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1
Twinkle Twinkle Little Star and Variation for Horn in Eb and Piano
E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 1 - Digital Downlo…
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E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 1 - Digital Download SKU: A0.716994 Composed by Traditional. Arranged by Tim Curd. Children,Classical. Score and individual part. 4 pages. Tim Curd #5214183. Published by Tim Curd (A0.716994). Twinkle Twinkle Little Star and Variation for solo Horn in Eb and Piano. This solo features the famous tune repeating with a decorated variation featuring a counter melody in the piano accompaniment.Solo Part and piano accompaniment included.There is a backing track available to purchase so you can practise playing along to the piano.https://www.sheetmusicplus.com/title/twinkle-twinkle-little-star-and-variation-for-horn-in-eb-and-pi...
$3.99
3.67 €
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Traditional
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Tim Curd
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Twinkle Twinkle Little Star and Variation for Horn in Eb and Piano
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Tim Curd
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SheetMusicPlus
Nimrod Variation
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Edward Elgar (1857-1934). Arranged by Jeanie Murrow. For brass quintet. Quintet music. …
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By Edward Elgar (1857-1934). Arranged by Jeanie Murrow. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00
16.57 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Edward Elgar
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Jeanie Murrow
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Nimrod Variation
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Cimarron Music Press
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SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Tuba (TC) and Piano - Advanced Lev
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.760685 Composed by FRANCIS WADE. Ar…
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Piano,Tuba - Level 5 - Digital Download SKU: A0.760685 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5775843. Published by Raymond Fenech (A0.760685). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
4.14 €
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Tuba et Piano
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Tuba and Piano - Advanced Level
Tuba et Piano
Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century, Christmas, Holid…
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Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century, Christmas, Holiday, Praise & Worship, Traditional. Score and part. 10 pages. Raymond Fenech #5774355. Published by Raymond Fenech
$4.50
4.14 €
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Tuba et Piano
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FRANCIS WADE
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Raymond Fenech
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Worship, Traditional
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.72 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
The First Noel for Tuba & Piano
Tuba et Piano
Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arr…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.97 €
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Tuba et Piano
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Traditional
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James M
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The First Noel for Tuba & Piano
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jmsgu3
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SheetMusicPlus
Ten Green Bottles and Variations for Horn in Eb and Piano
E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 1 - Digital Downlo…
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E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 1 - Digital Download SKU: A0.717144 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and individual part. 4 pages. Tim Curd #5806725. Published by Tim Curd (A0.717144). Ten Green Bottles and Variations for Horn in Eb and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-horn-in-eb-and-piano-piano-...
$3.99
3.67 €
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Traditional
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Tim Curd
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Ten Green Bottles and Variations for Horn in Eb and Piano
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Tim Curd
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SheetMusicPlus
Variations and Fugue on a Theme by Henry Purcell for Tuba and Piano
Tuba et Piano
Tuba, Piano Tuba, Piano - Advanced - Digital Download SKU: D3.SM-17-0021 Composed b…
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Tuba, Piano Tuba, Piano - Advanced - Digital Download SKU: D3.SM-17-0021 Composed by Jack Curtis Dubowsky. Tuba. Contemporary. Sheet music. 33 pages. De Stijl Music Digital #SM-17-0021. Published by De Stijl Music Digital (D3.SM-17-0021). 8.5 x 11 inches.Theme and seven variations, closing with a fugue (8th variation). The theme is the Cold Genius' bass aria from Purcell's opera King Arthur (c. 1691). Variations are in a variety of styles, traditional and contemporary. Contemporary effects and extended techniques include wind or colored noise, and singing through horn while playing. There is a marked spot for an optional performer cadenza. Tuba/Piano score and separate Tuba part supplied.
$14.95
13.77 €
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Tuba et Piano
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Jack Curtis Dubowsky
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Variations and Fugue on a Theme by Henry Purcell for Tuba and Piano
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De Stijl Music Digital
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SheetMusicPlus
Twinkle Twinkle Little Star for Tuba in Bb Major
Tuba
B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1364411 Composed by Trad…
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B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1364411 Composed by Traditional. Arranged by Jps Arrangements. Children,Classical,Folk,Multicultural,Traditional,World. Individual part. 1 pages. Jps Arrangements #948702. Published by Jps Arrangements (A0.1364411). EASY level Tuba arrangement of the main theme of the English nursery rhyme Twinkle Twinkle Little Star, In the key of Bb major, the second part of the arrangement, we have a variation of the melody. The arrangement does not have the figures.
$1.99
1.83 €
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Tuba
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Traditional
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Jps Arrangements
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Twinkle Twinkle Little Star for Tuba in Bb Major
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Jps Arrangements
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SheetMusicPlus
Christmas Carols for the Lonely Tubist, Vol. 2
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.878326 Composed by Various. Arranged…
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Tuba Solo - Level 5 - Digital Download SKU: A0.878326 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405441. Published by SeanBrownMusic (A0.878326). This is a set of Christmas tunes for a solo tuba player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.
$15.00
13.81 €
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Tuba
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Various
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Sean A
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Christmas Carols for the Lonely Tubist, Vol. 2
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SeanBrownMusic
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.52 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Twinkle Twinkle Little Star for Tuba in Bb Major
Tuba
B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1364407 Composed by Trad…
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B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1364407 Composed by Traditional. Arranged by Jps Arrangements. Children,Classical,Folk,Multicultural,Traditional,World. Individual part. 1 pages. Jps Arrangements #948698. Published by Jps Arrangements (A0.1364407). EASY level Tuba arrangement of the main theme of the English lullaby Twinkle Twinkle Little Star, in the key of Bb major, the second part of the arrangement we have a variation of the melody. The arrangement has the figures.
$1.99
1.83 €
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Tuba
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Traditional
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Jps Arrangements
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Twinkle Twinkle Little Star for Tuba in Bb Major
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Jps Arrangements
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SheetMusicPlus
Tuba - The First Noel
Tuba et Piano
Piano,Tuba - Level 3 - Digital Download SKU: A0.844345 Composed by Unknown. Arrange…
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844345 Composed by Unknown. Arranged by Dan Cutchen. Christmas,Jazz. Score and part. 7 pages. Dan Cutchen Music #3882701. Published by Dan Cutchen Music (A0.844345). A traditional classical English Christmas carol. This smooth jazz arrangement is for tuba solo and piano and utilizes a theme and variation treatment.Time: 3:50Range: G1 - Ab3For piano accompaniment Mp3 track, search for: Tuba - The First Noel accompaniment track, Dan Cutchen
$6.00
5.52 €
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Tuba et Piano
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Unknown
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Dan Cutchen
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Tuba - The First Noel
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Dan Cutchen Music
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SheetMusicPlus
Bach's Minuet In G (bass C instrument solo)
Tuba et Piano
Small Ensemble Bass Clef Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 2…
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Small Ensemble Bass Clef Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 2 - Digital Download SKU: A0.711960 Composed by Johann Sebastian Bach. Arranged by Sandra Zylstra. Baroque,Children,Contest,Festival,Standards. Score and individual part. 7 pages. Sandra dee zylstra #36253. Published by sandra dee zylstra (A0.711960). This famous Bach piece has been transformed into a theme and variation of the traditional Minuet in G as an early intermediate bass C instrument solo with piano accompaniment and separate instrument part. (Approximately 2 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
3.45 €
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Tuba et Piano
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Johann Sebastian Bach
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Sandra Zylstra
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Bach's Minuet In G
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sandra dee zylstra
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SheetMusicPlus
Twinkle, Twinkle Little Star (bass C instrument solo)
Tuba et Piano
Small Ensemble Baritone Horn TC/Euphonium,Bass Clef Instrument,Cello,Instrumental Solo,Pia…
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Small Ensemble Baritone Horn TC/Euphonium,Bass Clef Instrument,Cello,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.711965 Composed by Traditional. Arranged by Sandra Zylstra. Children,Contest,Festival,Folk,Instructional. Score and individual part. 8 pages. Sandra dee zylstra #38123. Published by sandra dee zylstra (A0.711965). A fun way to play a theme and variation of a traditional classic! Twinkle, Twinkle Little Star is arranged as an intermediate bass C instrument solo with piano accompaniment and a separate instrument part. (Approximately 4 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.25
3.91 €
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Tuba et Piano
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Traditional
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Sandra Zylstra
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Twinkle, Twinkle Little Star
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sandra dee zylstra
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. In…
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Tuba
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
"Halvorsen's Passacaglia" for Tuba Duo
2 Tubas (duo)
Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.1085626
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Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.1085626 Composed by Tomo Hirayama. Classical,Contemporary. Score and parts. 15 pages. Tomo Hirayama #689798. Published by Tomo Hirayama (A0.1085626). Arranged for Tuba duo from Johan Halvorsen's Passacaglia for Violin and Viola. While making use of Halvorsen's variations (the original was by Handel), the parts that were obviously difficult to play by the Tuba were boldly cut. Instead, a modern-sounding original variation was interspersed.
$15.00
13.81 €
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2 Tubas (duo)
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Tomo Hirayama
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"Halvorsen's Passacaglia" for Tuba Duo
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Tomo Hirayama
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SheetMusicPlus
Come, Thou Fount of Every Blessing
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional American hymn tune. Arranged by Todd Marchand. Christian, Sacred, …
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Composed by Traditional American hymn tune. Arranged by Todd Marchand. Christian, Sacred, Americana. 15 pages. Published by Con Spirito Music (S0.219155). - - Christian,Sacred,Americana - Con Spirito Music
Eighteenth-centuryBaptist minister, scholar, and hymn-writer Robert Robinson(1735-1790) wrote the hymn text, ?Come Thou Fount of EveryBlessing? in 1757 at the age of 22. Inthe USA, Robinson's hymn is typically set to the tune ?Nettleton,?whose authorship is unclear. Some attribute it to printer John Wyeth,who published it in his Repositoryof Sacred Music, Part Second(1813);others attribute it to Asahel Nettletion, a popular evangelist of theearly nineteenth century who published VillageHymns(1825).However, VillageHymnscontainedtexts only and no music, so there is no evidence that Nettletonactually wrote the tune that carries his name. Suitable for high school to professional ensembles for use in concert, recital, and worship, this intermediate-level arrangement presents the tune straightforwardly tobegin, then follows with a lyrical variation in 4/4 time, a variationin 5/8, and a concluding march. Fullscore and parts, 8.5x11-inch format. ©Copyright 2010 ToddMarchand / ConSpiritoMusic.com
$15.00
13.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional American hymn tune
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Todd Marchand
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Come, Thou Fount of Every Blessing
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Con Spirito Music
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SheetMusicPlus
Canon - Pachelbel
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Johann Pachelbel (1653-1706). Arranged by Randy Steinberg. Baroque Period, Wed…
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Composed by Johann Pachelbel (1653-1706). Arranged by Randy Steinberg. Baroque Period, Wedding, Graduation. Score, Set of Parts. 46 pages. Published by Randy A. Steinberg (S0.193797). - Score,Set of Parts - Baroque Period,Wedding,Graduation - Randy A. Steinberg
JohannChristoph Pachelbel was a German baroque composer and organist. He was anacclaimed composer and organist during his lifetime, and was also regarded asan outstanding teacher. Today Pachelbel is considered to be one of the mostimportant organ composers of the middle Baroque: he made significantcontributions to the development of chorale prelude and fugue and brought theSouthern German organ tradition to its peak. During hislifetime, Pachelbel was best known as an organ composer. He wrote more than twohundred organ pieces, both liturgical and secular, and used most of the genresthat existed at the time. His other keyboard music includes harpsichord suitesand sets of variations. Pachelbel also composed numerous vocal works: arias,Magnificat settings, motets, sacred concertos, and chamber music. As acomposer, Pachelbel apparently was most interested in variation forms andassociated techniques. Variation techniques are in many of his organ worksespecially heard in the piece presented here, his Canon for which can be hearda full set of techniques. It is the only canon he wrote, yet is one of the mostpopular ones performed today. This quintetarrangement makes a great piece to play for church services, graduations andwedding processionals. It?s stately chordal progressions, chordal tonalitiesand variations have been especially popular with audiences around the world.
$4.99
4.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Pachelbel
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Randy Steinberg
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Canon - Pachelbel
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Randy A. Steinberg
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SheetMusicPlus
Nimrod for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Edward Elgar (1857-1934). Arranged by Frank Starobin. 20th Century, Romantic P…
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Composed by Edward Elgar (1857-1934). Arranged by Frank Starobin. 20th Century, Romantic Period, Wedding, Funeral, Recital. Score, Set of Parts. 12 pages. Published by Frank Starobin (S0.224455). - Score,Set of Parts - 20th Century,Romantic Period,Wedding,Funeral,Recital - Frank Starobin
Edward Elgar wrote his Variations on an Original Theme in 1899; each variation was meant toportray one of Elgar's close friends. The ninth movement, ?Nimrod? is about and conversation thatthe composer had with music editor, Augustus J. Jaeger. They discussed the beauty of Beethoven?sslow movements and this can be heard in ?Nimrod.? This brass quintet arrangement recreates thisBeethovenian beauty with warm voicing. It is important for players to listen to one or severalrecordings of this movement in order to get a feel for the style and changes in tempo. The printedtempi are approximate and may be deviated from. Duration?3:30
$14.99
13.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Edward Elgar
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Frank Starobin
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Nimrod for Brass Quintet
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Frank Starobin
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SheetMusicPlus
Nimrod from Enigma Variation plus a chorale excerpt from Beethoven piano concerto No 5
4 Tubas
Composed by Elgar, Edward; Beethoven, Ludwig. Arranged by Bill Carmody. Romantic Period. S…
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Composed by Elgar, Edward; Beethoven, Ludwig. Arranged by Bill Carmody. Romantic Period. Score, Set of Parts. 9 pages. Published by wjcarmody@gmail.com (S0.43773). - Score,Set of Parts - Romantic Period - wjcarmody@gmail.com
$8.50
7.83 €
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4 Tubas
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Elgar, Edward; Beethoven, Ludwig
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Bill Carmody
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Beethoven, Ludwig
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Nimrod from Enigma Variation plus a chorale excerpt from Beethoven piano concerto No 5
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wjcarmody@gmail.com
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SheetMusicPlus
How Firm a Foundation
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Joseph Funk. Arranged by Adam Jensen. Contemporary Classical, Christian, Sacre…
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Composed by Joseph Funk. Arranged by Adam Jensen. Contemporary Classical, Christian, Sacred, General Worship, Easter. Score, Set of Parts. 17 pages. Published by Adam Jensen (S0.106691). - Score,Set of Parts - Contemporary Classical,Christian,Sacred,General Worship,Easter - Adam Jensen
This brass quintet arrangement of the traditional hymn, "How Firm a Foundation," was written by arranger Adam Jensen for use as a prelude or special music during worship services. Its three stanzas provide an adventurous, Copland-inspired theme and variation treatment on the traditional hymn tune. Approximately 3 minutes; a Hymn Spinner arrangement. To discover and support more works like this, please visit https://patreon.com/hymnspinner.
$15.00
13.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Joseph Funk
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Adam Jensen
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How Firm a Foundation
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Adam Jensen
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SheetMusicPlus
The Holly and the Ivy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score,…
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Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press
?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.45 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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English Traditional
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F
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The Holly and the Ivy
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Sweetwater Brass Press
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.42 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
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