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Partitions à imprimer
7 partitions trouvées
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Preludes for Advent and Christmas
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Noël
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Max Reger
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John Jay Hilfiger
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Preludes for Advent and Christ
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Cimarron Music Press - Digital
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SheetMusicPlus
Brass quartet - SKU: CX.CM2122 Composed by Max Reger. Arranged by John Jay Hilfiger. 14 pages. Published by Cimarron Music Press - Digital (CX.CM2122). ...
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Brass quartet - SKU: CX.CM2122 Composed by Max Reger. Arranged by John Jay Hilfiger. 14 pages. Published by Cimarron Music Press - Digital (CX.CM2122). 2 Trumpets, Horn or Trombone and Trombone: 1. Freu' dich sehr, o meine Seele 2. Wachet auf, ruft us dir Stimme 3. Vom Himmel hoch da kom ich her 4. Wie schon leuchtet der Morgenstern.
$18.00
Ich ruf'' zu dir, Herr Jesu Christ
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Johann Sebastian Bach
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Paul Hanna
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Ich ruf'' zu dir, Herr Jesu Ch
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TBQ Press
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Hanna. Baroque Period, General Worship, Wedding. Score, Set of Parts. 8 pages. Published by TBQ ...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Hanna. Baroque Period, General Worship, Wedding. Score, Set of Parts. 8 pages. Published by TBQ Press (S0.104975). - Score,Set of Parts - Baroque Period,General Worship,Wedding - TBQ Press
$10.00
Voices of Spring Waltz op. 410 by J. Strauss II
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Alessandro Macrì
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1881)
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Voices of Spring Waltz op. 410
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
Ubi Caritas
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Chorale/Excerpts
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James Bicigo
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Ubi Caritas
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.757887 By Chorale/Excerpts. By Maurice Durufle. Arranged by James Bicigo. Contemporary. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.757887 By Chorale/Excerpts. By Maurice Durufle. Arranged by James Bicigo. Contemporary. Score and parts. 29 pages. Polar Publications #5314947. Published by Polar Publications (A0.757887). These motets are based on some of the Gregorian chants used in Holy Week. Duruflè's vocal music is so beautiful and rich, and it works beautifully for brass as well. Perfect for Easter Gigs or a recital.
$25.00
How Brightly Shines the Morning Star - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Philipp Nicolai / J
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Todd Marchand
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How Brightly Shines the Mornin
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacre...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 14 pages. Con Spirito Music #3897165. Published by Con Spirito Music (A0.726082). Wie schön leuchtet der Morgenstern (How Brightly Shines the Morning Star) was written by the German Lutheran pastor, poet, and composer Philipp Nicolai (1556-1608) and published in a collection of his hymns in 1599. Based on Psalm 45, Nicolai's text identifies Jesus Christ as the celestial bridegroom of the psalm and with the bright morning star described in Revelation 22:16.Nicolai also authored and published the hymn, Wachet auf, ruft uns die Stimme (Sleepers, Wake! A Voice Astounds Us) in the same 1599 collection. Together, Wachet Auf and Wie schön leuchtet der Morgenstern have been called The King and Queen of Chorales.Johann Sebastian Bach (1685-1780) used the Morning Star chorale as the basis of his cantata, Wie schön leuchtet der Morgenstern (BWV 1) and individual verses of the text in several other cantatas. Bach also used the tune as the basis for several organ preludes. Other composers to have used the tune in their works include Johann Pachelbel, Dieterich Buxtehude, Max Reger, Hugo Distler, and Howard Hanson.In this arrangement, both Bach's harmonization and original harmonies are employed, as well as original material for the introduction, interlude/modulation, and ending.©Copyright 2018 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
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