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Vous avez sélectionné:
Then
TUBA
Partitions à imprimer
175 partitions trouvées
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Then Sings My Soul - Tuba Solo and Piano
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Tuba et Piano
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Swedish Folk Song
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Zealtiel Zuniga Anaya
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Then Sings My Soul - Tuba Solo
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ZZA Music
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SheetMusicPlus
Piano,Tuba - SKU: A0.1071785 Composed by Swedish Folk Song. Arranged by Zealtiel Zuniga Anaya. 20th Century,Concert,Holiday,Sacred,Standards. Full Perfo...
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Piano,Tuba - SKU: A0.1071785 Composed by Swedish Folk Song. Arranged by Zealtiel Zuniga Anaya. 20th Century,Concert,Holiday,Sacred,Standards. Full Performance. Duration 216. ZZA Music #3688821. Published by ZZA Music (A0.1071785). This is the tuba and piano performance of Zuniga Anaya's arrangement of Then Sings My Soul. .
$1.99
Now And Then
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Tuba
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DÉBUTANT
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Rock
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The Beatles
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Rene Alves
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Now And Then
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Rene Alves
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1362552 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Rene Alves. Mult...
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Tuba Solo - Level 1 - SKU: A0.1362552 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Rene Alves. Multicultural,Patriotic,Pop,Rock,Wedding,World. Individual part. 3 pages. Rene Alves #947005. Published by Rene Alves (A0.1362552). Tuba sheet music from the song now and then - beatles. The sheet music is large, great for reading on tablets.
$6.00
Now And Then
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Tuba et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Henrique Oliveira
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Now And Then
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Henrique Oliveira
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SheetMusicPlus
B-Flat Tuba,Piano - Level 3 - SKU: A0.1317039 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Henrique...
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B-Flat Tuba,Piano - Level 3 - SKU: A0.1317039 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Henrique Oliveira. 21st Century,Chamber,Pop,Rock. Score and part. 15 pages. Henrique Oliveira #905716. Published by Henrique Oliveira (A0.1317039). Arrangement of Now and Then by The Beatles for tuba and piano, perfect to play among your friends, students or family members. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page.
$4.99
Then the Rains Came - for Low Brass [Bass Clef] & Piano (from Scenes from a Parisian Cafe)
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Tuba et Piano
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FACILE
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Chris Lawry
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Then the Rains Came - for Low
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Moonhouse Music
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SheetMusicPlus
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tuba - Level 2 - SKU: A0.749961 Composed by Chris Lawry. Contemporary,Instructional,Standa...
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Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tuba - Level 2 - SKU: A0.749961 Composed by Chris Lawry. Contemporary,Instructional,Standards. Score and parts. 5 pages. Moonhouse Music #18781. Published by Moonhouse Music (A0.749961). A little concert item for Solo Brass and piano accompaniment. This piece is roughly equivalent to Grade 2 ABRSM/Trinity/LCM etc. The sheet music is suitable for any Brass instrument using Bass Clef in Concert Pitch (Tenor Trombone, Bass Trombone, Tuba etc. ). Written in 2013, the piece is from the sheet music album 'Scenes from a Parisian Cafe', a collection of 14 concert and educational pieces for beginner to intermediate Alto Saxophone (roughly grades 2 - 5) by UK composer Chris Lawry. - The pieces cover the course of a day in a Parisian scene, from morning to night, and cover a range of tempos and styles with something to suit any occasion and mood.
$3.99
Then Come the Heroes: Tuba
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Tuba (partie séparée)
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Methodes
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Douglas E
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Then Come the Heroes: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Polythene Pam
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2 Euphoniums et 2 Tubas
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Tim Olt
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Polythene Pam
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Olt Music
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SheetMusicPlus
Tuba Quartet Euphonium,Tuba - Level 4 - SKU: A0.1472008 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tim Olt. Pop,Rock. 6 pages. Olt M...
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Tuba Quartet Euphonium,Tuba - Level 4 - SKU: A0.1472008 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tim Olt. Pop,Rock. 6 pages. Olt Music #1049705. Published by Olt Music (A0.1472008). One of their shortest tunes, this is also one of the more unique.
$15.00
Super Trouper
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2 Tubas (duo)
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INTERMÉDIAIRE
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Contemporain
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ABBA
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Steven Cheatham
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Super Trouper
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S Cheatham
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - Level 3 - SKU: A0.997324 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Steven Cheatham. Contempo...
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Instrumental Duet Instrumental Duet,Tuba - Level 3 - SKU: A0.997324 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Steven Cheatham. Contemporary. Score and parts. 4 pages. S Cheatham #5317077. Published by S Cheatham (A0.997324). This duet strengthens a tuba player's mid-range while matching the pop-style of the Swedish group ABBA.
$4.99
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
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Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
God is so Good - tuba duet
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2 Tubas (duo)
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DÉBUTANT
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Anon
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Phil Beaman
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God is so Good - tuba duet
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - Level 1 - SKU: A0.845280 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Spi...
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Instrumental Duet Instrumental Duet,Tuba - Level 1 - SKU: A0.845280 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Spiritual. Score and parts. 4 pages. Phil Beaman #6656453. Published by Phil Beaman (A0.845280). Beautiful, easy arrangement of the children's Folk Spiritual God Is So Good. This Tuba Duet is in 4 short sections, for a total of 1 min and 15 sec. It begins with the melody in solo, then the melody in parallel thirds, then the melody in counterpoint, then closes with a fanfare section. Arranged for Beginners, it has only minims (half notes) and crotchets (quarter notes), and the range of Part I is within a 5th and the range of Part II is within an octave. A quality uplifting duet of a well known tune perfect for any early performance.
$3.99
Silent Night
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Tuba
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Noël
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Joseph Mahr
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Dana F
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Silent Night
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Tuba solo - Grade 3 - SKU: DX.143137 Composed by Joseph Mahr. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and ...
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Tuba solo - Grade 3 - SKU: DX.143137 Composed by Joseph Mahr. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 9 pages. David E. Smith - Digital Sheet Music #143137. Published by David E. Smith - Digital Sheet Music (DX.143137). An accompanied tubat solo that begins with a gentle piano introduction. The soloist then presents the tune with subtle modifications. The second section progresses with even greater melodic enhancement. With a modulation the solo deviates the melody with an almost obbligato-like fashion. With further modulation the solo line gravitates to a style reminiscent to the second section. The coda section is patterned after the first section and then settles down to sweet silence.Key of Ab, Bb.
$4.50
Ping-Pong for Tuba Solo
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Tuba Solo
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Gavia Music
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0...
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Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.
$20.00
The Chicken: Tuba
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Tuba (partie séparée)
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Jazz
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Alfred James Ellis
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Kris Berg
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The Chicken: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017269_TB1 Tuba. Composed by Alfred James Ellis. Arranged by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digita...
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Jazz Ensemble - SKU: AX.00-PC-0017269_TB1 Tuba. Composed by Alfred James Ellis. Arranged by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017269_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017269_TB1). ISBN 9780757934124. UPC: 654979997412.Whoa, hold on to your feathers! If you want energy and excitement and a funky groove, then check out Kris Berg's chart, The Chicken. The legendary electric bassist Jaco Pastorius recorded this powerhouse tune and arranger Kris Berg has adapted it for the Jazz Band Series. If you have a strong electric bass player, then you have found yourself a showstopper with this arrangement. The tenor sax solo (written solo provided), the optional guitar solo, and the solo bass line will showcase your soloists. Your ensemble will totally devour The Chicken. Guaranteed to pluck the audience right out of their seats!
$3.00
Donut Etudes v5 - Scale Duets for 2 Tubas
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2 Tubas (duo)
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Publ...
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Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Published by Slide Ride (A0.784314).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Two Front Teeth: Tuba
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Tuba (partie séparée)
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Don Gardner
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Paul Baker
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Two Front Teeth: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017219_TB1 Tuba. Composed by Don Gardner. Arranged by Paul Baker. Jazz; Secular. Part. 4 pages. Alfred Music - Dig...
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Jazz Ensemble - SKU: AX.00-PC-0017219_TB1 Tuba. Composed by Don Gardner. Arranged by Paul Baker. Jazz; Secular. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017219_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017219_TB1). UPC: 038081429274.Something different---a clever samba based on this novelty song, you'll love it! After the medium rubato intro, the medium tempo samba kicks in with altos and trumpets then the melody is bounced around to all sections. After the montuna interlude, 2nd trumpet solos (written) with only two chords to keep it accessible for young players, a sax soli, a 2nd trombone solo (written), then the big shout chorus and out. (4:14).
$3.00
Away in a Manger: Tuba
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Tuba (partie séparée)
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Noël
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James Murrey
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Terry White
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Away in a Manger: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017218_TB1 Tuba. Composed by James Murrey. Arranged by Terry White. Jazz; Sacred. Part. 2 pages. Alfred Music - Di...
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Jazz Ensemble - SKU: AX.00-PC-0017218_TB1 Tuba. Composed by James Murrey. Arranged by Terry White. Jazz; Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017218_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017218_TB1). UPC: 038081429250.A beautiful and sensitive treatment of this superb holiday classic. This medium jazz waltz begins with an alto 1 melody. Then it shifts to the ensemble, followed by a written-out or ad lib tenor solo. The chart then modulates into the final ensemble shout section. Lead trumpet range is to written G on top of the staff.
$3.00
Silent Night (Franz Gruber) for Tuba and Piano
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Tuba et Piano
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INTERMÉDIAIRE
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Franz Xaver Gruber
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Harry Walker
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Silent Night
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SCORE EDITIONS
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.1507411 Composed by Franz Xaver Gruber. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday...
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Piano,Tuba - Level 3 - SKU: A0.1507411 Composed by Franz Xaver Gruber. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 9 pages. SCORE EDITIONS #1082816. Published by SCORE EDITIONS (A0.1507411). Silent Night is one of the most cherished and widely performed Christmas carols across the globe. Composed in 1818 by Franz Xaver Gruber with lyrics by Father Joseph Mohr, the carol was first performed on Christmas Eve in the small Austrian village of Oberndorf. Since then, it has become a universal symbol of peace, hope, and unity, translated into over 300 languages and dialects. In this version, the composition was arranged for Tuba and Piano by Harry Walker.
$5.99
Pennsylvania Polka
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4 Tubas
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AVANCÉ
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Folklorique/Traditionel
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/ Sturr, Jimmy / Sturr, Jimmy
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Tim Olt
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Pennsylvania Polka
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Olt Music
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SheetMusicPlus
Tuba Quartet Euphonium,Tuba - Level 5 - SKU: A0.1420606 By / Sturr, Jimmy / Sturr, Jimmy And His Orche. By Lester Lee and Zeke Manners. Arranged by Tim ...
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Tuba Quartet Euphonium,Tuba - Level 5 - SKU: A0.1420606 By / Sturr, Jimmy / Sturr, Jimmy And His Orche. By Lester Lee and Zeke Manners. Arranged by Tim Olt. Folk,Traditional. 14 pages. Olt Music #1002040. Published by Olt Music (A0.1420606). Made famous initially by the Andrews Sisters and then Frankie Yankovic, this tune gained the greatest fame in the movie Groundhog Day.
$15.00
Dichterliebe, Op.48 No.1 - Tuba and Piano (Full Score and Parts)
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Tuba
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Tub
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Sheet Music To Play Editions
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1421227 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Peri...
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Tuba Solo - Level 3 - SKU: A0.1421227 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Individual part. 8 pages. Sheet Music To Play Editions #1002619. Published by Sheet Music To Play Editions (A0.1421227). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
We Gather Together
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Tuba
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DÉBUTANT
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Thanksgiving
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Edward Kremser
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David E
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We Gather Together
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Tuba solo - Level 1.5 - SKU: DX.143101 Composed by Edward Kremser. Arranged by David E. Smith. Key of Bb. Thanksgiving. 3 pages. Duration 2'00. Publishe...
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Tuba solo - Level 1.5 - SKU: DX.143101 Composed by Edward Kremser. Arranged by David E. Smith. Key of Bb. Thanksgiving. 3 pages. Duration 2'00. Published by David E. Smith - Digital Sheet Music (DX.143101). This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
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Tuba
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Publ...
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Tuba Solo - Level 5 - SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Tuba - "Man of Sorrows" Theme and Variations
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Tuba et Piano
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INTERMÉDIAIRE
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PHILLIP BLISS
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Dan Cutchen
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Tuba - "Man of Sorrows&qu
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan C...
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Piano,Tuba - Level 3 - SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan Cutchen Music #4297735. Published by Dan Cutchen Music (A0.844354). Man of Sorrows Theme and VariationsGreat Easter hymn by Phillip Bliss for solo tuba and piano.Concert C. Medium difficulty.Approximate time: 3:45For piano ACCOMPANIMENT track, copy and paste the following into the search bar:Tuba - Man of Sorrows ACCOMPANIMENT track, Dan Cutchen1 Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim:Hallelujah, what a Savior!2 Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood:Hallelujah, what a Savior!3 Guilty, helpless, lost were we; blameless Lamb of God was he, sacrificed to set us free:Hallelujah, what a Savior!4 He was lifted up to die; It is finished was his cry; now in heaven exalted high:Hallelujah, what a Savior!5 When he comes, our glorious King, all his ransomed home to bring, then anew this song we'll sing:Hallelujah, what a Savior!https://youtu.be/h0ND4G2fzTU
$5.00
Cogs & Gears
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Tuba et Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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Cogs & Gears
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.1374184 By Lawrence H Underwood. By Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and...
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Piano,Tuba - Level 3 - SKU: A0.1374184 By Lawrence H Underwood. By Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958760. Published by Lawrence H Underwood (A0.1374184). This original composition by veteran performer and music educator, Lawrence Underwood, is the tenth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Cogs & Gears evokes images of a well-oiled machine, driving. . .pushing. . .moving. The opening section locks measures of 3/4 and 6/8 together, working in tandem to propel the melody forward. The middle of the piece keeps the same pulse, but uses a jaunty melody to move first into 4 and then, with increasing frequency, measures of 2 and 3. The opening motif reappears before the piece once again pushes into the the lively second theme as it bounces towards its playful conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
Air on the G String by Bach for Tuba
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Tuba et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726672. Published by Woods Only, Arrangements (A0.1125923). This easy arrangement for tuba and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
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