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23 partitions trouvées
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1
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Westerly for flute, violin and string orchestra (mp3)
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Alec Keith, Matt Weiss, Octava
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century...
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Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
The Boar's Head Carol - String Orchestra - Intermediate
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Noël
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Traditional English Carol
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Dennis Ruello
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Noel
This
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The Boar's Head Carol - String
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Chicory Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.734507 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Standards,Worl...
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Small Ensemble - Level 3 - SKU: A0.734507 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Standards,World. Score and parts. 10 pages. Chicory Music #6102015. Published by Chicory Music (A0.734507). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in C Major and modulates to D Major for the final chorus .Performance time is approx. 2 minute 12 seconds. .
$9.99
Land O' the Leal
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Dan Adams
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Land O' the Leal
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW231-S Composed by Dan Adams. Score. 18 pages. Imagine Music - Digital #OMW231-S. Published by Imagine Music - Digital (IZ.OMW231-...
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Orchestra - SKU: IZ.OMW231-S Composed by Dan Adams. Score. 18 pages. Imagine Music - Digital #OMW231-S. Published by Imagine Music - Digital (IZ.OMW231-S). 9 x 12 inches.A collector of folk tunes, Lady Nairne (Carolina Oliphant) undoubtedly chose the traditional Scottish air “Hey, Tuttie, Tattie as the setting for her melancholy text because of its beauty and simplicity. Also known as the melody to Robert Burns' nationalistic “Scots Wha Hae, the folk tune has been part of Scottish life for centuries. Lady Nairne wrote her words upon the passing of the only child of her friend, Mrs. Archibald Campbell Colquhoun. In her setting, the Land O' The Leal is a reference to heaven, where they will someday be reunited. This orchestral arrangement of the old Scottish tune hopes to capture the serenity and hopefulness of her poem..
$10.00
We Three Kings
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Noël
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Hopkins
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D
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We Three Kings
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Hope Publishing - Digital
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SheetMusicPlus
C Instrument, Keyboard, Orchestra - Level 3 - SKU: H1.2059DP Composed by Hopkins. Arranged by D. Linda McKechnie. Advent, Christmas, Sacred. Director/Ke...
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C Instrument, Keyboard, Orchestra - Level 3 - SKU: H1.2059DP Composed by Hopkins. Arranged by D. Linda McKechnie. Advent, Christmas, Sacred. Director/Keyboard Score. 11 pages. Hope Publishing - Digital #2059DP. Published by Hope Publishing - Digital (H1.2059DP). Isaiah 9:2 - John 1:9 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - Matthew 2:8 - Matthew 2:9 - Matthew 2:10 - Matthew 2:11 - Matthew 2:12.Meley of a Christmas carol and traditional hymn Arranger McKechnie has had great success with combining classics with hymns and carols and this offering is no exception. Various performance options are given, and full orchestra parts are available from the arranger. This arrangement is full, rich and thick with an abundance of malleted passages. (Orchestra parts are available from the arranger. ).
$14.95
Jewish Festival (for String Orchestra/Quintet)
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Klezmer
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Moshe Nathanson and Samuel Gol
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Wendy Hellmann
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Jewish Festival
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Gwendolyn Hellmann
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1086330 Composed by Moshe Nathanson and Samuel Goldfarb. Arranged by W...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1086330 Composed by Moshe Nathanson and Samuel Goldfarb. Arranged by Wendy Hellmann. Folk,Hanukkah,Holiday,Traditional. Score and parts. 19 pages. Gwendolyn Hellmann #690517. Published by Gwendolyn Hellmann (A0.1086330). This festive arrangement includes three popular Jewish folk songs: Shalom Chaverim, Hava Nagila, and The Dreidel Song. Written in the keys of D minor and G Major, it fits comfortably in the hand on all string instruments. Each part is unique and is equally interactive for all players, including viola and double bass solos. From an educational aspect, Jewish Festival reinforces the concept of augmented 2nds. It also features easy double stops and harmonics in 1st position. With plenty of dramatic dynamic contrasts and fun tempo changes, this piece makes an excellent addition to any holiday concert program! The PDF download contains both a full score and a set of parts - Violin 1, Violin 2, Viola, Cello, and Bass.
$19.99
Iroquois Dance
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Fred Sturm
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Iroquois Dance
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Heritage Music Press
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SheetMusicPlus
Jazz Band - Grade 1.5 - SKU: LX.60-1018H Composed by Fred Sturm. First Flight Series. Jazz Band. 47 pages. Heritage Music Press #e60/1018H. Published by...
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Jazz Band - Grade 1.5 - SKU: LX.60-1018H Composed by Fred Sturm. First Flight Series. Jazz Band. 47 pages. Heritage Music Press #e60/1018H. Published by Heritage Music Press (LX.60-1018H). UPC: 000308054972.If you have a beginning jazz ensemble, this work deserves your serious consideration. Based upon a traditional Native American song, this composition is a theme and variations tour de force! The simple theme is stated by all the winds with some Stravinsky-like punctuation in the rhythm section. This theme is then transformed through four key centers and a contrapuntal treatment before arriving at the shout chorus,ö in this case a beautiful reharmonization of the melody.
$40.00
Arirang (for String Orchestra/Quintet and Piano)
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Folk Song
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Wendy Hellmann
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Arirang
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Gwendolyn Hellmann
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.1098897 Composed by Folk Song. Arranged by Wendy Hellmann. Folk,...
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String Ensemble,String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.1098897 Composed by Folk Song. Arranged by Wendy Hellmann. Folk,Multicultural,Traditional,World. Score and parts. 28 pages. Gwendolyn Hellmann #702748. Published by Gwendolyn Hellmann (A0.1098897). Perhaps the most famous folk song in Korea, this soaring arrangement of Arirang is for string orchestra or quintet and piano. The melody is passed throughout the orchestra, with lush harmonies in the beginning and a lively middle section. Although there is a piano part, this piece is harmonically stable as a string ensemble on its own. This is an uplifting addition to any concert program! The PDF download contains both a full score and a set of individual parts - Violin 1, Violin 2, Viola, Cello, Bass, and Piano. All parts are formatted on 2 pages to avoid any page turns.
$12.99
Gymnipodie Arranged for String Orchestra
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Classique
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Contemporain
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Erik Satie
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Bud Caputo
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Gymnipodie Arranged for String
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1185811 Composed by Erik Satie. Arranged by Bud Caputo. 19th Century. 11 pages. Bud Caputo #785452. Published by Bud...
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String Ensemble - Level 3 - SKU: A0.1185811 Composed by Erik Satie. Arranged by Bud Caputo. 19th Century. 11 pages. Bud Caputo #785452. Published by Bud Caputo (A0.1185811). This piano work was brought to the attention of the general public by the jazz rock group Blood Sweat and Tears, in the early 1970's. It's simple melody is supported by an even more simple background providing some easy listening for your audiences. This work will acquaint your students with music from the Impressionist Period and the teacher should select some traditional paintings to help set the correct mood for this type of work. Also, there should be lots of opportunities for the director to instruct the students into performing a work that requires a great deal of rubato shadings. All string parts remain in first position and a Violin III substitute for Viola part is included.
$19.95
MASSive - A Mass in Rock (Accompaniment MP3 With Guitar)
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Contemporain
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Paul Barker Music
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MASSive - A Mass in Rock
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Paul Barker Music
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SheetMusicPlus
Bass Guitar,Drum Set,Electric Guitar,Piano - SKU: A0.1067078 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Praise & Wors...
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Bass Guitar,Drum Set,Electric Guitar,Piano - SKU: A0.1067078 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Praise & Worship,Rock. Accompaniment. Duration 691. Paul Barker Music #6249419. Published by Paul Barker Music (A0.1067078). This dynamic concert spectacular is scored for Soprano Solo, SAB Choir, Lead Guitar, Rhythm Section and Orchestra and sets selected elements of the traditional Mass to an exciting array of contemporary music. Built on its hugely successful predecessor, RoQuiem, it's guaranteed to make your musical performance an electrifying experience! Choirs can easily perform this ‘choral explosion’ with just piano or add a rhythm section for that big rock feel. Full orchestration is also available for that electrifying, epic sound everyone enjoys. Suitable for schools, youth choirs and professional performers alike.
$4.95
MASSive - A Mass in Rock (Accompaniment MP3 Minus Guitar)
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Contemporain
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Paul Barker Music
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MASSive - A Mass in Rock
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Paul Barker Music
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SheetMusicPlus
Bass Guitar,Drum Set,Electric Guitar,Piano - Level 3 - SKU: A0.1067079 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Pra...
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Bass Guitar,Drum Set,Electric Guitar,Piano - Level 3 - SKU: A0.1067079 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Praise & Worship,Rock. Accompaniment. Duration 692. Paul Barker Music #6249421. Published by Paul Barker Music (A0.1067079). This dynamic concert spectacular is scored for Soprano Solo, SAB Choir, Lead Guitar, Rhythm Section and Orchestra and sets selected elements of the traditional Mass to an exciting array of contemporary music. Built on its hugely successful predecessor, RoQuiem, it's guaranteed to make your musical performance an electrifying experience! Choirs can easily perform this ‘choral explosion’ with just piano or add a rhythm section for that big rock feel. Full orchestration is also available for that electrifying, epic sound everyone enjoys. Suitable for schools, youth choirs and professional performers alike.Professional Performance Recording and Accompaniment MP3 (with Guitar) available on this site and fromwww.paulbarkermusic.com for Rehearsals and Performances.
$4.95
España Cañí - Paso Doble Gypsy Dance - String Orchestra - E
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Traditional
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Thomas Graf
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España Cañ&iacut
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1231698 Composed by Traditional. Arranged by Thomas Graf. Broadway,Classical,Film/TV,...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1231698 Composed by Traditional. Arranged by Thomas Graf. Broadway,Classical,Film/TV,Musical/Show,Pop. 17 pages. Thomas Graf - the-hit-factory.com #827399. Published by Thomas Graf - the-hit-factory.com (A0.1231698). Composed by: Pascual Marquina Narro (1873–1948)Arranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloContrabassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$25.00
Adeste Fideles - String Orchestra
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Musique Sacrée
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MARCOS LUIZ MENDES FEITOSA
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MARCOS LUIZ MENDES FEITOSA
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Adeste Fideles - String Orches
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Marcos Luiz Mendes Feitosa
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - SKU: A0.493789 By MARCOS LUIZ MENDES FEITOSA. By John Francis Wade. Arranged by MARCOS LUIZ MENDES FEIT...
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String Ensemble Cello,Double Bass,Viola,Violin - SKU: A0.493789 By MARCOS LUIZ MENDES FEITOSA. By John Francis Wade. Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas,Instructional,Praise & Worship,Sacred,Traditional. Score and parts. 11 pages. Published by Marcos Luiz Mendes Feitosa (A0.493789). Adapted arrangement for String Ensemble. Very easy, ideal arrangement for Music students, but with advanced sound and traditional harmony, it makes us travel through this time of party, of joy and of harmony among peoples and makes us feel the true spirit of Christmas!
$9.99
Amphibia Legacy Ending Theme
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Amphibia Cultural Legacy
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Amphibia Legacy Ending Theme
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - SKU: A0.7629...
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Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - SKU: A0.762930 By Amphibia Cultural Legacy. By Mark Mothersbaugh and T.J. Hill. Children,Classical,Contemporary,Film/TV,Multicultural,World. Score and parts. 2 pages. Amphibia Cultural Legacy #370636. Published by Amphibia Cultural Legacy (A0.762930). Audiences around the world are captivated whenever they hear a cover remixed with an orchestra. But this particular remixed melody comes from an even more special source - that of the theme song in Disney Channel’s Amphibia! Titled Anne’s Theme, this beautiful blend of music and rhythm has made waves in the industry due to its mesmerizing sound. Racing percussion and filled strings come together to form a brilliant melody unlike any other.Unsurprisingly, it has become one of the show’s most popular musical numbers among diehard fans everywhere. Those cleverly blending their own melodizing magic have now surprisingly dedicated themselves to getting creative with remixing Anne’s Theme so that it can be played with every traditional orchestral piece. Such recreations can make for sweet symphonies, making this musical number truly timeless and rapturously beautiful!
$10.00
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publish...
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SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publishing - Digital #8386DP. Published by Hope Publishing - Digital (H1.8386DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$17.95
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. H...
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SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. Hope Publishing - Digital #8384DP. Published by Hope Publishing - Digital (H1.8384DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$325.00
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Dig...
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SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Digital #8381DP. Published by Hope Publishing - Digital (H1.8381DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$12.95
Missa sacra
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Robert Schumann
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Missa sacra
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Choir and orchestra - SKU: S9.Q24158 For four-part choir and orchestra. Composed by Robert Schumann. This edition: study score. Choral music - Er...
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Choir and orchestra - SKU: S9.Q24158 For four-part choir and orchestra. Composed by Robert Schumann. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 147. Ernst Eulenburg & Co. GmbH - Digital #Q24158. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24158). Latin.Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.
$21.99
Take Me Back (A New American Folk Song) - Full Orchestra and Chorus
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learning from our past, we can
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Steve Danielson
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Take Me Back
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Steve Danielson
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SheetMusicPlus
Large Ensemble Choir - Level 4 - SKU: A0.1006774 Composed by Steve Danielson. Contemporary,Folk,Traditional. Score and parts. 49 pages. Steve Danielson ...
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Large Ensemble Choir - Level 4 - SKU: A0.1006774 Composed by Steve Danielson. Contemporary,Folk,Traditional. Score and parts. 49 pages. Steve Danielson #4805033. Published by Steve Danielson (A0.1006774). This original folk song written in a style similar to Skip to My Lou and Bile Them Cabbage Down is a look back at our musical past. In a world of disconnectedness, people are looking for ways to connect. This song looks back at a time when people came together to sing and tell stories. By learning from our past, we can learn how to negotiate the future.
$50.00
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Ted Traditional
