Page d'accueil
Parcourir Librairie Musicale
ORGUE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
Four Tops
Piano & claviers
Orgue
6
Guitares
Voix
Vents
Cuivres
Cordes
Orchestre & Percussions
Autres
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
8
Partitions Numériques
6
Librairie Musicale
122
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Four Tops
ORGUE
Partitions à imprimer
6 partitions trouvées
<
1
Elegia n.3 per strumenti a tastiera
#
Orgue
#
Leonardo Antonio Di Chiara
#
Elegia n.3 per strumenti a tas
#
LEONARDO ANTONIO DI CHIARA
#
SheetMusicPlus
Organ - SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413...
(+)
Organ - SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413731. Published by LEONARDO ANTONIO DI CHIARA (A0.978420). The melody cell of the first part of Elegy n.3 is mainly made up of a fifth and fourth descending leap supported by voices that proceed in descending chromatisms, amplifying the tension. The second part is formed by a chordal section with overlapping fifths and fourths that leads to a melody line with the same rhythmic sequence but supported by a vigorous chromatism. The third part uses the initial theme again only that it is treated in the opposite direction. I deliberately avoided indicating the choice of stops to use if the piece is played on the organ, thus leaving the performer free to choose. Despite this, it seemed appropriate to indicate the dynamics signs only as a point of reference, but obviously the performer is free to file the sound dynamics of the piece at will. Obviously, playing on the piano also requires the use of the resonance pedal that the performer will use at will.
$2.00
Air and Variations on 'Brother James' Air' for Organ
#
Orgue
#
INTERMÉDIAIRE
#
Christopher Evans
#
Air and Variations on 'Brother
#
Christopher Evans
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.846373 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 4 pages. Christopher Evans #5776541. Published by Ch...
(+)
Organ - Level 3 - SKU: A0.846373 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 4 pages. Christopher Evans #5776541. Published by Christopher Evans (A0.846373). An air and four contrasting variations on ’Brother James’ Air’, a hymn tune composed by James Leith Bain, who was a Scottish minister at the end of the 19th and beginning of the 20th century and known as Brother James. The first three variations are in the style of John Stanley, the fourth variation is a two part canon. Although the suggested stop registration is for three manuals and is only a guide. All movements only require a small number of light stops and therefore can very effectively be played on a small two manual instrument.
$10.00
Suite No 2 for Organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Evans
#
Suite No 2 for Organ
#
Christopher Evans
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.846403 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 13 pages. Christopher Evans #5777121. Published by ...
(+)
Organ - Level 4 - SKU: A0.846403 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 13 pages. Christopher Evans #5777121. Published by Christopher Evans (A0.846403). Suite No 2 for Organ consists of four contrasting movements; March (a stately march), Gig (light hearted dance style piece in 3/4 time), Air (flowing melodies for solo stops accompanied by flute stops) and Toccata (lively and melodious ). The indicated registration for three manuals is only for guidance and the whole suite can easily be played on a two manual instrument. the playing time for each movement are: March - 2 min, Dance - 2 min, Air - 6 min and Toccata - 3 min, a total of 13 min for all movements.
$10.00
Sagas Nos. 1-6
#
Orgue
#
AVANCÉ
#
Jean Guillou
#
Sagas Nos. 1-6
#
Schott Music - Digital
#
SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Mus...
(+)
Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Lord, Keep Us Steadfast in Your Word (Hymn Intonation for Organ)
#
Orgue
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Jubal's Lyre Music
#
Martin Dicke
#
Lord, Keep Us Steadfast in You
#
Jubal's Lyre Music Publishers
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.1313271 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Christian,Religious,Sacred,Spiritual,Traditional. Score...
(+)
Organ - Level 3 - SKU: A0.1313271 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Christian,Religious,Sacred,Spiritual,Traditional. Score. 2 pages. Jubal's Lyre Music Publishers #902057. Published by Jubal's Lyre Music Publishers (A0.1313271). This intriguing setting of the tune ERHALT, UNS HERR was originally composed for the hymn “Lord, Keep Us Steadfast in Your Word,†but it can also be used with the hymn Lord, Open Now My Heart to Hear and other texts sung to that melody. Featuring a quasi-canon at the fourth, it is a great piece for featuring the contrasting solo stops on any organ. For more music and information, visit
$1.99
The King Shall Come When Morning Dawns (Hymn Intonation for Organ)
#
Orgue
#
FACILE
#
Noël
#
Jubal's Lyre Music
#
Martin Dicke
#
The King Shall Come When Morni
#
Jubal's Lyre Music Publishers
#
SheetMusicPlus
Organ - Level 2 - SKU: A0.918927 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Religious,Sacred. Score. 2 pa...
(+)
Organ - Level 2 - SKU: A0.918927 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Religious,Sacred. Score. 2 pages. Jubal's Lyre Music Publishers #6637983. Published by Jubal's Lyre Music Publishers (A0.918927). This short setting of the tune CONSOLATION was originally composed for the Advent hymn The King Shall Come When Morning Dawns, but it can also be used with the hymn What Hope An Eden Prophesied. Featuring an ostinato and quasi-canon at the fourth, it is a great piece for featuring the contrasting solo stops on any organ. Â For more music and information, visit www.jubalslyre.com/music.
$1.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Four Tops
