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Partitions à imprimer
3 partitions trouvées
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Gian Paolo Chiti: Icarus for harpsichord
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Clavecin
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Icarus for h
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Musik Fabrik Music Publishing
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SheetMusicPlus
Harpsichord - Level 5 - SKU: A0.533818 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary,Standards. Score. 12 pages. Musik Fabrik Music Pu...
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Harpsichord - Level 5 - SKU: A0.533818 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary,Standards. Score. 12 pages. Musik Fabrik Music Publishing #3049275. Published by Musik Fabrik Music Publishing (A0.533818). A work for solo harpsichord by the Italian Composer, based on the Greek myth of Icarus. Icarus is the son of the master craftsman Daedalus, the creator of the Labyrinth. Often depicted in art, Icarus and his father attempt to escape from Crete by means of wings that his father constructed from feathers and wax. Icarus' father warns him first of complacency and then of hubris, asking that he fly neither too low nor too high, so the sea's dampness would not clog his wings or the sun's heat melt them. Icarus ignored his father's instructions not to fly too close to the sun, when the wax in his wings melted and he fell into the sea.
$15.95
Bach Italian Concerto, BWV 971
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Clavecin
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Italian Concerto, BWV 971
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Gabriel Vinicius
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SheetMusicPlus
Harpsichord - Level 5 - SKU: A0.1101563 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Instruc...
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Harpsichord - Level 5 - SKU: A0.1101563 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score. 14 pages. Gabriel Vinicius #704942. Published by Gabriel Vinicius (A0.1101563). The Concerto after the Italian taste or Italienisches Konzert, BWV 971 (concerto Nach italienischem gusto) published in 1735 as the first half of the Clavier-Ãœbung II is a three-movement concerto for a solo two-manual harpsichord by J.S. Bach. The Italian concerto, as a style, relies upon the contrasting roles of two different groups of instruments in an ensemble: bach emulates this effect, creating contrast by means of the different manuals. This is, along with the French Overture and some of the Goldberg Variations one of the free pieces by this composer that asks specifically for a two-manual instrument.
$5.00
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Clavecin
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Classique
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Artu...
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Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
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