ISBN 9781619113350. One of the truly great things about the accordion is its extreme versatility. Other instruments envy its ability to transform from an intimate solo performer to the mightiest of orchestras contained in one player. The accordion can be as delicate as a single violin, and switch instantly into a full symphonic section of strings, brass and winds. Contained in this collection is a wonderful variety of classical favorites (as well as some original compositions specifically for the accordion) that showcase everything the accordion can do. You'll find operatic melodies, tunes you once played at the piano, art songs, and dazzling themes from well-known concertos. The book contains music written over the course of three centuries, from Rossini to Dahl. The Classical Tradition is destined to become a necessary addition to every accordionist's library!

Arranged in the style of the Gotan Project for Vocal with Studio Band (2Flutes, Clarinet, Bass Clarinet, Trumpet, Trombone, Keyboards, Bass, Drums, Accordian, Solo Violin, Vlns, Vla, Vcl) Key of D

As performed on the Television show Dancing With The Starts (Australia)

Traditional song that is usually played in Gypsy Jazz style - Jazz Manouche).
I have arranged the melody and created 3 improvisation choruses on the chord change.

D7 chord with Ab (G#) bass replace the Ab7 chord (tritone substitution).
Intermediate-Advanced level.
You can play and it sounds good too with the violin

Adiós muchachos is a 1927 tango composed by Argentinian pianist Julio César Sanders and Argentinian poet César Vedani. According to Francisco Garcia Jimenez, Sanders was inspired when after a night out with a group of friends in 1927 in the Buenos Aires district of Flores, one of them said goodbye with the words "Adiós, muchachos".

This is an arrangement for accordion, violin, piano, guitar, and Double bass

This is an arrangement I play with my tango quintet named "Tiempos Viejos Quintet", you can find us on https://www.facebook.com/Tiempos-Viejos-Quintet-1778163339136990 

Air is the second movement in Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. Originaly composed for 1st violins, 2nd violins, violas and Basso continuo.
This adaptation is for (standard bass) accordion duet. Numbering for bass is provided in the score. 

This is a playful accordion duet with variations on the main melody. In this piece all things come in twos. There is even a slight mood change in the middle but the melody eventually returns to the familiar. There are also 2 quartet arrangements of this song, for accordion quartet as well as a quartet for 2 violins, flute, accordion.