George Harrison's song, like so many of the Beatles songs, has a powerful expressiveness, and I've tried to capture that expressiveness in this version for brass quintet. Since there is a 30-second limit on the MP3's posted for these titles, I've started the MP3 clip for this arrangement at bar 16, as it starts to build. The arrangement is suitable for intermediate players and above. All the players have independent syncopation. Duration: 3 minutes, 36 seconds. .

"Mary, Did You Know?" is a Christmas song with lyrics written by Mark Lowry and music written by Buddy Greene. It was originally recorded by Christian recording artist Michael English in 1991. The song has since gone on to become a modern Christmas classic. This is a very playable brass quintet arrangement preserving the natural vitality of the piece. The use of flugelhorn allows the blend of voices so evident in vocal music. ( It certainly works fine for trumpet as well ). ( Duration 3:16 )

Thinking Out Loud is a song by English singer-songwriter Ed Sheehan. The Romantic ballad was written in 2014 along with Amy Wadge and features on his second studio album ?X?. This arrangement for brass quintet works for all occasions but will also be particularly effective in church services with it?s choral-like nature. The arrangement comes with a full score and set of parts: 2 Bb trumpets, french horn, trombone and tuba. Performance time is 04?30?. Any individual substitute parts in different clefs or keys are available on request. Just E-mail: jamessymington@me.com

Bill Withers wrote his single Lean on me in 1972 and is considered a standard in the Soul genre. This brass quintet arrangement is fairly straight forward. The trumpet parts may be played on Flugelhorns if the players wish. It is important for players to listen to some Bill Withers and note his singing style and how he leans on certain notes. Don't play too strictly or stridently. Be soulful and relaxed. -duration 3:20

Jay Hull has crafted a very fine work for brass quintet in the Canzona style of Gabrieli, based on the traditional Christmas Carol - Good King Wenceslas. The work is about 3 minutes in length and appropriate for moderately advanced performers, who are asked to choose their own dynamics. Trumpet parts in B-flat, Horn if F, Trombone in bass clef, Tubas

This is an amazing arrangement of the famous Schubert's Ave Maria for Brass quintet.For concert, wedding day or funeral.Optional parts are provided: C trumpets 1and2, Eb Horn, Bb trombone, Bb trombone treble clef, tuba Bb and tuba Bb treble Clef. .

This is the first of two quintets for brass, based on three songs from the Broadway Musical, \"Annie\": \"Maybe\", \"It\'s a Hard-Knock Life\" and \" Tomorrow\". Parts are comfortably pitched for intermediate players. While designed for the traditional \"English\" brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch. A Part 3 french horn part is provided and Part 5 is given for Bb Bass tuba. The set is excellent for both concerts and junior contests. The set comes with a full conductor\'s score. Total playing time is about 4\'20\".

?The Morning Trumpet,? by Benjamin Franklin White (1800-1879), is a camp revival song published in 1844 in the first edition of The Sacred Harp, a shape-note hymn book compiled by White and E.J. King (1821-1844). Shape-note tunes are often predominantly pentatonic, with harmonies that emphasize stark intervals of fourths and fifths. In four-part harmony, the tune is typically in the tenor voice. This arrangement preserves the tune but harmonizes it in a more contemporary style, and features alternating calls between first and second trumpet. Includes snare drum part (optional, may be successfully performed by brass quintet alone). ©Copyright 2012 Todd Marchand / ConSpiritoMusic.com

This famous crescendo of a song now available for brass quintet. Drummer recommended. Great for concerts, busking, functions, you name it!

This arrangement follows the structure of the Beach Boys' song faithfully, making the necessary adjustments to create the best sound for brass quintet throughout. Suitable for intermediate players and above. The arrangement swings throughout, as does the original song, so players need to know how to swing the figures (or be willing to learn how!). Duration: 2 minutes, 25 seconds.

?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.

?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com

This is an arrangement of an ACDC song which includes one of the greatest guitar riffs of all time. It has some flamboyant solos in the middle where trumpets, french horn and trombonist take on the role the guitar soloist. An exciting arrangement to show off your skills. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic.