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ORCHESTRA - BAND
ORCHESTRE
Ensemble de Percussions
Partitions à imprimer
64 partitions trouvées
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BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Ensemble de Percussions
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL O
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Peyber Medina
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pa...
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Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Publ...
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Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
Memories (for Orchestra)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Flávio Régis Cunha
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Memories
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597266 Composed by Flávio Régis Cunha. 20th Century,Contemporary,Holiday,Standards. Score and parts. 55 pa...
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Percussion Ensemble - Level 3 - SKU: A0.597266 Composed by Flávio Régis Cunha. 20th Century,Contemporary,Holiday,Standards. Score and parts. 55 pages. Flavio Regis Cunha #4831445. Published by Flavio Regis Cunha (A0.597266). This emotional, poignant and majestic composition aims to evoke the listener's possible memories through the beautiful soils presented by the woodwinds. The oboe is responsible (soloist) for developing and evoking the listener's memory. Other beautiful solos are designed by other wind instruments. You and your group (orchestra) will love playing this simple piece. Your audience will be delighted.
$18.49
CLARINET CONCERTO (2019) for B-flat Clarinet and Orchestra (SCORE + PARTS)
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Richard St
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CLARINET CONCERTO
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #...
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Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #4854581. Published by Richard St. Clair (A0.939825). This highly animated Concerto for solo B-flat Clarinet and Orchestra is in a single movement. Long solo passages alternate with fuller instrumentation, rising to a climactic finale. Duration: ca. 14'30. Score and complete set of Parts attached.
$500.00
Brazilian Trumpet Double Concerto Part2 Individual orchestra parts
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Arthur Barbosa
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Brazilian Trumpet Double Conce
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ARTHUR BARBOSA NETO
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.988309 Composed by Arthur Barbosa. Contemporary,Latin. Score and parts. 221 pages. ARTHUR BARBOSA NETO #6138293....
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Percussion Ensemble - Level 4 - SKU: A0.988309 Composed by Arthur Barbosa. Contemporary,Latin. Score and parts. 221 pages. ARTHUR BARBOSA NETO #6138293. Published by ARTHUR BARBOSA NETO (A0.988309). Brazilian Trumpet Concerto for 2 trumpets *This file contains individual orchestra parts that is a complement of part 1 with the score Youtube link of this piece: https://www.youtube.com/watch?v=grTItg0WS3U&t=521s&ab_channel=ArthurBarbosaComposer-Conducto...
$10.00
FESTA NO QUILOMBO for French Horn and Orchestra
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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GILSON SANTOS
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FESTA NO QUILOMBO for French H
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Gilson Santos
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.836825 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Latin. Score and parts. 94 pages. Gilson Santo...
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Percussion Ensemble - Level 4 - SKU: A0.836825 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Latin. Score and parts. 94 pages. Gilson Santos #6382683. Published by Gilson Santos (A0.836825). Version for French Horn and Orchestra of the play Festa no Quilombo. In the period of slavery in Brazil, quilombos were the places that blacks took refuge to escape slavery.
$49.90
Bucket Drum Fun with String Orchestra
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Ensemble de Percussions
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FACILE
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Don Hicks
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Bucket Drum Fun with String Or
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Don Hicks
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.844043 Composed by Don Hicks. Children,Instructional. Score and parts. 18 pages. Don Hicks #3386937. Published b...
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Percussion Ensemble - Level 2 - SKU: A0.844043 Composed by Don Hicks. Children,Instructional. Score and parts. 18 pages. Don Hicks #3386937. Published by Don Hicks (A0.844043). This is an elementary level piece for bucket drums and string orchestra. The MP3 audio file, can be used as an accompaniment for either a separate bucket drum group or any of the strings.All string parts have fingering included. The bucket drum part has counting help below each note.
$8.99
Conversation Concerto No.7 - for B flat clarinet and orchestra
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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Conversation Concerto No.7 - f
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938452 Composed by Colin Bayliss. Contemporary. Score and parts. 126 pages. Colin Bayliss #16801. Published by C...
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Percussion Ensemble - Level 4 - SKU: A0.938452 Composed by Colin Bayliss. Contemporary. Score and parts. 126 pages. Colin Bayliss #16801. Published by Colin Bayliss (A0.938452). Programme notes on first page.
$50.00
Conversation Concerto No.3 - for flute and orchestra [score]
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Colin Bayliss
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Conversation Concerto No.3 - f
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938455 Composed by Colin Bayliss. 20th Century,Standards. Score and parts. 68 pages. Colin Bayliss #21221. Publi...
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Percussion Ensemble - Level 4 - SKU: A0.938455 Composed by Colin Bayliss. 20th Century,Standards. Score and parts. 68 pages. Colin Bayliss #21221. Published by Colin Bayliss (A0.938455). Programme notes on first page.
$8.00
Conversation Concerto No.3 - for flute and orchestra [parts for percussion, solo flute and strings]
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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Conversation Concerto No.3 - f
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938457 Composed by Colin Bayliss. 20th Century. Score and parts. 43 pages. Colin Bayliss #21225. Published by Co...
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Percussion Ensemble - Level 4 - SKU: A0.938457 Composed by Colin Bayliss. 20th Century. Score and parts. 43 pages. Colin Bayliss #21225. Published by Colin Bayliss (A0.938457).
$12.00
ADESTE FIDELES for Student Orchestra
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Ensemble de Percussions
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DÉBUTANT
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Antonio Di Giamberardino
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ADESTE FIDELES for Student Orc
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Antonio Di Giamberardino
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.872740 Arranged by Antonio Di Giamberardino. Children,Christmas,Instructional. Score and parts. 19 pages. Antoni...
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Percussion Ensemble - Level 1 - SKU: A0.872740 Arranged by Antonio Di Giamberardino. Children,Christmas,Instructional. Score and parts. 19 pages. Antonio Di Giamberardino #3383457. Published by Antonio Di Giamberardino (A0.872740).
$15.00
SWAN LAKE - SCENE for Student Orchestra
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Ensemble de Percussions
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Antonio Di Giamberardino
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SWAN LAKE - SCENE for Student
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Antonio Di Giamberardino
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.872742 Composed by Peter Ilyich Tchaikovsky. Arranged by Antonio Di Giamberardino. Instructional,Romantic Period...
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Percussion Ensemble - Level 3 - SKU: A0.872742 Composed by Peter Ilyich Tchaikovsky. Arranged by Antonio Di Giamberardino. Instructional,Romantic Period. Score and parts. 27 pages. Antonio Di Giamberardino #3383873. Published by Antonio Di Giamberardino (A0.872742).
$15.00
VARIANTS (for piano and orchestra)
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Ensemble de Percussions
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AVANCÉ
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Jordan Grigg
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VARIANTS
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Jordan Grigg
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.864030 Composed by Jordan Grigg. Concert,Contemporary,Standards. Score and parts. 58 pages. Jordan Grigg #362898...
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Percussion Ensemble - Level 5 - SKU: A0.864030 Composed by Jordan Grigg. Concert,Contemporary,Standards. Score and parts. 58 pages. Jordan Grigg #3628985. Published by Jordan Grigg (A0.864030).
$1.99
[Liptak] Concerto for Piano and Percussion Orchestra
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Ensemble de Percussions
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Contemporain
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David Liptak
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[Liptak] Concerto for Piano an
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952884 Composed by David Liptak. Contemporary. Score and parts. 46 pages. American Composers Alliance Inc. #4625343. Publi...
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Percussion Ensemble - SKU: A0.952884 Composed by David Liptak. Contemporary. Score and parts. 46 pages. American Composers Alliance Inc. #4625343. Published by American Composers Alliance Inc. (A0.952884). A chamber concerto for piano with six percussionists. Percussion needed: 5-octave marimba, claves, maracas, vibraphone, suspended cymbal, 4 tom-toms, woodblock, two-octave set of crotales, medium tamtam, wood vibraslap, glockenspiel, large tamtam, guiro, tub. bells, temple blks, bass drum).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$23.95
Dance of the Hours - Student Orchestra
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Ensemble de Percussions
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FACILE
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Amilcare Ponchielli
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Antonio Di Giamberardino
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Dance of the Hours - Student O
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Antonio Di Giamberardino
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.872749 Composed by Amilcare Ponchielli. Arranged by Antonio Di Giamberardino. Children,Instructional,Opera,Stand...
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Percussion Ensemble - Level 2 - SKU: A0.872749 Composed by Amilcare Ponchielli. Arranged by Antonio Di Giamberardino. Children,Instructional,Opera,Standards. Score and parts. 31 pages. Antonio Di Giamberardino #5299235. Published by Antonio Di Giamberardino (A0.872749). 3 Flutes, 3 Violins, Piano four hands, synthesizer and Percussions.
$15.00
Op. 4 - Colloquial Echo for Full Orchestra
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Ensemble de Percussions
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INTERMÉDIAIRE
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Classique
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K
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Op. 4 - Colloquial Echo for Fu
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K Marschke
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.987177 Composed by K. Marschke. Baroque. Score and parts. 60 pages. K Marschke #2017495. Published by K Marschke...
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Percussion Ensemble - Level 3 - SKU: A0.987177 Composed by K. Marschke. Baroque. Score and parts. 60 pages. K Marschke #2017495. Published by K Marschke (A0.987177). I made this piece over time, adding little by little. At 6 min, I find it kind of good sounding. Very minor!
$50.00
Judex (From Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Judex (from Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Buttercup and Caroline
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Ensemble de Percussions
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FACILE
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Rock
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Mike d'Abo and Tony Macaulay a
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Sam Colston, Ellie Jose
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Buttercup and Caroline
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Sam Colston
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.927492 Composed by Mike d'Abo and Tony Macaulay and Neil Diamond. Arranged by Sam Colston, Ellie Jose. Pop,Rock....
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Percussion Ensemble - Level 2 - SKU: A0.927492 Composed by Mike d'Abo and Tony Macaulay and Neil Diamond. Arranged by Sam Colston, Ellie Jose. Pop,Rock. Score and parts. 29 pages. Sam Colston #3662821. Published by Sam Colston (A0.927492). 5 part orchestral mash-up arrangement of Build Me Up Buttercup and Sweet Caroline. Arranged for a steel drum orchestra but can be played by any orchestra with 3 treble clef and 2 bass clef instruments. Enjoy!
$2.50
Our Dream - Nuestro Sueño
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Ensemble de Percussions
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FACILE
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Iván Mena Ortega
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Our Dream - Nuestro Sueñ
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Publicado por Iván Mena Ortega
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1028837 Composed by Iván Mena Ortega. Contemporary,Standards,World. Score and parts. 45 pages. Publicado por Iván Me...
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Percussion Ensemble - SKU: A0.1028837 Composed by Iván Mena Ortega. Contemporary,Standards,World. Score and parts. 45 pages. Publicado por Iván Mena Ortega #4319625. Published by Publicado por Iván Mena Ortega (A0.1028837). Our Dream, is a work for small symphonic orchestra, multilevel, where the winds oscillate between a level 2 to 3 and the strings between 1 and 3. The emotion of seeing an orchestral movement born in the municipality of Piendamó, in the department of Cauca , Colombia, gave foot to the creation of this work, commissioned to be released on the day that the Piendamó Symphony Orchestra offered its first public concert.Nuestro Sueño, es una obra para pequeña orquesta sinfónica, multinivel, donde los vientos oscilan entre un nivel 2 a 3 y las cuerdas entre 1 y 3. La emoción de ver nacer un movimiento orquestal en el municipio de Piendamó, en el departamento del Cauca, Colombia, dio pié a la creación de esta obra, encargada para ser estrenada el dÃa que la Orquesta Sinfónica de Piendamó ofreció su primer concierto público.
$35.00
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verl
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score a...
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Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
Winter Bells
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications...
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Percussion Ensemble - Level 3 - SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
$3.99
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