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TUBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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TUBA
Partitions à imprimer
99 partitions trouvées
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. In…
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
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Tuba
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Tubas
2 Tubas (duo)
Instrumental Duet Instrumental Duet,Tuba - Digital Download SKU: A0.784314 Composed…
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Instrumental Duet Instrumental Duet,Tuba - Digital Download SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Published by Slide Ride (A0.784314).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.18 €
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2 Tubas (duo)
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Tubas
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Slide Ride
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SheetMusicPlus
I’ve Gotta Be Me / Don’t Rain on My Parade Mash-Up: Tuba
Tuba (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0015985_TB1 Tuba. By Barbra …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015985_TB1 Tuba. By Barbra Streisand. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015985_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015985_TB1). UPC: 038081453675.Featuring two popular songs presented on the hit television show Glee, this mash-up combines a high-energy, swing-style arrangement of Broadway's I've Gotta Be Me and the Barbra Streisand classic, Don't Rain on My Parade. (2:05) This title is available in SmartMusic.
$3.00
2.75 €
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Tuba (partie séparée)
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Barbra Streisand
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Patrick Roszell
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I’ve Gotta Be Me / Don’t Rain on My Parade Mash-Up: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dona Nobis Pacem - for 2 tubas (with chords)
2 Tubas (duo)
Instrumental Duet,Tuba - Level 2 - Digital Download SKU: A0.1354561 Composed by Tra…
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Instrumental Duet,Tuba - Level 2 - Digital Download SKU: A0.1354561 Composed by Traditional. Arranged by Rodrigo Faleiros. Chamber,Classical,Sacred,Traditional. 4 pages. Rodrigo Faleiros #939004. Published by Rodrigo Faleiros (A0.1354561). Elevate your musical collaboration with our tuba duet arrangement of Dona Nobis Pacem, meticulously crafted for intermediate players. This sheet music invites you to explore the timeless beauty of the piece through the harmonious interplay of two tubas. With an intermediate level of complexity, both flutists can delve into the expressive melodies, creating a nuanced rendition of this cherished composition.Key Features:Tuba Duet Excellence: Perfect for intermediate flutists, this arrangement emphasizes the collaborative beauty of Dona Nobis Pacem.Intermediate Level: Challenge and enhance your skills with a thoughtfully crafted arrangement that strikes the right balance between accessibility and musical depth.Instant Digital Download: Begin your musical journey promptly with our convenient PDF download.Ideal for performances, recitals, or simply enjoying the art of musical partnership, this tuba duet arrangement of Dona Nobis Pacem offers a fulfilling and expressive experience for both players.Check out every other arrangement I've made for this and numerous other songs clicking here.
$2.99
2.74 €
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2 Tubas (duo)
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Traditional
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Rodrigo Faleiros
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Dona Nobis Pacem - for 2 tubas
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Rodrigo Faleiros
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SheetMusicPlus
Dona Nobis Pacem - for 2 tubas
2 Tubas (duo)
Instrumental Duet,Tuba - Level 2 - Digital Download SKU: A0.1354562 Composed by Tra…
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Instrumental Duet,Tuba - Level 2 - Digital Download SKU: A0.1354562 Composed by Traditional. Arranged by Rodrigo Faleiros. Chamber,Classical,Sacred,Traditional. 4 pages. Rodrigo Faleiros #939005. Published by Rodrigo Faleiros (A0.1354562). Elevate your musical collaboration with our tuba duet arrangement of Dona Nobis Pacem, meticulously crafted for intermediate players. This sheet music invites you to explore the timeless beauty of the piece through the harmonious interplay of two tubas. With an intermediate level of complexity, both flutists can delve into the expressive melodies, creating a nuanced rendition of this cherished composition.Key Features:Tuba Duet Excellence: Perfect for intermediate flutists, this arrangement emphasizes the collaborative beauty of Dona Nobis Pacem.Intermediate Level: Challenge and enhance your skills with a thoughtfully crafted arrangement that strikes the right balance between accessibility and musical depth.Instant Digital Download: Begin your musical journey promptly with our convenient PDF download.Ideal for performances, recitals, or simply enjoying the art of musical partnership, this tuba duet arrangement of Dona Nobis Pacem offers a fulfilling and expressive experience for both players.Check out every other arrangement I've made for this and numerous other songs clicking here.
$2.99
2.74 €
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2 Tubas (duo)
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Traditional
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Rodrigo Faleiros
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Dona Nobis Pacem - for 2 tubas
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Rodrigo Faleiros
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SheetMusicPlus
Dona Nobis Pacem - for tuba (with piano accompaniment)
Tuba et Piano
Piano,Tuba - Level 2 - Digital Download SKU: A0.1354231 Composed by Traditional. Ar…
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Piano,Tuba - Level 2 - Digital Download SKU: A0.1354231 Composed by Traditional. Arranged by Rodrigo Faleiros. Classical,Sacred,Traditional. Score and part. 3 pages. Rodrigo Faleiros #938497. Published by Rodrigo Faleiros (A0.1354231). Embark on a musical journey with our tuba arrangement of Dona Nobis Pacem, thoughtfully crafted for players at the beginner to intermediate levels. This easy tuba sheet music, adorned with essential features, serves as a gentle introduction to the timeless piece, allowing tuba players to embrace the beauty of its peaceful melody.Key Features:Accessible Arrangement: Ideal for beginner to intermediate tuba players, providing a simple yet expressive rendition of Dona Nobis Pacem.Piano Accompaniment: The piano part provides a delightful backdrop for the soloist to play along with ease and joy.Instant Digital Download: Start your musical exploration promptly with our convenient PDF download.Check out every other arrangement I've made for this and numerous other songs clicking here.
$2.99
2.74 €
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Tuba et Piano
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Traditional
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Rodrigo Faleiros
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Dona Nobis Pacem - for tuba
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Rodrigo Faleiros
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SheetMusicPlus
Dona Nobis Pacem - for tuba (with chords)
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1353239 Composed by Traditional. Arr…
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Tuba Solo - Level 2 - Digital Download SKU: A0.1353239 Composed by Traditional. Arranged by Rodrigo Faleiros. Classical,Sacred,Traditional. Individual part. 1 pages. Rodrigo Faleiros #937547. Published by Rodrigo Faleiros (A0.1353239). Embark on a musical journey with our tuba arrangement of Dona Nobis Pacem, thoughtfully crafted for players at the beginner to intermediate levels. This easy tuba sheet music, adorned with essential features, serves as a gentle introduction to the timeless piece, allowing tuba players to embrace the beauty of its peaceful melody with added depth through included chord symbols.Key Features:Accessible Arrangement: Ideal for beginner to intermediate tuba players, providing a simple yet expressive rendition of Dona Nobis Pacem.Chords Included: Explore harmonies and add depth to your performance with included chord symbols.Instant Digital Download: Start your musical exploration promptly with our convenient PDF download.Check out every other arrangement I've made for this and numerous other songs clicking here.
$1.99
1.83 €
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Tuba
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Traditional
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Rodrigo Faleiros
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Dona Nobis Pacem - for tuba
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Rodrigo Faleiros
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SheetMusicPlus
When I can Read About the Lily
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnso…
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Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3048025. Published by Gordon Wolfe (A0.1003255). A Sonata Form solo for Tuba intended as the second and primary movement of a Church Sonata in Gospel style. It is based on two hymns: When I can Read my Title Clear and Lily of the Valley.
$2.10
1.93 €
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Tuba
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Alexander Johnson, William S
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Gordon Wolfe
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When I can Read About the Lily
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Gordon Wolfe
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SheetMusicPlus
I'm Beginning to See the Light: Tuba
Tuba (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_TB1 Tuba. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Paul Baker. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017249_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017249_TB1). UPC: 038081451657.This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in SmartMusic.
$3.00
2.75 €
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Tuba (partie séparée)
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Paul Baker
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I'm Beginning to See the Light: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Donna e Mobile for Tuba (Eb Bass) and Piano
Tuba et Orgue
Piano,Tuba - Level 1 - Digital Download SKU: A0.1192671 Composed by Giuseppe Verdi.…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.1192671 Composed by Giuseppe Verdi. Arranged by David Burndrett. Romantic Period. Score and part. 7 pages. David Burndrett #792117. Published by David Burndrett (A0.1192671). This works well as a concert piece or just for fun.I have added an optional Eb Bass Part.
$4.95
4.54 €
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Tuba et Orgue
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Giuseppe Verdi
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David Burndrett
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La Donna e Mobile for Tuba
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David Burndrett
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SheetMusicPlus
I Got Rhythm: Tuba
Tuba (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017141_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017141_TB1 Tuba. Composed by George Gershwin and Ira Gershwin. Arranged by Wycliffe Gordon. Broadway; Jazz; Masterwork Arrangement; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017141_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017141_TB1). UPC: 038081324838.Everybody gets the melody in this unusual but hip swing chart. Check out how jazz trombonist Wycliffe Gordon has taken this jazz standard and worked his arranging magic. A piano or guitar solo section (can be any soloist), a brief meter change to 3/4, plenty of energy throughout---no one will doze off on this chart. A clever arrangement. (2:32).
$3.00
2.75 €
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Tuba (partie séparée)
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George Gershwin and Ira Gershwin
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Wycliffe Gordon
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Jazz
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I Got Rhythm: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
If I Were A Rich Man
Tuba et Piano
Piano,Tuba - Level 2 - Digital Download SKU: A0.1267706 By Hines Hines & Dad. By Je…
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Piano,Tuba - Level 2 - Digital Download SKU: A0.1267706 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Nicolaus. 20th Century,Broadway,Film/TV,Musical/Show. Score and part. 7 pages. John Nicolaus #860250. Published by John Nicolaus (A0.1267706). If I Were A Rich ManTevye's song from the musical Fiddler On The RoofArranged by John NicolausTuba and pianoduration: 3:45 min.
$9.99
9.17 €
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Tuba et Piano
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Hines Hines & Dad
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John Nicolaus
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If I Were A Rich Man
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John Nicolaus
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SheetMusicPlus
Daniel Purcell : Didon et Énée - When I Am Laid in Earth (niveau facile/intermédiaire)
Tuba
Téléchargez la partition Tuba Didon et Énée - When I Am Laid i…
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Téléchargez la partition Tuba Didon et Énée - When I Am Laid in Earth (niveau facile/intermédiaire) de Purcell. Partition pour Tuba avec accomp. orchestre -- Classique
5.99 €
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Tuba
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Daniel Purcell
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Didon et Énée
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Tomplay
I Thought About You: Tuba
Tuba (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017153_TB1 Tuba. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017153_TB1 Tuba. Composed by James Van Heusen. Arranged by W. Scott Ragsdale. Jazz; Latin; Standard. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017153_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017153_TB1). UPC: 038081344676.Arranged as a samba, Scott Ragsdale has done a superb job with this great tune. A few features in this first-class chart are nice section solis all around, a solo for 1st trombone (written out) and a modulation into the stop-time shout chorus. Lead trumpet range is to written B-flat, above the staff. This is an upbeat and cheerful chart! (3:43) This title is available in SmartMusic.
$3.00
2.75 €
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Tuba (partie séparée)
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James Van Heusen
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W
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Latin
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I Thought About You: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
My Jesus, I Love Thee (Brass Quartet)
Quatuor de Cuivres
Composed by Adoniram Judson Gordon. Arranged by Jordan Grigg. Romantic Period, General Wor…
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Composed by Adoniram Judson Gordon. Arranged by Jordan Grigg. Romantic Period, General Worship, Repertoire, Recital. Score, Set of Parts. 6 pages. Published by Jordan Grigg (S0.291351). - Score,Set of Parts - Romantic Period,General Worship,Repertoire,Recital - Jordan Grigg
$3.95
3.62 €
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Quatuor de Cuivres
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Adoniram Judson Gordon
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Jordan Grigg
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My Jesus, I Love Thee
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Jordan Grigg
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SheetMusicPlus
American Vignettes
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital.…
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital. Score, Set of Parts. 88 pages. Published by Sy Brandon (S0.188057). - Score,Set of Parts - 21st Century,20th Century,Contemporary Classical,Folk,Recital - Sy Brandon
American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?
$14.99
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sy Brandon
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American Vignettes
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Sy Brandon
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SheetMusicPlus
Pax Aeternam for tuba and piano
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson …
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00
13.77 €
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Tuba et Piano
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Maria Thompson Corley
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Pax Aeternam for tuba and piano
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Maria Thompson Corley
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SheetMusicPlus
MY JESUS, I LOVE THEE (Horn Quartet #19)
Quatuor de Cuivres
Composed by Gordon. Arranged by James K. Taylor. Christian, Sacred, General Worship, World…
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Composed by Gordon. Arranged by James K. Taylor. Christian, Sacred, General Worship, World, Old-time. Score, Set of Parts. 6 pages. Published by James K. Taylor (S0.109783). - Score,Set of Parts - Christian,Sacred,General Worship,World,Old-time - James K. Taylor
$20.00
18.35 €
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Quatuor de Cuivres
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Gordon
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James K
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MY JESUS, I LOVE THEE
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James K. Taylor
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SheetMusicPlus
Le Tuba Classique
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.842826 Composed by Ludwig van Beetho…
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Tuba Solo - Level 1 - Digital Download SKU: A0.842826 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Individual part. 28 pages. Javier Marco #6358083. Published by Javier Marco (A0.842826). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.17 €
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Tuba
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Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart
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Javier Marcó
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Le Tuba Classique
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Javier Marco
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SheetMusicPlus
Klassische Tuba
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.842797 Composed by Ludwig van Beetho…
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Tuba Solo - Level 1 - Digital Download SKU: A0.842797 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Individual part. 28 pages. Javier Marco #6357197. Published by Javier Marco (A0.842797). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.17 €
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Tuba
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Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart
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Javier Marcó
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Klassische Tuba
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Javier Marco
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.51 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.55 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Calibrating the Moon - Tuba and Piano
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg…
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99
13.76 €
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Tuba et Piano
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Kyle Vanderburg
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Calibrating the Moon - Tuba and Piano
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NoteForge
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SheetMusicPlus
Etudes with Style Music for the Tuba
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20…
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Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20th Century,Classical,Instructional,Jazz,Rock. Individual part. 39 pages. Harry Salotti #6269281. Published by Harry Salotti (A0.941530). Etudes with Style Music for the Tuba, (download only) winner of the International Tuba Euphonium Association etude composition contest. This book contains 25 original tunes, each in a different style. They cover large categories such as Music Over the Ages, Dance Music Around the World, American Music and Movie Music. (look inside to see the table of contents). Performance MP3s of all 25 songs are available on iTunes, Amazon and other sites, performed by Tuba virtuoso Patrick Sheridan. Listen to 16 of the tracks here. Here are some comments about Etudes with Style Music for the Tuba. - I ran through your etude book. Man, they're really a lot of fun. Howard Johnson - It remains my intent to have all my new freshman students go through the book in it's entirety during their first year. Thanks again for a great contribution to the literature. John Stevens - Etudes with Style will surely be a great teaching tool for many years to come in the future. Don Little - Your etudes really look terrific. I'm really impressed with the quality of what I see. I look forward to spending some time with these and recommending them to everyone. Winston Morris
$12.99
11.92 €
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Tuba
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Harry Salotti
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Etudes with Style Music for the Tuba
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Harry Salotti
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SheetMusicPlus
Oh! Susanna
Tuba
B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1397703 By Traditional. …
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B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1397703 By Traditional. By Stephen Foster. Arranged by Jhonatan Lucio Viana. Children,Classical,Early Music,Folk,Traditional. Individual part. 1 pages. JLVPartitura #980991. Published by JLVPartitura (A0.1397703). Immerse yourself in this arrangement of OH! SUSANNA Traditional Song for Tuba.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Bb Major.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$1.99
1.83 €
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Tuba
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Traditional
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Jhonatan Lucio Viana
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Oh! Susanna
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JLVPartitura
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SheetMusicPlus
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