American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?

Yes, this piece is really called Brain Enema. It's loud, aggressive, and even a little bit ugly at times. When your audience sees the title on your recital program, they'll expect a little discomfort, so be sure to give them an all-out assault on their senses.

World War I Medley for Brass Quintet A medley of ?It?s A Long, Long Way to Tipperary? by Jack Judge and Harry Williams and ?Pack Up Your Troubles in Your Old Kit Bag? by George Asaf and Felix Powell. Also includes the British Bugle Call ?Fall In? Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F Trombone Tuba Drums (optional) Optional sub parts for Eb Horn and TC Trombone provided ?It?sA Long, Long Way to Tipperary? is one of the most remembered tunes from thisera. It was composed in 1914 and recorded by the well-known tenor JohnMcCormack, which helped its worldwide popularity. ?Pack Up Your Troubles inYour Old Kit Bag? was composed in 1915 and used during the war to boost moraleand to assist in the recruitment of troops. Both tunes are presented in thismedley to commemorate the 100th anniversary of World War One. A student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. Many of his arrangements can be found on Sheet Music Plus.

A Soldier's Life in WWI for Brass Quintet Arranged by Jari Villanueva A medley of tunes sung by Soldiers in the Great War Reveille-Bugle Call Oh, How I Hate To Get Up In The Morning by Irving Berlin Mademoiselle from Armentières-French Tune K-K-K-Katy by Geoffrey O?Hara There?s a Long Long Trail A-Winding by Alonzo ?Zo? Elliott Over There by George M. Cohan Score 2 Trumpets in Bb Horn in F Trombone Tuba Optional Drum Set Eb Alto Horn (Substitute part for Horn in F) Treble Clef Baritone (Substitute part for Trombone) A very interesting setting of tunes from World War I for Brass Quintet with optional Drums. A sure hit for concerts commemorating the 100th anniversary of World War 1 A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest.

Edward Elgar wrote his Variations on an Original Theme in 1899; each variation was meant toportray one of Elgar's close friends. The ninth movement, ?Nimrod? is about and conversation thatthe composer had with music editor, Augustus J. Jaeger. They discussed the beauty of Beethoven?sslow movements and this can be heard in ?Nimrod.? This brass quintet arrangement recreates thisBeethovenian beauty with warm voicing. It is important for players to listen to one or severalrecordings of this movement in order to get a feel for the style and changes in tempo. The printedtempi are approximate and may be deviated from. Duration?3:30

A Civil War Journey for Brass Quintet arranged by Jari Villanueva A medley of "Battle Cry of Freedom" (George Frederick Root), "Dixie" (Daniel Emmett), "Weeping Sad and Lonely" (Henry Tucker) and "When Johnny Comes Marching Home" (Patrick Gilmore). Great for patriotic concerts or a great closer on a concert. This skillful arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection for a concert or as a special presentation around national holidays. Included is a Full Score, 2 Trumpets in Bb, Horn in F, Trombone and Tuba. Also included are substitute parts for Eb Horn and TC Trombone. Cover pages are also included to facilitate page turns. A retired member of the United States Air Force Band, where he served on the Music Production staff (as well as a trumpeter and bugler), and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. www.jvmusic.net

An excellent setting of a Sousa march dedicated to the US Naval Reserve. Sousa joined the US Navy during WWI to help train musicians for the war effort. This march incorporates his song, ?Blue Ridge, I?m Coming Back To You? in the Trio section.The arrangement for brass quintet has an optional drum part and optional substitute parts for the horn and trombone.This grade 3 arrangement would be perfect for a patriotic setting or for in commemoration of World War I.

Four Cohan Songs for Brass Quintet by George M. Cohan A Medley of Give My Regards to Broadway, Yankee Doodle Dandy, Over There, You?re a Grand Old Flag Arranged for Brass Quintet by Jari Villanueva Score 2 Trumpets in Bb Horn in F Trombone Tuba Optional Drum Set Eb Alto Horn (Substitute part for Horn in F) Treble Clef Baritone (Substitute part for Trombone)

I Have a Little Jingle Dreidel-Arranged for Brass Quintet by Jari Villanueva I Have a Little Dreidel (also known as the Dreidel Song) is a children?s traditional Hanukkah song. This popular melody is combined with the traditional holiday tune of Jingle Bells written by James Pierpont in the 1850s. This fun arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection for a holiday concert or as a special presentation around Christmas and Hanukkah. Included is a Full Score, 2 Trumpets in Bb, Horn in F, Trombone and Tuba. Also included are substitute parts for Eb Horn and Baritone TC A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.

Masonry has a rich history of march music from composers such as Sousa, Hebert Clarke and Karl King. Bagley, a Mason himself, based the Trio of this march on the melody "Auld Lang Syne, " written by fellow Mason, Robert Burns. Composed in 1911, this is a good old American march, perfect for a year-end concert. Performance time, 2:30.

The Star Spangled Banner and Trio from National Emblem March will be a useful addition to any library but especially for quintets that perform for community functions. Details concerning proper educate for presenting the colors are included in the score as the juxtaposition of these two titles are those that are recommended by the Department of the Army.

Harmonization of the chorale melody was originally done as an undergraduate arranging assignment in 1968. The original idea was to start with a single point of sound and expand to five voices though suspensions and resolutions. The variations came about in 2016 as a composition competition entry at the "Sons of Sibelius" web site for a new brass composition. The work tied for second place. .