"A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells verse; some polka and swing elements and a ?Grand Finale? in maestoso ? This is the perfect arrangement for your upcoming concerts in the holiday season.About this arrangement: Instrumentation: Full ScorePart I Trumpet in CPart I Trumpet in BbPart II (Trumpet in BbHorn in FEb)Part III (Trombone in Bb/CTubaBass in Bb)Any individual arrangement and substitute parts are available on request.Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic.

Here is what composer Henry Wolking says about his new work, Prognosis for Brass Trio:

Prognosis For Brass Trio is an eight-minute four-movement work for trumpet with flugelhorn double, trombone, and tuba. At this stage of my writing career, Prognosis has become a fairly common word heard and directed to myself, family, and friends. As such, I feel obliged to offer a few prognoses of my own for one of my long-standing and favored brass chamber music groups. Each movement is titled and informed by a particular prognosis.

The first movement, Chromatic Disorder, is, well, highly chromatic, and rhythmically active. The second, Common Tone Cold, is a melodic, gentle lullaby. The third, Take A PentaTonic, is a 6/8 romp of pentatonic scales connected by common tones. The fourth, Your Bill, Payable In C Notes, is an active closer that uses, the note C in every beat and cord of the entire movement. I predict you?ll feel much better after playing or listening to these prognoses.

Instrumentation is for Trumpet/Flugelhorn, Trombone and Tuba. This work is about 8 minutes in length and appropriate for advanced performers.

Mozart's 5 Divertimenti K439b, originally written for 3 basset horns, have been arranged for many combinations of instruments. I have arranged this one (No.1) for three euphoniums (or trombones) . I have transcribed the parts into concert pitch F in order to fit all the parts into a comfortable range. I have taken some liberties in the 3rd part, transposing up an octave where necessary, but avoiding any "clash" with the two upper instruments. There is an overlap sometimes where 3rd is playing higher than 2nd, but the harmonies are still fine. I have included both bass and treble clef versions of all 3 parts, as well as a bass clef tuba part as an alternative to the 3rd part. I feel it works well as a low brass trio.