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1
Pakistani National Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Ahmad Ghulamali Chagla. Arranged by Keith Terrett. World, Asian, Patriotic. Sc…
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Composed by Ahmad Ghulamali Chagla. Arranged by Keith Terrett. World, Asian, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.117833). - Score,Set of Parts - World,Asian,Patriotic - Casio
An arrangement of the national anthem of Pakistan for Brass Quintet.Shortly before independence, an interim anthem hastily written by Jagnnath Azad, a Hindu, was put into use at the time of Pakistan?s independence in August, 1947. Then in December, 1948, a committee to select a national anthem for Pakistan was formed. A member of the committee, Ahmed Ghulamali Chagla, was asked to produce a composition. Mr. Chagla?s background in music involves study in both western and eastern music, and characteristics of eastern music can be found in the anthem.After some ?test runs? which included performances for the Prime Minister, for a visiting head of state, for the Prime Minister?s visit to the United States, and finally for the committee itself, it was then approved by the anthem committee in August 1950 and gained official recognition in December 1953. The words, written in a highly Persianized form of the national language, Urdu, were composed by another member of the committee and officially approved in August 1954. The anthem is sometimes referred to by its first line (?Pak sarzamin shad bad? (Blessed Be The Sacred Land).For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.An arrangement of the national anthem of Pakistan for Brass Quintet.Shortly before independence, an interim anthem hastily written by Jagnnath Azad, a Hindu, was put into use at the time of Pakistan?s independence in August, 1947. Then in December, 1948, a committee to select a national anthem for Pakistan was formed. A member of the committee, Ahmed Ghulamali Chagla, was asked to produce a composition. Mr. Chagla?s background in music involves study in both western and eastern music, and characteristics of eastern music can be found in the anthem.After some ?test runs? which included performances for the Prime Minister, for a visiting head of state, for the Prime Minister?s visit to the United States, and finally for the committee itself, it was then approved by the anthem committee in August 1950 and gained official recognition in December 1953. The words, written in a highly Persianized form of the national language, Urdu, were composed by another member of the committee and officially approved in August 1954. The anthem is sometimes referred to by its first line (?Pak sarzamin shad bad? (Blessed Be The Sacred Land).For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ahmad Ghulamali Chagla
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Keith Terrett
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Pakistani National Anthem for Brass Quintet
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Casio
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SheetMusicPlus
Twelve Duos for Tubas based on Armenian Folk Songs
2 Tubas (duo)
Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723
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Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and parts. 31 pages. Gordon Cherry #6071203. Published by Gordon Cherry (A0.792723). Petros Shoujounian, Armenian/Canadian composer has written Twelve Duos for Tubas based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Tubas. My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works are nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence. Komitas has left a collection of about 3,000 cleaned versions of ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination. This is the motivation behind my own work and these Twelve Duos for Tubas: to make the essence of our ethnographic music accessible through Komitas. These Twelve Duos are appropriate for advanced performers and may be performed on C Tuba, F Tuba and the larger B-flat Bass Tubas.
$17.50
16.13 €
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2 Tubas (duo)
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Petros Shoujounian
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Twelve Duos for Tubas based on Armenian Folk Songs
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Gordon Cherry
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SheetMusicPlus
Fur Elise Boogie Woogie for C Tuba & Piano
Tuba et Piano
Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.746659 Composed b…
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Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.746659 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075739. Published by Keith Terrett (A0.746659). An arrangement of Fur Elise Boogie Woogie for C Tuba & Piano by Ludvig van Beethoven arranged by Keith Terrett part of the ''Keith Terrett Jazz for Brass Series. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.44 €
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Tuba et Piano
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Ludvig van Beethoven
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Keith Terrett
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Fur Elise Boogie Woogie for C Tuba & Piano
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Keith Terrett
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SheetMusicPlus
Two Spanish Dances for Tuba or Bass Trombone & Piano
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.792286 Composed by Granados, Enriqu…
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Piano,Tuba - Level 5 - Digital Download SKU: A0.792286 Composed by Granados, Enrique. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and part. 10 pages. Gordon Cherry #4803845. Published by Gordon Cherry (A0.792286). Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya. The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas españolas, volume I from 1890, for Piano.Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Tuba and Piano. Tubists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire. The Two Dances are about 6 1/2 minutes in length and can be performed by advanced musicians.
$20.00
18.44 €
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Tuba et Piano
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Granados, Enrique
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Sauer, Ralph
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Two Spanish Dances for Tuba or Bass Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Imagine
Tuba et Piano
Small Ensemble Piano,Tuba - Level 3 - Digital Download SKU: A0.760662 By John Lenno…
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Small Ensemble Piano,Tuba - Level 3 - Digital Download SKU: A0.760662 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Multicultural,Pop,Rock,Standards,Wedding,World. Score and part. 13 pages. Raymond Fenech #5754985. Published by Raymond Fenech (A0.760662). Imagine is a song written and performed by English musician John Lennon. The best-selling single of his solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality and to consider the possibility that the whole of humanity would live unattached to material possessions. The Duration is approx. 3.09 minutes and the level is Intermediate. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$5.99
5.52 €
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Tuba et Piano
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John Lennon And The Plastic Ono Band
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Raymond Fenech
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Imagine
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Raymond Fenech
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SheetMusicPlus
Imagine
Tuba et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: …
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Instrumental Duet,Piano Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.760660 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Multicultural,Pop,Rock,Standards,Wedding,World. Score and parts. 16 pages. Raymond Fenech #5754987. Published by Raymond Fenech (A0.760660). Imagine is a song written and performed by English musician John Lennon. The best-selling single of his solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality and to consider the possibility that the whole of humanity would live unattached to material possessions. The Duration is approx. 3.09 minutes and the level is Intermediate. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$6.99
6.44 €
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Tuba et Piano
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John Lennon And The Plastic Ono Band
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Raymond Fenech
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Imagine
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Raymond Fenech
#
SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
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