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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vivaldi: The Four Seasons Complete for Trumpet & Piano
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.551442 Composed by Antonio Vival…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.551442 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 187 pages. Jmsgu3 #5205017. Published by jmsgu3 (A0.551442). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
45.67 €
#
Trompette, Piano
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: The Four Seasons Complete for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Trumpet & Piano
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.551356 Composed by Antonio Vival…
(+)
Piano,Trumpet - Level 5 - Digital Download SKU: A0.551356 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5031723. Published by jmsgu3 (A0.551356). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
30.12 €
#
Trompette, Piano
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four Seasons for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
The King Is Returning Bb Trumpet Score
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.842315 Composed by Andrew Mc Dona…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.842315 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #6612773. Published by Andrew Mc Donald (Macka Records) (A0.842315). The King Is Returning is a song about when Jesus comes back on the clouds in the sky. As sure as I do live and breathe He will return whether we are ready or not. This song features the trumpet, as it will sound when He comes. This is the Bb Trumpet score.
$3.99
3.65 €
#
Trompette
#
Andrew Mc Donald
#
The King Is Returning Bb Trumpet Score
#
Andrew Mc Donald
#
SheetMusicPlus
The Return Of The Giant Hogweed
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1495395 Composed by Mike Rutherford, Peter Brian Gabriel, Phil Collins, Steve Hackett, and Tony Banks. Arranged by Jeff Tincher. Classical,Contemporary,Rock. 39 pages. Jeff Tincher #1071908. Published by Jeff Tincher (A0.1495395). Here is one of the big hits from Genesis while Peter Gabriel was lead vocalist. In the original key from their Nursery Cryme lp, according to Steve Hackett, Peter read about the story of a person bringing back a hogweed to England and that's where the lyrics came in. Typical Genesis construction, key and time changes. Duration = 7:57. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.88 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Rutherford, Peter Brian Gabriel, Phil Collins, Steve Hackett, and Tony Banks
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Jeff Tincher
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The Return Of The Giant Hogweed
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Jeff Tincher
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SheetMusicPlus
"March of the Musketeers" For Brass Sextet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242178
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242178 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. Score and Parts. 32 pages. Grant Horsley #837536. Published by Grant Horsley (A0.1242178). Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba, March of the Musketeers is a bright heroic march based upon the characters in the story of The Three Musketeers Quite a simple piece, it is in ternary form starting in the concert key of C major with the middle section in F major, before returning to C major and on to a flourishing ending. The outer sections have strong melodic lines underpinned crisp staccato support providing a solid striding beat. The middle section (which should be played in exactly the same pulse) is more lyrical and legato featuring triplets, but still retains the underpinning crotchet beat, but with a more delicate approach for variation. After a short link passage which features a couple of time signature changes, the main theme returns with a short coda- like few bars to take the piece to a conclusion. The full score is 15 pages and the parts are 3 each. It is 4 mins 15 in length. The whole score is on the youtube link for you to assess suitability.Price is for the full score and all parts.Versions for a Six C Flute Ensemble, Flute Choir (4 C Flutes, Alto and Bass Flute) and Clarinet Choir are also available.
$13.50
12.34 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Grant Horsley
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"March of the Musketeers" For Brass Sextet
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Grant Horsley
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SheetMusicPlus
Jag Theme
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1013449 Composed by Bruce Broughton. Arranged by R. Nhomi. Contemporary,Film/TV,Patriotic. 11 pages. R. Nhomi #6462865. Published by R. Nhomi (A0.1013449). Theme from JAG for Brass Quintet, by Bruce Broughton. Great as an opening piece for your brass quintet. Begins with solo Horn playing the theme used in the prologue, followed by the main theme. Theme is extended to give the middle brass a chance at the melody, then returns with the full ensemble. .
$20.00
18.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bruce Broughton
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R
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Jag Theme
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R. Nhomi
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SheetMusicPlus
Return of the Herds (for Trumpet Trio)
Trompette
Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser.…
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Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 18 pages. Andrew Lamb #875774. Published by Andrew Lamb (A0.1284600). Presenting Return of the Herds (Retour des Troupeaux), an engaging trumpet trio arrangement meticulously crafted from the imaginative composition by Frenchman Adolphe Danhauser. Originally designed as a secular chorus, this arrangement now resonates anew through the powerful voices of three trumpets.Set at an easy-to-intermediate level of difficulty, Return of the Herds offers an accessible yet musically rewarding experience for trumpeters of varying skill levels. The arrangement transforms Danhauser's evocative melodies into a triumphant dance of three trumpets, conjuring the imagery of returning herds with every note.Versatile in its applications, this arrangement enriches a variety of settings, from captivating concerts to educational showcases. Whether you're aiming to enhance your repertoire for a performance or seeking to provide your students with an opportunity to explore ensemble dynamics, Return of the Herds stands ready to inspire.Let the resounding calls of the trumpets capture the essence of a triumphant return, whether in a grand concert hall or an intimate recital setting. Elevate your musical journey with this exquisite trumpet trio arrangement, as it revives the spirit of Adolphe Danhauser's composition in a new and vibrant form.
$4.00
3.66 €
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Trompette
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Adolphe Danhauser
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Andrew Lamb
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Return of the Herds
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Andrew Lamb
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SheetMusicPlus
The Mandalorian
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1287182
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1287182 Composed by Ludwig Goransson. Arranged by Tom Holtz. 21st Century,Classical,Film/TV. 16 pages. Tom Holtz #878191. Published by Tom Holtz (A0.1287182). Ludwig Göransson is one of the biggest names in film music thanks to his blockbuster scores for the Black Panther and Creed movies. His return to the small screen with The Mandalorian in 2019 adds to his growing portfolio of iconic themes. The signature theme music is almost instantly recognizable to any Star Wars fan. This arrangement for brass quintet includes a percussion part for field drum and tambourine, and focuses the intricate layering of the final measures down to the five wind instruments.
$20.00
18.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludwig Goransson
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Tom Holtz
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The Mandalorian
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Tom Holtz
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SheetMusicPlus
Hark! The Herald Angels Sing (Bb Trumpet Duet)
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.1119009 Composed by Felix…
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Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.1119009 Composed by Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 12 pages. Cathy Stamegna #720416. Published by Cathy Stamegna (A0.1119009). This well-known Christmas hymn is arranged as an unaccompanied instrumental duet with a pastoral, yet triumphant flavor. A contrapuntal style in the traditional 4/4 transitions to triple meter in verse two. The return of 4/4 in verse three is accompanied by a key change. Each instrument has an opportunity to carry the melody. Appropriate for any Christmas worship, concert, recital, or holiday setting. Score and set of Parts included. Performance Time: approx. 3:30.
$4.99
4.56 €
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2 Trompettes (duo)
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Felix Bartholdy Mendelssohn
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Cathy Stamegna
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Hark! The Herald Angels Sing
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Cathy Stamegna
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SheetMusicPlus
The Gift of Love
Trompette, Piano
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 3 - Digital Downloa…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1252204 By Michael Huseman. By Traditional. Arranged by Michael Huseman. Celtic,Christian,Irish. 7 pages. Michael Huseman #846259. Published by Michael Huseman (A0.1252204). This piano and trumpet arrangement of the hymn The Gift of Love is accessible for most musicians at any level. The 'surprise' within the arrangement is how it flows into a portion of Danny Boy, and then returns to the original hymn to finish the arrangement.
$4.99
4.56 €
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Trompette, Piano
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Michael Huseman
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Michael Huseman
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The Gift of Love
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Michael Huseman
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SheetMusicPlus
There Is A Fountain Filled With Blood (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855176
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855176 Composed by American Folk Melody. Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 10 pages. Joseph Pugh #6410323. Published by Joseph Pugh (A0.855176). This hymn was probably written in 1771, as it is in Conyers's Collection of Psalms and Hymns, 1772, in 7 stanzas of 4 lines. It was republished in the Olney Hymns, 1779, Bk. i., No. 79, with the heading Praise for the Fountain opened. It is based on Zech. xiii. 1, In that day there shall be a Fountain opened to the house of David and to the inhabitants of Jerusalem for sin and for uncleanness. This hymn in full or abbreviated is in extensive use in all English-speaking countries.A well known form of this hymn is From Calvary's Cross a Fountain flows. This appeared in Cotterill's Selection, 8th ed., 1819, No. 43, in 5 stanzas of 4 lines, and consists of stanzas i.-v. very much altered. In Bickersteth's Christian Psalmody, 1833, No. 49, that same opening stanza is given, with a return, in most of the remaining six stanzas, to the original text. The question as to by whom these alterations were made, first in Cotterill's Selection off 1819, and then in Bickersteth's Christian Psalmody, 1833, is answered by R. W. Dibdin, in the Christian Annotator, vol. iii., No. 76, for July 5, 1856, p. 278
$9.99
9.13 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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American Folk Melody
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Joseph Pugh
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There Is A Fountain Filled With Blood
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Joseph Pugh
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.6 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - trumpet and piano
Trompette, Piano
Piano,Trumpet - Level 3 - Digital Download SKU: A0.774079 Arranged by Anthony Giama…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.774079 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657903. Published by Whole Tone Press (A0.774079). Expertly arranged for trumpet and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the trumpet above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the trumpet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.8 €
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Trompette, Piano
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - trumpet and piano
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Whole Tone Press
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giam…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #6638585. Published by Whole Tone Press (A0.774063). Expertly arranged for brass quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the 1st trumpet above the drone of the trombone and tuba. Then the tuba takes the melody, transposing it to G Dorian, then, briefly to A Mixolydian. At the key change, the melody returns to its original form, now taken up by the French horn. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelParticularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.
$8.50
7.77 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
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Whole Tone Press
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SheetMusicPlus
Return Tickets (for Brass Quintet)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.726331 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.726331 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 55 pages. J. Aaron Lee #334604. Published by J. Aaron Lee (A0.726331). Return Tickets is a two-movement work that presents the audience with two short, musical journeys. Both movements rely on slowly unfolding processes that gradually break the starting musical material and then, over time, re-forge a new version of that opening music. In this way, it presents two cyclic journeys for the listener to experience. This work is somewhat challenging for the ensemble and is also more complex harmonically. As a result, it would be most suitable for somewhat experienced or adventurous concert-goers. The score is written for two trumpets, horn, trombone and bass trombone, though the bass trombone part would also be suitable for tuba. For more music from Aaron Lee, you can visit www.musicoflee.com.
$19.99
18.28 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Aaron Lee
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Return Tickets
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J. Aaron Lee
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.39 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Rockin' Around The Christmas Tree
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1328748 By LeAnn Rimes. B…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1328748 By LeAnn Rimes. By Johnny Marks. Arranged by David McKeown. Christmas,Holiday,Jazz,Pop,Rock. Score. 3 pages. David McKeown #916767. Published by David McKeown (A0.1328748). Rockin’ Around the Christmas Tree was written in 1958 by Johnny Marks and was a big hit for 13 year old Brenda Lee. It remains the biggest hit of her career with 25 million sales and a seasonal return to the charts every year. This version is faithful to the swinging rock’n’roll style of the original and includes a simple transcription of Boots Randolph’s famous sax solo. It is arranged as a duet for two Trumpets. Musicians at an early intermediate level and above will find this ideal for formal and informal Christmas performances. There are some simple syncopated swing rhythms and a few accidentals accidentals. The overall performance time is around two and a half minutes. Follow the YouTube link to hear a complete performance of the Alto Saxophone version of this arrangementTeachers will enjoy using this arrangement as a fun way to help with swing rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$6.49
5.93 €
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2 Trompettes (duo)
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LeAnn Rimes
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David McKeown
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Rockin' Around The Christmas Tree
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David McKeown
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SheetMusicPlus
Rockin' Around The Christmas Tree
Trompette, Trombone (duo)
Instrumental Duet,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.1328723 By …
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Instrumental Duet,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.1328723 By LeAnn Rimes. By Johnny Marks. Arranged by David McKeown. Christmas,Holiday,Jazz,Pop,Rock. 3 pages. David McKeown #916742. Published by David McKeown (A0.1328723). Rockin’ Around the Christmas Tree was written in 1958 by Johnny Marks and was a big hit for 13 year old Brenda Lee. It remains the biggest hit of her career with 25 million sales and a seasonal return to the charts every year. This version is faithful to the swinging rock’n’roll style of the original and includes a simple transcription of Boots Randolph’s famous sax solo. It is arranged as a duet for one Trumpet and one Trombone. Musicians at an early intermediate level and above will find this ideal for formal and informal Christmas performances. There are some simple syncopated swing rhythms and a few accidentals accidentals. The overall performance time is around two and a half minutes. Follow the YouTube link to hear a complete performance of the Alto Saxophone version of this arrangementTeachers will enjoy using this arrangement as a fun way to help with swing rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$5.99
5.48 €
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Trompette, Trombone (duo)
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LeAnn Rimes
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David McKeown
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Rockin' Around The Christmas Tree
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David McKeown
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SheetMusicPlus
The Mandalorian
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1098431
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1098431 Composed by Ludwig Goransson. Arranged by Jonatas Paz. Classical,Film/TV,Video Game. Score and parts. 44 pages. Jonatas Paz #702297. Published by Jonatas Paz (A0.1098431). This popular Star Wars series follows the exploits of a bounty hunter in the post- Return of the Jedi era and features a stunning soundtrack by Ludwig Goransson. Here is the iconic main theme in a dramatic and powerful setting for the Brass Quintet.
$14.99
13.7 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Ludwig Goransson
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Jonatas Paz
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The Mandalorian
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Jonatas Paz
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SheetMusicPlus
The Entertainer
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743294 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743294 Composed by Scott Joplin. Arranged by Josef STASTNY. 20th Century,Film/TV,Pop,Ragtime,Standards. Score and parts. 15 pages. Josef STASTNY #3234603. Published by Josef STASTNY (A0.743294). The Entertainer is a 1902 classic piano rag written by Scott Joplin. One of the classics of ragtime, it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the theme music for the 1973 Oscar-winning film The Sting. See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASSwww.stastnyjosef.cz
$10.99
10.05 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Scott Joplin
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Josef STASTNY
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The Entertainer
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Josef STASTNY
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SheetMusicPlus
THE HAPPY FARMER - BRASS QUINTET
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.1118010 Composed by Robert Schu…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1118010 Composed by Robert Schumann (1810-1856). Arranged by BRIAN W. COPPING. Contest,Festival,Romantic Period. Score and parts. 19 pages. EMK Music #719519. Published by EMK Music (A0.1118010). Scored for Two Trumpets (Bb Cornets/Flugel Horn), F Horn, Trombone/Euphonium and Tuba. There are alternative parts for Eb Horn and Bb Horn (F Horn), Bb Trombone/Euphonium in Treble and Bass Clef (Trombone), Eb and Bb Bass in Treble and Bass Clef (Tuba). Please Note: This title is published for Brass Quartet and Brass Quintet. The parts are not interchangeable and can be differentiated by looking at bottom left hand corner. The Merry Peasant was written by Schumann in 1848 when it was included in the first part of his ‘Album for the Young’ which was written for his three daughters. These comparatively easy pieces were intended to be played by children or by beginners. It is often now given the more contemporary title of The Happy Farmer which is used for this publication. The style and the major key evoke a sense of a rural worker returning from the fields at the end of the day in a good mood. The melody inspired the song Red Wing (1907) and it was used in the underscore of the film, The Wizard of Oz.
$14.00
12.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Robert Schumann
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BRIAN W
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THE HAPPY FARMER - BRASS QUINTET
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EMK Music
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SheetMusicPlus
Jupiter Hymn from "The Planets" for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528518
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528518 Composed by Gustav Holst. Arranged by Diego Marani. 20th Century,Classical,Concert,Instructional,Standards. Score and parts. 9 pages. Diego Marani #6113699. Published by Diego Marani (A0.528518). The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the solar system and its corresponding astrological character as defined by Holst. Jupiter, the Bringer of Jollity, is the most thoroughly English section of the work, with Jupiter's high spirits projected through a broad, infectiously energetic melody. A stately, more serious processional theme (a sort of chorale) then enters, its royal dignity fully intact, after which the vigorous melody returns.This arrangement for brass quartet contains the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$9.99
9.13 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Gustav Holst
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Diego Marani
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Jupiter Hymn from "The Planets" for Brass Quartet
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Diego Marani
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SheetMusicPlus
A Child’s Garden of Jazz for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Hen…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
25.14 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolking, Henryenry
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A Child’s Garden of Jazz for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
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