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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.69 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.69 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The European Anthem
Symphonic Orchestra - Digital Download SKU: S9.Q2743 Music from the last movemen…
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Symphonic Orchestra - Digital Download SKU: S9.Q2743 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: wind parts. Parts. Duration 2' 15. Schott Music - Digital #Q2743. Published by Schott Music - Digital (S9.Q2743). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$22.99
20.91 €
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Themes from Schubert's Mass in G for Solo Violin, String Orchestra, and Piano
String Ensemble - Level 3 - Digital Download SKU: A0.826694 Composed by Franz Schub…
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String Ensemble - Level 3 - Digital Download SKU: A0.826694 Composed by Franz Schubert. Arranged by Bud Caputo. Romantic Period,Standards. Score and parts. 29 pages. Bud Caputo #4838085. Published by Bud Caputo (A0.826694). The Mass in G by Franz Schubert is one of the most well-known choral works in the repertoire. These three beautiful movements, Kyrie, Hossana, and the Agnus Dei, provide some of Schubert’s most memorable melodies. Directors with young groups who want to feature a violin soloist will find this work well within the reach of intermediate students. Yet, there are demanding concepts to be learned by all. Spiccato bowings and playing in a subdivided four will bring new information to the developing string player. The rhythmic independence required in the short fugue section will provide another challenge. A Violin 3 part is included to bolster the Viola section. The piano part will offer the director an opportunity to add a player for this work. It is part of the work and not the usual for rehearsal purposes only.
$25.00
22.74 €
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Franz Schubert
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Bud Caputo
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Themes from Schubert's Mass in G for Solo Violin, String Orchestra, and Piano
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Bud Caputo
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SheetMusicPlus
The Chicken: 2nd Baritone T.C.
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017269_BTC2 2nd Baritone T.C.
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017269_BTC2 2nd Baritone T.C.. Composed by Alfred James Ellis. Arranged by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017269_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017269_BTC2). ISBN 9780757934124. UPC: 654979997412.Whoa, hold on to your feathers! If you want energy and excitement and a funky groove, then check out Kris Berg's chart, The Chicken. The legendary electric bassist Jaco Pastorius recorded this powerhouse tune and arranger Kris Berg has adapted it for the Jazz Band Series. If you have a strong electric bass player, then you have found yourself a showstopper with this arrangement. The tenor sax solo (written solo provided), the optional guitar solo, and the solo bass line will showcase your soloists. Your ensemble will totally devour The Chicken. Guaranteed to pluck the audience right out of their seats!
$3.00
2.73 €
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Alfred James Ellis
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Kris Berg
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The Chicken: 2nd Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Who Are You - Guitar
Jazz band Guitar - Level 4 - Digital Download SKU: HX.248886 By The Who. By Pete To…
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Jazz band Guitar - Level 4 - Digital Download SKU: HX.248886 By The Who. By Pete Townshend. Arranged by Richard Tuttobene. Jazz,Pop,Rock. Individual instrument part. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.248886).
$6.00
5.46 €
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The Who
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Richard Tuttobene
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Who Are You - Guitar
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Hal Leonard - Digital
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SheetMusicPlus
Who Are You - Piano
Jazz band Piano - Level 4 - Digital Download SKU: HX.248887 By The Who. By Pete Tow…
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Jazz band Piano - Level 4 - Digital Download SKU: HX.248887 By The Who. By Pete Townshend. Arranged by Richard Tuttobene. Jazz,Pop,Rock. Individual instrument part. 6 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.248887).
$6.00
5.46 €
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The Who
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Richard Tuttobene
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Who Are You - Piano
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Hal Leonard - Digital
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SheetMusicPlus
Who Are You - Aux Percussion
Level 3 - Digital Download SKU: HX.391179 By The Who. Arranged by John Wasson. This…
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Level 3 - Digital Download SKU: HX.391179 By The Who. Arranged by John Wasson. This edition: scorch. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.391179).
$6.00
5.46 €
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The Who
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John Wasson
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Who Are You - Aux Percussion
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Hal Leonard - Digital
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SheetMusicPlus
Who Are You - Baritone Sax
Jazz band Baritone Sax - Level 4 - Digital Download SKU: HX.248877 By The Who. By P…
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Jazz band Baritone Sax - Level 4 - Digital Download SKU: HX.248877 By The Who. By Pete Townshend. Arranged by Richard Tuttobene. Jazz,Pop,Rock. Individual instrument part. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.248877).
$6.00
5.46 €
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The Who
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Richard Tuttobene
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Who Are You - Baritone Sax
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Hal Leonard - Digital
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SheetMusicPlus
Who Are You - Baritone Sax
Level 3 - Digital Download SKU: HX.391166 By The Who. Arranged by John Wasson. This…
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Level 3 - Digital Download SKU: HX.391166 By The Who. Arranged by John Wasson. This edition: scorch. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.391166).
$6.00
5.46 €
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The Who
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John Wasson
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Who Are You - Baritone Sax
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Hal Leonard - Digital
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SheetMusicPlus
Who Are You - Bass
Jazz band Bass - Level 4 - Digital Download SKU: HX.248888 By The Who. By Pete Town…
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Jazz band Bass - Level 4 - Digital Download SKU: HX.248888 By The Who. By Pete Townshend. Arranged by Richard Tuttobene. Jazz,Pop,Rock. Individual instrument part. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.248888).
$6.00
5.46 €
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The Who
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Richard Tuttobene
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Who Are You - Bass
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Hal Leonard - Digital
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SheetMusicPlus
Makin' Whoopee: Vibraphone
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017157_V Vibraphone. Compose…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017157_V Vibraphone. Composed by Walter Donaldson. Arranged by Dave Wolpe. Jazz; Swing. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017157_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017157_V). UPC: 038081335377.Bass 'bone players can count on one hand the good charts available for their instrument. Well, here is one of the best, arranged by Dave Wolpe. A medium-swing feel, this showcase will bring the best out in your bass trombone player with no improvisation, just written melody. There is some (written-out) jazz for 2nd trumpet in harmony mute, and the lead trumpet has a unison line to written high E. A nice sax soli is the icing on this cake. An outstanding feature chart. (3:23).
$3.00
2.73 €
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Walter Donaldson
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Dave Wolpe
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Swing
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Makin' Whoopee: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Who Can Separate Us? - Orchestral Score and Parts
Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3335SF Sacred Anthe…
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Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3335SF Sacred Anthem, General, Lent. Orchestral Score and Parts. 76 pages. SoundForth - Digital #e30/3335SF. Published by SoundForth - Digital (LX.30-3335SF). Orchestrated by Larry Shackley.Who can separate us from the love of Christ? Larry Shackley captures and conveys the Christian's conquering spirit and confidence in Christ in this dramatic setting of the beloved scripture passage that is equally effective with piano or orchestra.
$69.95
63.63 €
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Who Can Separate Us? - Orchestral Score and Parts
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SoundForth - Digital
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SheetMusicPlus
To Whom It May Concern
Jazz Ensemble Bass Guitar,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.490…
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Jazz Ensemble Bass Guitar,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.490207 Composed by Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. Score and parts. 13 pages. Duration 122. Published by George Kaplan (A0.490207). This is an authentic transcription of the tune To Whom It May Concern from the celebrated Horace Silver and the Jazz Messengers album, including horn, piano and bass parts and chord symbols. Horace's piano solo is extracted, as are various shout choruses.
$9.99
9.09 €
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Horace Silver
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Horace Silver
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To Whom It May Concern
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George Kaplan
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SheetMusicPlus
The Heart's Assurance
Voice and orchestra or piano - Digital Download SKU: S9.Q3215 Song Cycle. Co…
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Voice and orchestra or piano - Digital Download SKU: S9.Q3215 Song Cycle. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 17 minutes. Schott Music - Digital #Q3215. Published by Schott Music - Digital (S9.Q3215). English.A very personal response to the suicide of his close friend Francesca Allinson just as the Second World War was ending. His grief and remorse found expression in recently published work of young poets who, unlike those of the First World War, had been unable to make a poetry out of the brutalities of war: their best poetry was made out of love. ‘I thought of the song-cycle as having a subtitle: “Love under the shadow of Deathâ€.’ (Michael Tippett).
$13.99
12.73 €
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Sir Michael Tippett
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The Heart's Assurance
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Schott Music - Digital
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SheetMusicPlus
The Wayward
Surrogate Kithara · Guitar III · Chromelodeon · Diamond Marimba · Cello · K…
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Surrogate Kithara · Guitar III · Chromelodeon · Diamond Marimba · Cello · Kithara II · Pollux (Harmonic Canon) · Bass Marimba · Castor & Pollux baritone, bass and orchestra - Digital Download SKU: S9.Q48732 A Collection of musical compositons based on the spoken and written words of hobos and other characters - the result of my wanderings in the western part. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 41' 0. Schott Music - Digital #Q48732. Published by Schott Music - Digital (S9.Q48732). English.Harry Partch (1901-1974), one of the greatest and most individualistic composers of all time, who created dozens of incredible instruments for the performance of his music, created one of the most amazing bodies of sensually alluring and emotionally powerful music of the 20th century. Closely connected with his name is NEWBAND, an ensemble founded by Dean Drummond, which received custodianship of the original Harry Partch Instrument Collection in 1990 and has since been involved with resurrecting Partch's great works.
$36.99
33.65 €
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Harry Partch
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The Wayward
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q23952…
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q23952. Published by Schott Music - Digital (S9.Q23952). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.93 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q48824…
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q48824. Published by Schott Music - Digital (S9.Q48824). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.93 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q7148
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q7148 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 85' 0. Schott Music - Digital #Q7148. Published by Schott Music - Digital (S9.Q7148). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly established a solid position in the music scene. Now, Schott has published the study score of the successful and impressive work. Deep Slavonic emotion and riveting virtuosity - this is what characterises this piece as well as many other compositions by Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with Russian musical folklore and poetry has never been severed. The text of this 'opera for the concert stage' is based on a story by the great Russian writer Nikolai S. Leskov. Three solo singers, large choir and orchestra tell the dramatic story in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.93 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Vivaldi's Gloria (mp3)
String Orchestra Voice - Digital Download SKU: A0.1103557 By dwsChorale. By Antonio…
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String Orchestra Voice - Digital Download SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performance. Duration 1173. David Warin Solomons #706827. Published by David Warin Solomons (A0.1103557). The whole of Vivaldi's Gloria performed by the dwsChorale (one-man choir) with alto solo David W Solomons Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50
6.82 €
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dwsChorale
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David Warin Solomons
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Vivaldi's Gloria
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David Warin Solomons
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SheetMusicPlus
Lalai
Orchestra - intermediate - Digital Download SKU: S9.Q7192 A lullaby to awaken yo…
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Orchestra - intermediate - Digital Download SKU: S9.Q7192 A lullaby to awaken you?. Composed by Barbara Heller. Arranged by Tina Ternes. This edition: score. Concertino. Downloadable, Score. Duration 6 minutes. Schott Music - Digital #Q7192. Published by Schott Music - Digital (S9.Q7192). In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells the story of its father. Based on this song, Barbara Heller composed the duo 'Lalai, Schlaflied zum Wachwerden?' for violin (violoncello) and piano in 1989 - in memory of 50 Iranian women who were murdered under the regime of Khomeini. Lalai is now published in an orchestral version for the first time. Tina Ternes has sensitively orchestrated the charmingly simple folk tune and the desperate cries for help from Lalai with a great sense of detail. The vigorous, angry solos of the violin were instrumented for strings, woodwinds and brass and turned into powerful sound blocks which take turns with melancholy, freely floating passages. The soft melody of the piano part is played by the woodwinds, accompanied by minimalist pizzicato figures of the strings. An impressive work of emotional depth.Flöte 1, Flöte 2, Oboe 1, Oboe 2, Klarinette (in B) 1, Klarinette (in B) 2, Fagott 1, Fagott 2, Horn (in F) 1, Horn (in F) 2, Trompete (in B) 1, Trompete (in B) 2, Posaune 1, Posaune 2, Pauken, Perkussion, Violine 1, Violine 2, Viola, Cello, Kontrabass.
$16.99
15.45 €
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Barbara Heller
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Tina Ternes
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Lalai
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Schott Music - Digital
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SheetMusicPlus
Westerly for flute, violin and string orchestra (mp3)
Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Ma…
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Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
5.91 €
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Alec Keith, Matt Weiss, Octava Chamber Orchestra
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
15.46 €
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David Warin Solomons
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE only)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
9.1 €
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David Warin Solomons
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Sur le même accord
2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Gl…
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2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Glsp. · Marimba · Crot. · 2 hg. Beck. · Tamt. · 3 Bong.) (2 Spieler) - Hfe. - Str. violin and orchestra - Digital Download SKU: S9.Q6297 Nocturne for Violin and Orchestra. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q6297. Published by Schott Music - Digital (S9.Q6297). Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession. This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers. - Henry Dutilleux.
$33.99
30.92 €
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Henri Dutilleux
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Sur le même accord
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Schott Music - Digital
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SheetMusicPlus
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