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Vous avez sélectionné:
All The Things You Are
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38 partitions trouvées
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All The Things You Are
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.809125
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.809125 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Tony Benade. Musical/Show. Score and parts. 24 pages. Tony Benade #4855337. Published by Tony Benade (A0.809125). The arrangement opens up with a classic 8 bar riff that was used specially for this tune by various jazz artists.It starts out with a latin feel and moves to standard four on the bridge and then back to the latin feel. It continues to move back and forth from the latin to four throughout with ad lib solos for trumpet and trombone. The riff is brought back in just before the ad lib solos basically as a set up for those solos. It is a very interesting arrangement for any type of group but especially a brass quintet.
$24.99
23.23 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Jack Leonard with Tommy Dorsey Orchestra
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Tony Benade
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All The Things You Are
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Tony Benade
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SheetMusicPlus
All The Things You Are
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.647787 By Jack Leonard with Tomm…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.647787 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 13 pages. Theupperstaff #2931555. Published by theupperstaff (A0.647787). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement. 
$8.99
8.36 €
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Trompette, Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
Zestful Joyful Jolly - All the Things You Are (Trumpet Solo)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.933680 Composed by Susan C Smith.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.933680 Composed by Susan C Smith. Concert,Folk,Jazz,Pop. Individual part. 6 pages. Susan C Smith at Dusty Guitar Music, LLC #6274007. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.933680). Have you ever played the license plate game where you select words starting with the letters in the license plate number? As I play the game while driving, I cannot look up words if none come to me. So, I had looked up words starting with J that would represent my BFF, and I wrote them on a sticky note, then placed that note on my keyboard. When I decided to write a piece that represented my friend, the name of the piece was staring me right in the face, so to speak. Please play with joy.
$3.99
3.71 €
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Trompette
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Susan C Smith
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Zestful Joyful Jolly - All the Things You Are
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Susan C Smith at Dusty Guitar Music, LLC
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SheetMusicPlus
All The Things You Are
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1273407 By Jack Leonard with Tom…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1273407 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Kenneth Abeling. Broadway,Jazz,Musical/Show. 18 pages. LINCOLN MUSIC PUBLICATIONS #865562. Published by LINCOLN MUSIC PUBLICATIONS (A0.1273407). All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Brass Quintet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$15.99
14.86 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jack Leonard with Tommy Dorsey Orchestra
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Kenneth Abeling
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All The Things You Are
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Ella Fitzgerald : All The Things You Are (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette All The Things You Are (niveau interm&eac…
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Téléchargez la partition Trompette All The Things You Are (niveau intermédiaire) de Ella Fitzgerald. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ella Fitzgerald
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All The Things You Are
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Tomplay
Ella Fitzgerald : All The Things You Are (niveau difficile)
Trompette
Téléchargez la partition Trompette All The Things You Are (niveau difficile)…
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Téléchargez la partition Trompette All The Things You Are (niveau difficile) de Ella Fitzgerald. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ella Fitzgerald
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All The Things You Are
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Tomplay
Ella Fitzgerald : All The Things You Are (niveau facile)
Trompette
Téléchargez la partition Trompette All The Things You Are (niveau facile) de…
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Téléchargez la partition Trompette All The Things You Are (niveau facile) de Ella Fitzgerald. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ella Fitzgerald
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All The Things You Are
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Tomplay
Ella Fitzgerald : All The Things You Are (niveau facile/intermédiaire)
Trompette
Téléchargez la partition Trompette All The Things You Are (niveau facile/int…
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Téléchargez la partition Trompette All The Things You Are (niveau facile/intermédiaire) de Ella Fitzgerald. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ella Fitzgerald
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All The Things You Are
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Tomplay
Ella Fitzgerald : All The Things You Are (niveau débutant)
Trompette
Téléchargez la partition Trompette All The Things You Are (niveau déb…
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Téléchargez la partition Trompette All The Things You Are (niveau débutant) de Ella Fitzgerald. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ella Fitzgerald
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All The Things You Are
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Tomplay
All The Things You Are
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1202931 By Jack Leonard with Tom…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1202931 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Nigel Simmons. Broadway,Jazz,Musical/Show,Standards,Wedding. 25 pages. Hepplewhite Music #801663. Published by Hepplewhite Music (A0.1202931). The Oscar Hammerstein II & Jerome Kern standard arranged for Brass QuintetScore and Parts for Orchestral and Brass Band Quintetplus Eb Soprano Cornet (in lieu of 1st Bb Cornet) & Bb Bass (in lieu of Eb Bass).
$15.00
13.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jack Leonard with Tommy Dorsey Orchestra
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Nigel Simmons
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All The Things You Are
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Hepplewhite Music
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SheetMusicPlus
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.76 €
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
26.03 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
All The Things You Are / 2016 Arranging Contest Entry. Arranged for Brass Band by Marc Garetto
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Jerome Kern. Arranged by Marc GARETTO. 22 pages. Published by Marc GARETTO - Harmonie E…
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By Jerome Kern. Arranged by Marc GARETTO. 22 pages. Published by Marc GARETTO - Harmonie Editions (H0.125921-15010). - - - Marc GARETTO - Harmonie Editions
$18.00
16.73 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jerome Kern
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Marc GARETTO
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All The Things You Are / 2016 Arranging Contest Entry. Arranged for Brass Band by Marc Garetto
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.5 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.25 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.25 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
The Eerie Night
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39…
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Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39 pages. Published by Sweetwater Brass Press (S0.274701). - Score,Set of Parts - Halloween,Children's Music,Recital - Sweetwater Brass Press
It is October 31, Halloween, late in the evening. Outside, a slight but chilling wind blows. Inside, the pendulum of the great clock ticks slowly back and forth, back and forth. Somewhere a faucet drips arrhythmically. Suddenly, the clock strikes twelve. And, it all starts. The ghosts, the goblins, the witches and all their familiars?these are the beings that hold sway on The Eerie Night. This Halloween fantasy was inspired by a jingle the composer learned many years before while in primary school. Attributed to Lillian Mohr Fox, the words accompanying the tune described ?witches on broomsticks with cats and bats? and ?spooky . . . noises on Hallowe?en night.? ?The Eerie Night,? composed for brass quintet, emulates the supposed ghostly environment of Halloween with generous (and eerie!) use of the lower brass instruments. Trumpets provide emphasis, punctuation and occasional screeches, while the Horn in F harmonizes with Trombone and, at one point, shrieks like a cat. The haunting and scaring builds and builds until just before the end, when absolute cacophonous bedlam occurs. Gradually, things quiet down. The nightmare is ended, and we?re back to the clock, the wind and the faucet. Completed in 2017, this composition runs about 4 minutes, 40 seconds. The composer, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.51 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Eerie Night
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Sweetwater Brass Press
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SheetMusicPlus
All The Things You Are - Trumpet 4
Trompette (partie séparée)
Level 5 - Digital Download SKU: HX.157805 Composed by Jerome Kern and Oscar Hammers…
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Level 5 - Digital Download SKU: HX.157805 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Mark Taylor. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157805).
$6.00
5.58 €
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Trompette (partie séparée)
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Jerome Kern and Oscar Hammerstein
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Mark Taylor
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All The Things You Are - Trumpet 4
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Hal Leonard - Digital
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SheetMusicPlus
All The Things You Are
Trompette
Interactive Download SKU: HX.341989 By Jack Leonard with Tommy Dorsey Orchestra. Th…
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Interactive Download SKU: HX.341989 By Jack Leonard with Tommy Dorsey Orchestra. This edition: Interactive Download. Standards. Trumpet Solo. 1 pages. Published by Hal Leonard - Digital (HX.341989).
$2.99
2.78 €
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Trompette
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Jack Leonard with Tommy Dorsey Orchestra
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All The Things You Are
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Hal Leonard - Digital
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SheetMusicPlus
All The Things You Are - Trumpet 3
Trompette (partie séparée)
Level 5 - Digital Download SKU: HX.157804 Composed by Jerome Kern and Oscar Hammers…
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Level 5 - Digital Download SKU: HX.157804 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Mark Taylor. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157804).
$6.00
5.58 €
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Trompette (partie séparée)
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Jerome Kern and Oscar Hammerstein
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Mark Taylor
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All The Things You Are - Trumpet 3
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Hal Leonard - Digital
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SheetMusicPlus
All The Things You Are - Trumpet 1
Trompette (partie séparée)
Level 5 - Digital Download SKU: HX.157802 Composed by Jerome Kern and Oscar Hammers…
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Level 5 - Digital Download SKU: HX.157802 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Mark Taylor. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157802).
$6.00
5.58 €
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Trompette (partie séparée)
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Jerome Kern and Oscar Hammerstein
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Mark Taylor
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All The Things You Are - Trumpet 1
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Hal Leonard - Digital
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SheetMusicPlus
All The Things You Are - Trumpet 2
Trompette (partie séparée)
Level 5 - Digital Download SKU: HX.157803 Composed by Jerome Kern and Oscar Hammers…
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Level 5 - Digital Download SKU: HX.157803 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Mark Taylor. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157803).
$6.00
5.58 €
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Trompette (partie séparée)
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Jerome Kern and Oscar Hammerstein
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Mark Taylor
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All The Things You Are - Trumpet 2
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Hal Leonard - Digital
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SheetMusicPlus
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
12.07 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
He's Got The Whole World In His Hands (Bb-Trumpet solo and Piano)
Trompette, Piano
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.676639 By Stephen DeCesar…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.676639 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Christmas,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. Exultet Music #285583. Published by Exultet Music (A0.676639). The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored for a Bb-Trumpet solo with Piano accompaniment. An accompaniment track is also available.
$4.99
4.64 €
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Trompette, Piano
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Stephen DeCesare
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
He's Got The Whole World In His Hands (Duet for Bb-Trumpet)
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.672437 By Stephen DeCesar…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.672437 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Christmas,Easter,Praise & Worship,Sacred,Spiritual. Score. 11 pages. Exultet Music #281389. Published by Exultet Music (A0.672437). The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored as a duet for Bb-Trumpet with Piano accompaniment. An accompaniment track is also available.
$4.99
4.64 €
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2 Trompettes (duo)
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Stephen DeCesare
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
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