In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.

No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.



The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up?whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful."

Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.