†is popularly titled, “All People That on Earth Do Dwell.†It is also well-known as the tune for the doxology, “Praise God From Whom All Blessings Flow.†The tune is attributed to the French music theorist and composer Louis Bourgeois (c. 1510-1559), who contributed a number of tunes to the Genevan Psalter of 1551.This arrangement is fitting as a short introit to a service of worship.©2013 Todd Marchand / www.conspiritomusic.com
$15.00
Who Will Buy?
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Lionel Bart
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Ted Samuels
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Who Will Buy?
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Theodore A. Samuels
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.828649 Composed by Lionel Bart. Arranged by Ted Samuels. 20th Century,Broadway,Film/TV,Musical/Show. 25 pages. Theodor...
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Brass Quintet - Level 4 - SKU: A0.828649 Composed by Lionel Bart. Arranged by Ted Samuels. 20th Century,Broadway,Film/TV,Musical/Show. 25 pages. Theodore A. Samuels #5335097. Published by Theodore A. Samuels (A0.828649). Based on one of Lionel Bart's rousing songs from the musical Oliver!, this brass quintet arrangement presents Charles Dickens' beloved orphan, Oliver Twist, and a variety of Londoners expressing their gratitude for a wonderful morning. The instruments portray Oliver and the 4 vendors who start the song as a canon-like ballad, and then transform into a quick marching band and the many townspeople who join in the revels.
$24.99
After the Cake Walk for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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R
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Charles Decker
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After the Cake Walk for Brass
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Cen...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Contest,Festival,Jazz,Pop,Ragtime. 24 pages. Charles Decker Music Press #652018. Published by Charles Decker Music Press (A0.1047456). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Scored for two trumpets in B-flat (with alternate C trumpet parts), horn (with flugelhorn substitute), trombone (with treble clef euphonium substitute) and tuba, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others..For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
The Golden Star
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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The Golden Star
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1407507 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1407507 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #990171. Published by Matthew Nunes Music (A0.1407507). “Dedicated to Mrs. Theodore Roosevelt, In memory of the brave who gave their lives, That Liberty shall not perishâ€. The Golden Star is a symbol of sacrifice for many families, and Sousa appropriately incorporates Taps.This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Golden Star was composed in 1919, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 90.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
On My Mind the Whole Night Long
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Comédie Musicale
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George Gershwin
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Bill Wilson
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On My Mind the Whole Night Lon
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775149 Composed by George Gershwin. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #352960...
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Brass Quintet - Level 2 - SKU: A0.775149 Composed by George Gershwin. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #3529607. Published by Alexander Wilson (A0.775149). Master composer George Gershwin's On My Mind the Whole Night Long can be interpreted in a variety of ways. We present it here in a slow blues swing. While the melody is primarily played by the first trumpet, the other parts carry considerable countermelodic content. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
The Fool On The Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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The Fool On The Hill
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.554034 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemp...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.554034 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemporary,Pop. 16 pages. RayThompsonMusic #6517979. Published by RayThompsonMusic (A0.554034). The Fool on the Hill is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular fool, a solitary figure who is not understood by others, but is actually wise. McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi.The song's segment in the Magical Mystery Tour television film was shot separately from the rest of the film and without the other Beatles' knowledge. Accompanied by a professional cameraman, McCartney filmed the scene near Nice in France. In 1968, Sérgio Mendes & Brasil '66 recorded a cover version of the song that reached the top ten in the US. By the late 1970s, The Fool on the Hill was one of McCartney's most widely recorded ballads. A solo demo and an outtake of the song were included on the Beatles' 1996 compilation album Anthology 2.Arranged for standard brass quintet, the melody is shared between both trumpetsInteresting parts for horn, trombone and tuba.The mp3 extract is of verse 2
$19.95
The Steps Of A Good Man
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Folklorique/Traditionel
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Mac Lynch
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Dana F
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The Steps Of A Good Man
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 2 - SKU: DX.145547 Composed by Mac Lynch. Arranged by Dana F. Everson. Traditional. Key of Bb, Eb. Sacred Instrumental Music. Scor...
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Brass Quintet - Grade 2 - SKU: DX.145547 Composed by Mac Lynch. Arranged by Dana F. Everson. Traditional. Key of Bb, Eb. Sacred Instrumental Music. Score and Parts. 13 pages. David E. Smith - Digital Sheet Music #145547. Published by David E. Smith - Digital Sheet Music (DX.145547). A mini suite that is based on 1) God Rest Ye Merry Gentlemen and, 2) We Gather Together an Austrian carol from the 17th century.The score is solid in part management but adds motifs of punctuation to add flavor. There are optional percussion parts for those who want to add more color to the performance.
$12.00
The Sound Of Music
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Richard Rodgers
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Ralph Raymond Hays
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The Sound Of Music
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Ralph Raymond Hays
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.720460 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Musica...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.720460 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Musical/Show. 8 pages. Ralph Raymond Hays #3424721. Published by Ralph Raymond Hays (A0.720460). Lovingly crafted by an arranger who once portrayed Friedrich Von Trapp in a theatrical production, this setting of one of Rodgers and Hammerstein’s most recognized and cherished tunes is certain to captivate performers and audience members alike. The introduction will evoke images of alpine vistas and an obligato will bring to mind the semblance of a laughing brook. Rodgers’ vaulting melody and lush, piquant harmonies are further enriched by the arranger’s ornamental countermelodies and tonal embellishments. Sounding both familiar and fresh to the engaged listener, and befitting myriad occasions, this arrangement of The Sound of Music will enhance the repertoire of any ensemble.This arrangement can be combined with others to form a Sound of Music Suite. :https://www.sheetmusicplus.com/search?Ntt=brass+quintet+sound+of+music+ralph+Raymond+hays
$12.99
Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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W
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W
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Jari A
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Hail To The Spirit of Freedom
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 28 pages. JV MUSIC #6087241. Published by JV MUSIC (A0.722809). Hail To The Spirit of Freedom for Brass Quintet By W. C. Handyarranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, Tuba, (opt. Drums)Optional parts for Alto Horn and TC BaritoneWilliam Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who was known as the Father of the Blues. Handy was one of the most influential songwriters in the United States.Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.W.C. Handy wrote numerous compositions including St Louis Blues, Memphis Blues, Yellow Dog Blues, along with this march Hail to the Spirit of Freedom written in 1915. This march was written for the Lincoln Jubilee commemorating the 50th anniversary of the Emancipation held in Chicago. There are quotes Tramp, Tramp, Tramp, Columbia, Gem of the Ocean, Hail Columbia, My Old Kentucky Home, Old Black Joe, Hot Time in the Old Town, Dixie. Yankee Doodle, and the bugle call Reveille.
$18.00
Who's Who in Navy Blue
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Who's Who in Navy Blue
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1412175 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1412175 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #994415. Published by Matthew Nunes Music (A0.1412175). Commissioned by the 1920 class of the U.S. Naval Academy. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Who’s Who in Navy Blue was composed in 1920, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 93.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
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